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Pain Jerk and John Wiese are two titans of noise. Their collaborations are not a new. This is the stunning prologue, the first one, dated 2005. 7 minutes of synthesizers, electronics, noise. This is what a 7inch must be. Fast, violent, harsh. Play it at 45rpm as loud as possible you can. You know you need it. Artwork by John Wiese. Limited edition of 200 hand-numbered copies, one time presssing
The first new material from the legendary Ramleh since 1998 and it doesn't disappoint. Powerful droning intensity, motorik rhythms and warped guitar riffs dominate these two songs with one containing Ramleh's distinctive distorted vocals weaving in and out of this inventive chemistry. "Switch Hitter" could almost be described as a full on dissonant rock track, but Ramleh's desire for experimentation and improvisation lifts it way above the general rock mindset. Ramleh have not lost any of their …
'The third part in Jupitter-Larsen's series of old trade union / battle songs follows Internationale (Banned Production 2010) and Solidarity CD (Banned Production 2010). Written by the Viennese lyricist and essayist Fritz Brügel, presumably in the late 1920s, this piece deals with the events during the so-called July Revolt in the capital of Austria on July 15, 1927, caused by a court verdict which acquitted three members of the right-wing Frontkmpfervereinigung Deutsch-Österreichs (the sa…
'I really don't know what to say... I have just released a 10' by my favorite band! Released to coincide with the first Sigillum S concert in the US, which we hosted in Chicago on June 7th, 'Organic Skyscrapers & Occult Wastelands' features three brand-new tracks. With unusual electronics, processed and treated guitars, piano, etc., and a host of other elements, rhythms and loops, it takes the listener on a bizarre and beautiful journey.The music and imagery of Sigillum S has intrigued and capti…
Amplified metal, electronics and tapes from Denmark. Alleypisser takes inspirations from italian industrial gods like M.B. and Mauthausen Orchestra and his phenomenal use of tapes and metal ensures that Alleypisser is one of the best industrial act in Europe.. The result for Kvalt is a 7" and a c38 for something like 50 minutes of music. All package in a reel to reel box with insert.
'Gene P' was released as a cassette in 1980, and among the true Bianchi devotees old = best.On the first track (both tracks are untitled) Bianchi uses tape-loops of what could vaguely sound like gamelan music, or wind chimes. Its music with not many changes, music that is not loud and actually quite pleasing.The other side is more experimental. It uses vinyl, scratchy vinyl that is, with the needle jumping all over the place. Its a bit much experiment for the sake of experiment for me here. A mo…
Features Prurient, Pedestrian Deposit, Sewer Election, Panicsville, Immaculate Grotesque, Ahlzgailzehguh, Barrikad, Omei, Climax Denial, Stegm, Mark Solotroff, FFH, A Fail Association, etc. etc." Includes poster. "i started putting this compilation together in 2004 while residing in providence. at that time the climate of noise was rather hi-fi, technological, and cold. This was the start of noise as entertainment rather than entertaining. personal communication became lost. noise becam…
The second series of compilations that presents the best artits that have sprung out of Italy's Northeast scene, rotating around Vittorio Veneto, Codalunga and the Three days of struggle festival, this scene is one of the most interesting and growing scenes of Europe. An intricate of labels, distribution and concert programmers. Featuring exclusive material from Be invisibile now, Bus de la Lum, Der Weze, Excellent Italian, Fantamatres, Kam Hassah, Lettera 22, Magic Towers, Nihil is me, Ottaven,…
This 10xCD box set composed of previously unreleased recordings from 1993–95, it focuses on pure noise from before the introduction of synthesizers and other electronic instruments. The noise is described as being linked to grindcore, having a sense of speed, and was recorded live to cassette. Merzphysics can be considered to be a sequel to Merzbient, which also features unreleased vintage cassette recordings.As with some of the tracks on Merzbient, the titles are taken from cassette brands: AX…
The First all new Ramleh album since 1997, and the first new power electronics recordings from the project for 25 years. And yet Valediction is no ordinary “power electronics” record, nor is it anything as straightforward as simply a return to their roots. Valediction is very much an entity of its own – both consolidating and expanding upon everything Ramleh have touched on in the past, but also digging into entirely fresh ground for the band. Valediction is, perhaps, Ramleh’s most bleakly psych…
This is the limited friends edition limited to 55 copies. This issue comes in a grey wooden box with grey T-shirt and grey LP vinyls, postcard set in a cardboard case with photos by Sinan Revell, a 36-page 12"x12" booklet with information and photos, and the 3 7" vinyls encased in a smaller, black wooden box.
Here's an unmissable and collectable 150 copies limited edition CD album, released to celebrate our fifth year of activities and available only as a free "bonus" included in the "bag" that contains the latest 13 Silentes releases. Born from an idea by Stefano Gentile, who also actively participated to the making of the album, the Maribor project brings together for the first time in a collaborative CD some of the most remarkable names of the Italian experimental and avantagarde scene: Maurizio B…
RESTOCKED amazing 7": a wall of sound, predominantly on some 'obscure' and distorted machines, creating a terror noise music, originating from metal, a conceptual and extreme musical journey.
Finnish artist Tommi Keränen deliver 4 minutes of blasting harsh noise a la Bats In The Attick era. Fierce movements and an insane composition which this time seem even more focused and compressed. Lettera 22 on the other side play a fast and frantic track made by mixer shortcuts, feedbacks and tape saturation. Always in balance between noise and electroacustic with an unique proto-industrial feel.Cut at 45rpm.Edition of 100
Just arrived, stellar release as usual! FIRST EDITION ON VINYL!!! In 1999 SISSY SPACEK made their first recordings as a more or less "conventional" blur/grindcore duo consisting of CORYDON RONNAU (vocals) and JOHN WIESE (bass and drum machine). Shortly after, the band entered a recycling period in which Wiese produced a number of albums and EPs, the first of which was this s/t CD (originally released on Helicopter), transforming their original source material into hardcore musique conc…
The cooperative of composer/improvisers John Wiese (Sissy Spacek) and C. Spencer Yeh (Burning Star Core) presents in a terrific session recorded in August 26, 2007 at The Compound, San Francisco. The work reveals further unexpected developments and strategies of this ongoing partnership. Familiar machineries were primed, but an increasingly alien attitude was fed through and processed into churning and bewildering shapes.
An on going project of prolific artist JOHN WIESE, SISSY SPACEK has taken many forms: intricate collages of the small, quiet, details that trickle through in between “sound”, drums spliced and severed, 18-piece “noise” orchestras, performances that included nothing but the act of shattering glass as source sound to ones that result in broken basses and bleeding throats, etc. On “Fortune,” Wiese has assembled a trio with CHARLIE MUMMA (drums) and CORYDON RONNAU (vocals): crafting twenty-six…
Terrific new release by the cult 'a dear girl called Wendy' italian label: this recordings are a natural progression from the recent "Förruttnelsen" LP on Release The Bats. Like before filthy and decaying reel-to-reel/cassette/tape-echo loops, electronics, junk, field recordings, feedback blasts is mixed with industrial decay and creepy dynamic noise. Minimalistic textures raped by tapeloops, field recordings and junk abuse. Just raw electronics. Organic machine music. No happiness there. 7"…
Subtitled Minimal Compositions, Instrumentals, and Experiments 1980-1983, J.G. Thirlwell's CD-DVD retrospective casts an entirely new and surprising light on his already diverse and infamous Foetus moniker. Some of these songs are close to being 30 years old, however they share more in common with Thirlwell's Manorexia and Steroid Maximus projects than with anything found on albums like Hole or Nail. Steeped in the theory and aesthetics of modern composition, Limb is a revelatory collection th…