New Arrivals
Desaparecido
On Desaparecido, Litfiba ignite their “trilogia del potere” with eight songs where British‑tinged new wave collides with Mediterranean melody and political allegory, turning Italian rock into something at once cosmopolitan, urgent, and obstinately local.
Bone Flower
*100 copies limiteed edition* Bone Flower is the vinyl debut by Belgian musician Ben Van Houdt (Sitka), releasing solo work since 2015. Born from a decade of sound experiments, the album unfolds as a focused and emotionally charged performance, fusing modern classical elements with drone and minimalist composition. Centered around bowed guitar that drifts between the timbral spaces of cello and violin, its harmonic textures are shaped by magnetic tape and decaying sound structures, creating mome…
waxing | waning
Taupe’s latest album release, "waxing | waning" delivers jazz experimentalism, ‘skronk’, avant-rock, and electronics, by the Glasgow-based trio, due out via Minority Records. Across its seven tracks, "waxing | waning" captures Taupe’s approach – bold and boundarypushing – shaped by a fresh shift in the band’s dynamic and compositional approach. Taupe’s "waxing | waning", co-composed and realised by its players in a studio that was once an undertaker’s premises in Glasgow, is an absolutely affirm…
Walking Through the Valley
An aural blast in eight parts from southern California legends Moth Drakula, longtime favorites here.The duo, consisting of Evan Pacewicz [Swampland Press, Roman Torment, Blud Thrist…] and Josh Stewart [Ex Jesus], keeps delivering one amazing release after the other since their 2022 eponymous, unexpected (but long hoped for) comeback record. Play loud, expect hiss. Up the punx.
Audiocide ’95
30th Anniversary reissue for this milestone of italian Noise originally released by Slaughter Productions. ''The reason''. Comes in a black plastic bag with a sticker and a cardboard insert.
Vasaria Moon
The saga continues. Vampiric minimalist drone and foggy landscapes from these two heroes of the true British diy underground.
Clandestine Anticipation
On Clandestine Anticipation, Krisma leave Italo-disco behind for a humid, video‑age dystopia, nine songs where synthetic funk, proto‑industrial atmosphere, and tropical mirages collide into one of the strangest Italian pop artefacts of the early 80s.
Kick Out the Jams
Recorded live at Detroit’s Grande Ballroom in 1968 and released in 1969, MC5’s Kick Out The Jams turns a single night into an explosive proto‑punk manifesto, fusing free‑jazz chaos, garage rock riffing, and revolutionary rhetoric into one compressed blast of electricity.
Felona e/and Sorona
On Felona E/And Sorona 2016, Le Orme revisit their classic sci‑fi concept with a contemporary studio language, stretching the tale of twin planets into a more spacious, synth-forward sound that drifts between nostalgia and quiet reinvention.
Garage: Bad Dream Adventure Original Soundtrack
*Cover TBA* The original soundtrack for “Garage: Bad Dream Adventure,” long regarded among gamers as a “legendary cult classic,” will finally be released on vinyl ahead of its 30th anniversary. The game's setting is a labyrinthine world of ruinous wooden structures, rusted metal, and sewage-filled passages.Tomonori Tanaka's music seeps through the cracks of this meticulously constructed world, cold and shadowed as if sinking into the depths, stirring an indescribable unease while simultaneously …
An Irish Almanac Of Noise & Experimental Music From 2025
Nyahh Records is delighted to present a collection of contemporary noise and experimental musicians from all across the island of Ireland. All crammed into this two disc set with wonderful artwork by Alan Doyle. This significant collection covers multiple generations of artists in the field of audio experimentation, including Danny McCarthy (turned 75 in 2025) and some new heads on the block like Francesca O and Enola Christ Metalizer.
These 32 tracks cover noise, acoustic, electroacoustic, elec…
Immersion
"This was a unique experience recording for me in a studio that I have had several fantastic experiences in over 20yrs. We have not performed, had not rehearsed and were formulating a sonic world in real time as the takes proceeded. Copious light came into the room and never left! I believe we have more than a book within each of us. Sometimes a day provides a sentence. An hour provides a paragraph. A week provides a comma, and a minute provides a whole page. As Wayne Shorter says ‘Our instrumen…
Frequencies In The Fog
*150 copies limited release* Sound trails, minimal structures built with pads, discreet electronic elements, slow, deep and enveloping bass lines, backgrounds of confused voices treated in reverse, circular movements alternating with liquid stasis and quiet... Creaks on layered sound substrates of indecipherable nature, which seem to emerge from a thick blanket of fog that reveals fragments of real landscapes here and there, ready to disappear from view again after a few moments, once more hidde…
Grotto of the Sun
*150 copies limited release* Winding through cavernous and dark meanders, amid gurgling water, rustling sounds, low and deep pulsations, incisive and impactful sound masses, floating waves, crystalline drips, sudden rays of light, electronic spirals, and unexpected openings onto almost soothing soundscapes and quiet environmental stasis, Rod Modell paints musical textures that are apparently abstract and contemplative, but in reality charged with pathos and drama, taking advantage of a spectacul…
Fallen Angel
Somewhere between heaven and hell…there is Fallen Angel. Dark Entries continues its mission of shining light on a generation of composers and musicians lost to AIDS with Brandy Dalton’s Fallen Angel, his soundtrack work for the award-winning Fallen Angel series. Brandy was known for many years in the LA underground for his performances with his boyfriend, Robert Woods, who was the resident DJ at Club Fuck. Eventually, they recruited John Munt to form the band Drance, becoming infamous for their …
Gman+
Gman+ gathers some of the most elusive material from Merzbow’s 2011–2012 period and welds it into a single, punishing disc, four tracks that function as both archival rescue and self‑contained statement. The collection pulls together work originally issued in limited form, recasting it as a crucial chapter in the same cycle that produced Kumo No Zettaichi, Sugamo Flower, Bit Bluesand Kotorhizome. Across “Gman”, “HJYUGTF2”, “Hakutouwashi” and “Lop 13”, Masami Akita works out a language of layered…
Kotorhizome
Kotorhizome catches Merzbow in a phase where noise stops behaving like a vertical wall and starts acting more like an underground network. Recorded between 2011 and 2012 and released later as part of the Slowdown archive cycle, the album is built from a deceptively modest setup: small koto, synth, and drone box woven into three extended pieces. The title fuses “koto” with “rhizome,” hinting at what the music does structurally - traditional string resonance is fed into electronics and allowed to …
Bit Blues
Bit Blues sits in the middle of Merzbow’s Horizon cycle like a scorched signpost, three tracks cut from performances recorded at Munemihouse in 2011 and 2012 and later remastered in 2021. All the music is by Masami Akita, working with a small, intensely exploited setup that favours dense, bit‑crushed textures and overdriven loops over the more sprawling configurations of earlier decades. The title points in two directions at once: “bit” as in digital grain and reduced resolution; “blues” as in a…
Sugamo Flower
Sugamo Flower compresses a particular 2011 moment in Merzbow’s practice into two long tracks that feel like one continuous, mutating organism. Both pieces are sourced from performances recorded that year, later repurposed as material for “Sugamo Flower Festival” on the split LP Freak Hallucinations with Actuary (2012), which gives the album a double life: document of an event and quarry for subsequent work. Central to the sound is the return of the Korg AX30 multi‑effect pedal, a unit Masami Aki…