Agostino Di Scipio
Horbare Okosysteme: Live elektronic compositions 1993-2005
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Agostino Di Scipio teaches his sounds to listen to themselves. the digital sound processing algorithms associated with the pieces listen to their own results, and then modify themselves accordingly, during the course of the piece. through complicated cybernetic procedures inside the black box the software adjusts to the heard in order to create the unheard." Frank Gertich
24 page booklet with text in German and English
Agostino Di Scipio (Naples 1962), composer, sound artist and theorist. His works often explore non-conventional approaches on the generation and trasmission of sound, and recently have involved dynamical networks of live sonic interactions between performers, machines, and environments. Some samples of his work are in his monograph CD "Hörbare Ökosysteme. Live-elektronische Kompositionen" (RZ Edition).
Format
"Texture/Multiple" composed 1993 for seven instruments and real-time sound processing.
Recorded February 14, 2005 (Berlin, Germany).
"Craquelure" composed 2002.
Version one recorded at composer's studio. Version two recorded at the Auditorium of the school of music at University of Illinois (Urbana-Champaign, USA), October 30, 2003.
"5 interazioni cicliche alle differenze sensibili" composed 1997-98 for string quartet and real-time sound processing. Recorded at Santa-Caterina church and at Istituto Gramma (L'Aquila, Italia) in 1998.
"Hörbare Ökosysteme" (Audible ecosystemics) composed 2002-05.
"N.1 Studie über Impulsantworten" (Impulse response study) recorded May 29, 2004, during Festival Inventionen (Berlin, Germany).
"N.2a Studie über Rückkopplungen" (Feedback study) recorded at Santa-Caterina church & at Istituto Gramma (L'Aquila, Italia) August, 29, 2003.
"N.2b Studie über Rückkopplungen, mit Vocalresonanzen" (Feedback study with vocal interferences) recorded at Johannes-Gutenberg-Universität (Mainz, Germany), June 30, 2004.
"N.3a Studie über Hintergrundgeräusche" (Background noise study) recorded at composer's studio, January 21, 2005 (Berlin, Germany).
"N.3b Studie über Hintergrundgeräusche im Vokaltrakt" (Background noise study in a vocal tract) recorded at Elektronisches Studio der Technischen Universität, February 4, 2005 (Berlin, Germany).
Edited at Elektronisches Studio der Technischen Universität, January to March 2005 (Berlin, Germany).
Packaged in a gatefold cardboard slipcase with a 24 page semi-glossy black and white booklet including scores and liner notes in German and English.
℗ © 2005
Release notes
"Texture/Multiple" composed 1993 for seven instruments and real-time sound processing. Recorded February 14, 2005 (Berlin, Germany). "Craquelure" composed 2002. Version one recorded at composer's studio. Version two recorded at the Auditorium of the school of music at University of Illinois (Urbana-Champaign, USA), October 30, 2003. "5 interazioni cicliche alle differenze sensibili" composed 1997-98 for string quartet and real-time sound processing. Recorded at Santa-Caterina church…
| 1 | Texture / Multiple | 12:25 | |
| Craquelure (2 Pezzi Silenziosi, A Giuliano) | |||
| 2 | 1 | 5:00 | |
| 3 | 2 | 5:01 | |
| 5 Interazioni Cicliche Alle Differenze Sensibili | |||
| 4 | 1 | 1:37 | |
| 5 | 2 | 2:20 | |
| 2 | 3 | 2:13 | |
| 7 | 4 | 2:18 | |
| 8 | 5 | 3:00 | |
| Hörbare Ökosysteme | |||
| 9 | N.1 Studie Über Impulsantworten | 8:16 | |
| 10 | N.2a Studie Über Rückkopplungen | 5:50 | |
| 11 | N.2b Studie Über Rückkopplungen, Mit Vocalresonanzen | 4:40 | |
| 12 | N.3a Studie Über Hintergrundgeraüsche | 6:55 | |
| 13 | N.3b Studie Über Hintergrundgeraüsche Im Vokaltrakt | 8:42 | |
- Cyan
- Artwork
- Francesco Dillon
- Cello (4 to 8)
- Agostino Di Scipio
- Composed By [Kyma Audio-plattform], Mixed By, Edited By, Liner Notes
- Ingrid Beirer
- Editor, Liner Notes
- Quartetto Prometeo
- Ensemble
- Frank Gertich
- Liner Notes
- Kai Bienert
- Photography By
- Ignazio Prignano
- Recorded By (4 to 8)
- Carmelo Giallombardo
- Viola (4 to 8)
- Aldo Campagnari
- Violin (4 to 8)
- Francesco Peverini
- Violin (4 to 8)
