One of our records of 2016.
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Mind-crushing 7LP box set housed in a deluxe book-like folder featuring the earliest recorded material from the legendary SPK, dating back to the late 70's and including some properly eye-opening material and combining all of their early works and the bands-history prior to Graeme Revell signing to Wea and to go a slightly different path and more commercial with the band's musical output.
SPK was an Australian industrial band formed in 1978 in Sydney by Graeme Revell and Neil Hill, being one of the earliest, most extreme and most influential industrial, noise, post-punk art projects. By 1983 the band was joined by other artists such as Sinan Revell, Brian 'Lustmord' Williams, John Murphy, Karel Van Bergen, Mike Wilkins, James Pinker. Without any doubt S.P.K.'s early stage from 78 to first half of 1983 and its releases such as Information Overload and Leichenschrei can be considered as ground-breaking and protagonistic for a whole industrial-music-movement to come.
SPK can be considered as influencial as other Industrial-Super-Groups such as Throbbing Gristle, Clock DVA or Cabaret Voltaire and there is no way to come-around this band when talking about the Industrial-Music-Movement.
Stonce cold classics!!!!

Limited frineds edition of 99 copies. Deluxe burgundy color book-like folder in outer holder. 7LP and 7inch in clear vinyl. The Box-set combines all of their early works and the band's history prior to Graeme Revell signing to WEA. Comes with a 14-page booklet, a t-shirt, a poster, a die-cut SPK cardboard and hand-numbered certificate.
Limited edition of 400 copies. Deluxe book-like folder in outer holder. 7LP plus 7inch box-set combines all of their early works and the band's history prior to [a=Graeme Revell] signing to WEA. Some copies came with extra t-shirt and poster. Track B2 is misspelled as 'Stammheim Toturkammer'
| Information Overload Unit (1980) | |||
| A1 | Emanation Machine R.Gie 916 | 5:23 | |
| A2 | Suture Obsession | 5:06 | |
| A3 | Macht Schrecken | 5:19 | |
| A4 | Berufsverbot | 5:30 | |
| B1 | Ground Zero: Infinity Dose | 4:18 | |
| B2 | Stammheim Torturkammer | 4:33 | |
| B3 | Retard | 4:25 | |
| B4 | Epilept: Convulse | 2:32 | |
| B5 | Kaltbruchig Acideath | 4:32 | |
| The 7 Inch Tracks (1979-1981) | |||
| C1 | No More | 2:05 | |
| C2 | Contact | 4:22 | |
| C3 | Germanik | 6:09 | |
| C4 | Factory | 2:13 | |
| C5 | Retard | 3:01 | |
| D1 | Slogun | 6:16 | |
| D2 | Mekano | 2:13 | |
| D3 | See-Saw | 2:25 | |
| D4 | Chamber Musik | 3:10 | |
| Leichenschrei (1982) | |||
| E1 | Genetic Transmission | 3:17 | |
| E2 | Post-Mortem | 2:24 | |
| E3 | Desolation | 1:18 | |
| E4 | Napalm / Terminal Patient | 2:39 | |
| E5 | Cry From The Sanatorium | 2:26 | |
| E6 | Baby Blue Eyes | 2:38 | |
| E7 | Israel | 2:46 | |
| E8 | Internal Bleeding | 1:46 | |
| F1 | Chamber Music | 3:27 | |
| F2 | Despair | 4:45 | |
| F3 | The Agony Of The Plasma | 3:03 | |
| F4 | Day Of Pigs | 4:18 | |
| F5 | Wars Of Islam | 4:32 | |
| F6 | Maladia Europa [The European Sickness] | 3:50 | |
| Backing Tracks For Leichenschrei (1982) | |||
| G1 | Bells | 3:34 | |
| G2 | Napalm | 2:47 | |
| G3 | Funk No. 1 | 2:32 | |
| G4 | Funk No. 2 | 2:53 | |
| G5 | Porno | 3:49 | |
| G6 | Nihil | 2:51 | |
| G7 | Chamber Musik | 3:53 | |
| G8 | Despair | 5:03 | |
| H1 | Metal | 1:22 | |
| H2 | Day Of Pigs | 4:43 | |
| H3 | Gregorian Chant | 4:02 | |
| H4 | Wars Of Islam | 4:43 | |
| H5 | Funkentanz | 4:36 | |
| H6 | Serenace | 8:33 | |
| Other Studio And Compilation Tracks (1981-1983) | |||
| I1 | Metal Field [Auto Da Fé] | 5:55 | |
| I2 | Walking On Dead Steps [Auto Da Fé] | 6:12 | |
| I3 | A Heart That Breaks [In No Time Or Place] [Auto Da Fé] | 4:29 | |
| I4 | Another Dark Age [Decompositions] | 6:58 | |
| I5 | Twilight Of The Idols [Decompositions] | 4:21 | |
| J1 | Culturecide [Decompositions] | 4:46 | |
| J2 | The Sickness [Studio US, 1982] | 6:04 | |
| J3 | Genetic Transmission [Alt.] [Studio Sydney, 1982] | 4:48 | |
| J4 | Serenace [Instrumental] [Studio London, 1982] | 8:17 | |
| J5 | Zombod [A Selection, M Squared] | 3:00 | |
| London Heaven And Electric Ballroom (1982-1983) | |||
| London, Heaven, 31.10.1982 (Mixing Desk Master) | |||
| K1 | Maladia Europa [The European Sickness] | 4:45 | |
| K2 | Suture Obsession | 4:49 | |
| K3 | Berufsverbot | 5:29 | |
| K4 | Metal Field | 5:50 | |
| K5 | Funkentanz | 4:34 | |
| K6 | A Heart That Breaks [In No Time Or Place] | 3:52 | |
| London, Electric Ballroom, 26.04.1983 (Audience Copy) | |||
| L1 | Ich Klage An [Euthanasia] | 8:05 | |
| L2 | The Kult Of The Human Head | 6:57 | |
| L3 | Die Elektrischen Vorspiele | 4:51 | |
| L4 | Hopi Burial | 5:26 | |
| L5 | Satori | 5:25 | |
| Backing Tracks For Electric Ballroom & Brixton Ace (4-20-83/4-26-83) | |||
| M1 | Satori | 5:23 | |
| M2 | Ich Klage An | 6:58 | |
| M3 | Voodoo | 6:35 | |
| M4 | Die Elektrischen Vorspiele | 4:34 | |
| M5 | Twilight Of The Idols | 4:25 | |
| N1 | Hopi Burial | 5:16 | |
| N2 | Haiti | 8:04 | |
| N3 | In The Dying Moments | 6:07 | |
| N4 | Life After Hope | 5:57 | |
| N5 | Culturecide | 4:28 | |
| London, Electric Ballroom, 26.04.1983 (Audience Copy) | |||
| O | Haiti | 8:48 | |
| P | In The Dying Moments | 6:52 | |