Reissues

** Special Time-Limited Offer ** Somethin’ Else remains one of those rare records where everything lines up: the room, the band, the material, and the moment. Cannonball Adderley leads on alto saxophone with Miles Davis’s trumpet cutting through alon…

This first-time reissue of Quinteplus’ 1971 album revives a key moment in Argentine jazz, featuring crisp trumpet and tenor sax, electric piano-driven funk and modal grooves, and a tight, spacious rhythm section. It showcases prominent figures like J…

The devil’s in the details. It always was and it always will be. It’s there for those who seek it out.

Tone Poet, the series created in 2019 to mark the 80th anniversary of the blue label, continues its releases. The Blue Note vinyl reissue collection was created with the intention of celebrating the musical and sonic journey of the great artists who …

A hidden gem from bossa nova pioneer João Gilberto resurfaces with the reissue of 1970 En México, capturing the artist in artistic exile during his time in Mexico City. This intimate album blends timeless Brazilian classics, sultry boleros, and jazz …

This record is a reflection on the end of existence, marked by the illness, the courage, the struggle and the final departure of N. Gomes during its making, to whom it is dedicated. May you wander freely in the shadowless lands! "In the harrowing dis…

Snapshots of an empire downfall black helixes elongated insectile forms a projection over the desert burning surface scimitar smiles through pillars of black smoke emerald shards lit night eyes that see all crosshairs obsidian steel ghosts haunting t…

*2026 Repress* No New York: The Legendary 1978 Snapshot of NYC's Underground Punk Explosion Returns to Spotlight. One of the brightest and most famous projects of the entire punk/new wave scene, No New York captures the raw chaos and innovation of Ne…

*2026 repress* "One of the most important records ever made, John Coltrane's A Love Supreme was his pinnacle studio outing, that at once compiled all of the innovations from his past, spoke to the current of deep spirituality that liberated him from …

Death Is Not The End present a compilation gathering a cross-section of early gospel choirs and vocal harmony groups recorded between late 1920s and the mid-1950s - a period when spirituals & jubilee traditions merged with blues, jazz and early rhyth…

Death Is Not The End collaborate with Uzbek label Maqom Soul to deliver an LP counterpart to last year's mixtape of the same title, compiling specially picked & fully licensed individual belters from the ex-soviet studios of Central Asian republics b…

*Special discounted pricing. 2026 repress* 40 years after the beginnings of the Italo disco movement 'Milano Undiscovered' leads us to discover the first ferments of the Milanese post-punk dance scene. In the early 80's future producers began to veer…

A powerful new archival release from the legendary experimental project Muslimgauze, titled Muslimlahore, is now available worldwide via Bandcamp. This album continues the ongoing posthumous excavation of Bryn Jones’ vast and politically charged body…

On Kachouzu, Merzbow compresses his late‑period harshness into four short movements, a 2×6″ lathe‑cut blast where metallic textures, searing feedback and dense midrange roar behave less like tracks than like successive cross‑sections of the same nois…

With Antibes, The New Blockaders compress twelve years of activity into a fiercely curated 4CD set, 100 copies only, each hand‑signed and uniquely defaced. It plays like a late‑period labyrinth: alternates, rarities, and lost shards arranged as a sin…

On Succès De Scandale, The New Blockaders exhume and reframe their own history, collaging a feral 1984 Morden Tower performance with later materials into a single, rust‑coloured slab of anti‑music that feels like the group’s original sabotage reactiv…

On Kronos Quartet Performs Philip Glass, Kronos Quartet turns four string quartets into a self‑portrait of the composer, charting his path from theatre and film scores to music written directly for the group, all in a language of pulsed clarity and s…

At a time when most bands in the post-Group Sounds boom were gravitating toward British rock, Hiroshi Segawa stood out as one of the few artists exploring country and southern rock sung in Japanese. "Pierrot" represents a peak in that pursuit, backed…

The 1980 album Friction (軋轢, literally “friction”) stands as the moment Friction stop being a rumour from the Tokyo underground and become a fully formed threat on record. It is their first LP and the only one to feature singer Masatoshi Tsunematsu a…

Talented jazz composer, conductor, arranger, trombonist and keyboardist Michael Gibbs’ two albums for Deram, dating from 1970 and 1971. Gibbs recorded with Graham Collier, Johnny Dankworth, Kenny Wheeler and  in the late 60s, before starting his reco…

Live Pass Tour ’80 captures Friction at the precise moment their legend hardens into tape. Recorded during the Pass Tour at Kanagawa University in 1980, just as the band were releasing their first full‑length 軋轢 = Friction, this set has been describe…

The Don Rendell - Ian Carr quintet, created in 1963, was,a small Brit jazz group that took the country by storm and was well received in Europe and in limited circles in the United States. The band developed a unique sound that came out of hard bop a…

Recorded on 28 August 1984 at the Japan Japan Festival in Rome and originally issued the following year on the Marz label, Live At "Ex Mattatoio" In Roma captures Friction far from home but fully in their element. Playing inside the former abattoir o…

’79 Live catches Friction right as Japanese punk is mutating into something stranger and more angular, a December 1979 set that sounds like it was recorded with the mics pointed straight at the band’s collective nervous system. The trio are all attac…

Two years after the death of his mentor and boss, John Coltrane, and just before signing his own contract with Impulse!, Pharoah Sanders finally got around to releasing an album as a leader apart from the Impulse! family. Enlisting a cast of characte…

On Pax, Arvo Pärt’s most emblematic pieces are gathered into a single, quietly radiant anthology, turning his tintinnabuli language into a long meditation on stillness, vulnerability, and the possibility of peace in a noisy, fractured world.

On Spirit Of Eden, Talk Talk dissolve the idea of a “band” into a hushed, slow‑burning soundscape, six long pieces where jazz, blues, chamber music, and near‑silence fuse into something that feels less like an album and more like a single, ritual act…

On Marquee Moon, Television reinvent rock as tense, skeletal architecture, eight songs built from interlocking guitars, nervous poetry, and negative space, culminating in a title track that turns a ten‑minute solo into pure street‑lit vertigo.

On Un biglietto del tram, Stormy Six turn the Italian Resistance into living song, nine pieces where folk‑rock, progressive detail, and militant clarity fuse into one of the sharpest, most moving political albums of the 1970s.

On Fun House, The Stooges tear rock down to its studs and rebuild it as a single, sweating organism: seven tracks of feral groove, free‑jazz squall, and Iggy Pop at maximum possession, a record that still feels like a room on the verge of imploding.

The Stooges turn three chords and a bad mood into a new language, eight songs of slack‑jawed menace and bored fury that quietly redraw the limits of late‑60s rock and sketch punk’s silhouette in acid‑scarred pencil.

On Litfiba 3, Litfiba close their “trilogy of power” with a sharp, politically charged rock album where Mediterranean new wave, hard‑edged guitars, and an almost cinematic sense of drama crystallise into one of the band’s most enduring statements.

On Desaparecido, Litfiba ignite their “trilogia del potere” with eight songs where British‑tinged new wave collides with Mediterranean melody and political allegory, turning Italian rock into something at once cosmopolitan, urgent, and obstinately lo…

"These powerful performances from Copen­hagen and Bordeaux, released officially here for the first time, and the Newport Festival in the U.S., provide further evidence of the music’s collective necessity – the true ensemble co­ordination which Ayler …

Radiation Reissues proudly announces the first-time cassette release of DMZ – Relics, a cornerstone of garage-punk history, timed to celebrate the 50th anniversary of iconic label Bomp! Records. This explosive collection captures the raw, unfiltered …

Music historians and funk aficionados rejoice: the ultra-rare second volume of Tim Maia's groundbreaking Racional album series from the 1970s is back, delivering an even funkier, harder-edged evolution of the Brazilian soul legend's visionary sound. …

Unexamine was the creature of Danny Costa and Charlie Mumma. We originally released this tape ten years ago. It was a very special one, and the beginning of our collaboration and friendship. Me and Charlie thought of make it available again for more …

On Reich/Richter, Steve Reich joins Ensemble Intercontemporain and conductor George Jackson for a single 37‑minute arc of pulsed colour, a chamber‑orchestral score conceived in dialogue with Gerhard Richter’s moving stripes, where pattern, blur, and …

On Runner / Music for Ensemble and Orchestra, Steve Reich joins the Los Angeles Philharmonic Orchestra and Susanna Mälkki for two late-period works that stretch his pulsed minimalism onto a large orchestral canvas, maintaining propulsive clarity whil…

The mantra repeats for thirteen minutes, hypnotic as a highway journey, ecstatic as a stadium anthem. It's 1976 and Klaus Dinger - the drummer who invented the motorik beat, the man who alongside Michael Rother created Neu! and redefined the very con…