Reissues

** Special Time-Limited Offer ** On Mosaic, Art Blakey and the Jazz Messengers show exactly why the band became a kind of graduate school for hard bop. This edition of the Messengers fields Freddie Hubbard on trumpet, Curtis Fuller on trombone, Wayne Shorter on tenor saxophone, Cedar Walton at the piano, Jymie Merritt on bass, and Blakey himself driving the drums, a front line and rhythm section as elegant as they are explosive. The compositions are memorable without ever feeling formulaic, stit…

** Special Time-Limited Offer ** Somethin’ Else remains one of those rare records where everything lines up: the room, the band, the material, and the moment. Cannonball Adderley leads on alto saxophone with Miles Davis’s trumpet cutting through alongside Hank Jones on piano, Sam Jones on bass, and Art Blakey on drums, a Blue Note all‑star line-up operating at peak equilibrium. The album sounds like a conversation between Adderley and Davis, two distinct voices who know exactly how far they can …

This first-time reissue of Quinteplus’ 1971 album revives a key moment in Argentine jazz, featuring crisp trumpet and tenor sax, electric piano-driven funk and modal grooves, and a tight, spacious rhythm section. It showcases prominent figures like Jorge Anders and “Pocho” Lapouble. Quinteplus was born in Buenos Aires at the end of the 1960s, emerging directly from the ideas and experiments of the legendary Agrupación Nuevo Jazz. Founded in the early ’60s, this collective brought together some o…

The devil’s in the details. It always was and it always will be. It’s there for those who seek it out.

Tone Poet, the series created in 2019 to mark the 80th anniversary of the blue label, continues its releases. The Blue Note vinyl reissue collection was created with the intention of celebrating the musical and sonic journey of the great artists who have travelled their creative path in the grooves of the label's great albums, helping to make the brand a legend. The series stems from Don Was's (President of Blue Note) admiration for the exceptional reissues for true audiophiles produced by the i…

A hidden gem from bossa nova pioneer João Gilberto resurfaces with the reissue of 1970 En México, capturing the artist in artistic exile during his time in Mexico City. This intimate album blends timeless Brazilian classics, sultry boleros, and jazz standards, all filtered through Gilberto’s signature whisper-soft vocals and minimalist guitar accompaniment. Recorded live in the vibrant heart of Mexico City, En México showcases Gilberto’s unparalleled ability to transcend borders. Standout tracks…

This record is a reflection on the end of existence, marked by the illness, the courage, the struggle and the final departure of N. Gomes during its making, to whom it is dedicated. May you wander freely in the shadowless lands! "In the harrowing distance" stands out from previous Karnnos records. Experimentalism and musicality are woven together on pieces that range from subtility to agressiveness. With a renewed focus on electronics and a new set of instruments (the zither and the harmonium we…

Snapshots of an empire downfall black helixes elongated insectile forms a projection over the desert burning surface scimitar smiles through pillars of black smoke emerald shards lit night eyes that see all crosshairs obsidian steel ghosts haunting the night geography in flames born under treason's ulcerous mouth.To behead the vipers one by one.

*2026 Repress* No New York: The Legendary 1978 Snapshot of NYC's Underground Punk Explosion Returns to Spotlight. One of the brightest and most famous projects of the entire punk/new wave scene, No New York captures the raw chaos and innovation of New York City's underground art and music world. Originally released in 1978 on Island Records' sub-label Antilles, this groundbreaking compilation—produced by the visionary Brian Eno—features four of the most daring, rule-breaking bands from the NYC s…

*2026 repress* "One of the most important records ever made, John Coltrane's A Love Supreme was his pinnacle studio outing, that at once compiled all of the innovations from his past, spoke to the current of deep spirituality that liberated him from addictions to drugs and alcohol, and glimpsed at the future innovations of his final two and a half years. Recorded over two days in December 1964, Trane's classic quartet-- Elvin Jones, McCoy Tyner, and Jimmy Garrison -- stepped into the studio and …

Death Is Not The End present a compilation gathering a cross-section of early gospel choirs and vocal harmony groups recorded between late 1920s and the mid-1950s - a period when spirituals & jubilee traditions merged with blues, jazz and early rhythm and blues, providing the musical routes for the coalescence of the civil rights movement born out of the black church. In the modern world these perennially vital recordings provide a fitting tonic for the near-dystopia we find ourselves living thr…

Death Is Not The End collaborate with Uzbek label Maqom Soul to deliver an LP counterpart to last year's mixtape of the same title, compiling specially picked & fully licensed individual belters from the ex-soviet studios of Central Asian republics between 1978 and 1989 - incl. Uzbek, Tajik, Kurdish & Uyghur artists pulling traditional folk motifs together with pop & rock and psych elements. "These recordings do not form a smooth or coherent history. They feel more like a sequence of discoveries…

*Special discounted pricing. 2026 repress* 40 years after the beginnings of the Italo disco movement 'Milano Undiscovered' leads us to discover the first ferments of the Milanese post-punk dance scene. In the early 80's future producers began to veer towards a form of dance music not yet defined, what once seemed like an experimental form, today sounds like a cornerstone for future development in the club scene of key city as Berlin, Paris, Stockholm and Amsterdam. Italo disco was first mistreat…

A powerful new archival release from the legendary experimental project Muslimgauze, titled Muslimlahore, is now available worldwide via Bandcamp. This album continues the ongoing posthumous excavation of Bryn Jones’ vast and politically charged body of work, offering listeners a fresh immersion into his unique blend of ethnic electronica, dub, and tape-based soundscapes. Muslimlahore presents a suite of tracks that reflect Muslimgauze’s enduring fascination with South Asian and Islamic themes, …

On Kachouzu, Merzbow compresses his late‑period harshness into four short movements, a 2×6″ lathe‑cut blast where metallic textures, searing feedback and dense midrange roar behave less like tracks than like successive cross‑sections of the same noise storm.

With Antibes, The New Blockaders compress twelve years of activity into a fiercely curated 4CD set, 100 copies only, each hand‑signed and uniquely defaced. It plays like a late‑period labyrinth: alternates, rarities, and lost shards arranged as a single, anti‑retrospective.

On Succès De Scandale, The New Blockaders exhume and reframe their own history, collaging a feral 1984 Morden Tower performance with later materials into a single, rust‑coloured slab of anti‑music that feels like the group’s original sabotage reactivated for the present.

On Kronos Quartet Performs Philip Glass, Kronos Quartet turns four string quartets into a self‑portrait of the composer, charting his path from theatre and film scores to music written directly for the group, all in a language of pulsed clarity and slowly deepening harmony.

At a time when most bands in the post-Group Sounds boom were gravitating toward British rock, Hiroshi Segawa stood out as one of the few artists exploring country and southern rock sung in Japanese. "Pierrot" represents a peak in that pursuit, backed by an all-star lineup from Japan’s New Rock movement: Hideki Ishima and Jun Kozuki from Flower Travellin’ Band, Tetsu Uchiyama and Hiromi Harada from Samurai, and Katsuo Ohno from PYG.   This reissue includes the bonus track "Kimi ga Ita Shiroi Heya…

The 1980 album Friction (軋轢, literally “friction”) stands as the moment Friction stop being a rumour from the Tokyo underground and become a fully formed threat on record. It is their first LP and the only one to feature singer Masatoshi Tsunematsu as a full member, with production by none other than Ryuichi Sakamoto, who helps translate the band’s live volatility into a lean, sharply contoured studio language. Coming out of the Tokyo Rockers milieu and carrying memories of time Reck and Chico H…

Talented jazz composer, conductor, arranger, trombonist and keyboardist Michael Gibbs’ two albums for Deram, dating from 1970 and 1971. Gibbs recorded with Graham Collier, Johnny Dankworth, Kenny Wheeler and  in the late 60s, before starting his recording career. As a producer and arranger, Gibbs has worked with a who’s who of artists including Whitney Houston, Joni Mitchell, Pat Metheny, John McLaughlin, Peter Gabriel and many more. Digitally remastered and slipcased. Extensive new notes by Cha…

Live Pass Tour ’80 captures Friction at the precise moment their legend hardens into tape. Recorded during the Pass Tour at Kanagawa University in 1980, just as the band were releasing their first full‑length 軋轢 = Friction, this set has been described as the “definitive, fully edited document” of their early peak, preserving the original line‑up with singer Masatoshi Tsunematsu still fronting the group. Where studio takes tighten and cool their New York‑shaped no‑wave and Tokyo Rockers energy, t…

The Don Rendell - Ian Carr quintet, created in 1963, was,a small Brit jazz group that took the country by storm and was well received in Europe and in limited circles in the United States. The band developed a unique sound that came out of hard bop and moved through many different phases, developing a unique musical language before they reached the mountain top of creative expresión.

Recorded on 28 August 1984 at the Japan Japan Festival in Rome and originally issued the following year on the Marz label, Live At "Ex Mattatoio" In Roma captures Friction far from home but fully in their element. Playing inside the former abattoir of the Testaccio district - already a rough, resonant space in the city’s underground - Reck’s group bring the sharpened angles of Tokyo Rockers to a European audience, fusing serrated no‑wave guitar, thick, stalking bass lines, and clipped, incantato…

’79 Live catches Friction right as Japanese punk is mutating into something stranger and more angular, a December 1979 set that sounds like it was recorded with the mics pointed straight at the band’s collective nervous system. The trio are all attack and recoil: sharp, metallic guitar figures slashing across a rhythm section that alternates between locked‑groove insistence and sudden, collapsing turns. Vocals arrive in bursts of English and Japanese, more incantation and accusation than sing‑al…

Two years after the death of his mentor and boss, John Coltrane, and just before signing his own contract with Impulse!, Pharoah Sanders finally got around to releasing an album as a leader apart from the Impulse! family. Enlisting a cast of characters no less than 13 in number, Sanders proved that his time with Coltrane and his Impulse! debut, Tauhid, was not a fluke. Though hated by many of the jazz musicians at the time - and more jazz critics who felt Coltrane had lost his way musically the …

On Pax, Arvo Pärt’s most emblematic pieces are gathered into a single, quietly radiant anthology, turning his tintinnabuli language into a long meditation on stillness, vulnerability, and the possibility of peace in a noisy, fractured world.

On Spirit Of Eden, Talk Talk dissolve the idea of a “band” into a hushed, slow‑burning soundscape, six long pieces where jazz, blues, chamber music, and near‑silence fuse into something that feels less like an album and more like a single, ritual act of listening.

On Marquee Moon, Television reinvent rock as tense, skeletal architecture, eight songs built from interlocking guitars, nervous poetry, and negative space, culminating in a title track that turns a ten‑minute solo into pure street‑lit vertigo.

On Un biglietto del tram, Stormy Six turn the Italian Resistance into living song, nine pieces where folk‑rock, progressive detail, and militant clarity fuse into one of the sharpest, most moving political albums of the 1970s.

On Fun House, The Stooges tear rock down to its studs and rebuild it as a single, sweating organism: seven tracks of feral groove, free‑jazz squall, and Iggy Pop at maximum possession, a record that still feels like a room on the verge of imploding.

The Stooges turn three chords and a bad mood into a new language, eight songs of slack‑jawed menace and bored fury that quietly redraw the limits of late‑60s rock and sketch punk’s silhouette in acid‑scarred pencil.

On Litfiba 3, Litfiba close their “trilogy of power” with a sharp, politically charged rock album where Mediterranean new wave, hard‑edged guitars, and an almost cinematic sense of drama crystallise into one of the band’s most enduring statements.

On Desaparecido, Litfiba ignite their “trilogia del potere” with eight songs where British‑tinged new wave collides with Mediterranean melody and political allegory, turning Italian rock into something at once cosmopolitan, urgent, and obstinately local.

"These powerful performances from Copen­hagen and Bordeaux, released officially here for the first time, and the Newport Festival in the U.S., provide further evidence of the music’s collective necessity – the true ensemble co­ordination which Ayler adopted, elaborated and romanticized, from his awareness of historic New Orleans precedents." - Art Lange

Radiation Reissues proudly announces the first-time cassette release of DMZ – Relics, a cornerstone of garage-punk history, timed to celebrate the 50th anniversary of iconic label Bomp! Records. This explosive collection captures the raw, unfiltered fury of DMZ, the legendary late-'70s Detroit trash outfit that channeled the primal energy of The Stooges and the sleazy swagger of the New York Dolls. Formed in the gritty heart of Detroit's rock underbelly, DMZ delivered a sound that was equal part…

Music historians and funk aficionados rejoice: the ultra-rare second volume of Tim Maia's groundbreaking Racional album series from the 1970s is back, delivering an even funkier, harder-edged evolution of the Brazilian soul legend's visionary sound. Building on the heavy soul vibes of Maia's early '70s Polydor albums, this gem channels a potent dose of American funk and R&B—drawn straight from the raw energy of the East Coast indie scene. Tim Maia, one of Brazil's few true masters of the groove …

Unexamine was the creature of Danny Costa and Charlie Mumma. We originally released this tape ten years ago. It was a very special one, and the beginning of our collaboration and friendship. Me and Charlie thought of make it available again for more people to enjoy it, as a tribute to Danny. Cost Forever. Love Eternal.

On Reich/Richter, Steve Reich joins Ensemble Intercontemporain and conductor George Jackson for a single 37‑minute arc of pulsed colour, a chamber‑orchestral score conceived in dialogue with Gerhard Richter’s moving stripes, where pattern, blur, and return become musical form.

On Runner / Music for Ensemble and Orchestra, Steve Reich joins the Los Angeles Philharmonic Orchestra and Susanna Mälkki for two late-period works that stretch his pulsed minimalism onto a large orchestral canvas, maintaining propulsive clarity while opening into shimmering, almost symphonic depth.