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This vinyl release is a 2x12-inch with printed sleeve and inner sleeves. Also there is a a CD insert of all the tracks. Osmo Lindeman is one of the main developers of electronic music in Finland. He was active in Europe, USA and Finland from 50s to end of 70s. In the beginning Osmo Lindeman studied and worked as a modern classical composer. During the 1960s he shifted making electronic music only at his home studio. Lindeman is a Finnish hybrid of Monty Norman, Krzysztof Penderecki and Edgar Var…
Tip! Love Cry (1968) is a true Albert Ayler manifesto: a sometimes disorienting combination of childish dirges, band music and folk melodies, all revised according to the New Thing perspective. Experimental album (for the time) containing some of the saxophonist's most famous tunes, such as "Ghosts." Ayler's last recording with his brother Donald, while the others are double bassist Alan Silva and drummer Milford Graves, with (surprise) contributions from harpsichordist Call Cobbs.
"Lion's second volume of the Black Sun Ensemble's recordings for their classic first album contains an alternate version of that album, including the tracks from the Camera Obscura label CD (2000) version of that album -- well, sort of. When sifting through the masters while preparing the Lion reissue of the real, actual first Black Sun Ensemble album -- as issued in 1985 on Pyknotic -- it became clear that many of the original LP tracks were also on the Camera Obscura CD release, but under the …
Hastings of Malawi are Heman Pathak, David Hodes and John Grieve. They recorded the album in one night in 1981 with no plan and no idea of what they were doing. They played drums, clarinet, synthesiser and piano but also made use of things that they found lying around the studio – old records, cookery books, telephone directories and a telephone. The recordings were played down the phone to randomly dialled numbers and the reactions added to the recording. All three had been involved in the reco…
Big Tip! In the 1950s and 60s, the blues was the dominant form of Black vernacular music throughout Texas and the surrounding areas. In segregated neighborhoods, community members gathered in saloons, dancehalls, and each other’s homes to hear their neighbors sing their stories of sorrow, heartbreak, jubilation, and triumph. Robert “Mack” McCormick, an academically untrained but fanatical devotee of the blues, stepped into this world and became one of its most devout advocates and documentarians…
2023 repress. "In a trajectory full of about-faces, Music for Four Guitars splices the formal innovations of Bill Orcutt's software-based music into the lobe-frying, blown-out Fender hyperdrive of his most frenetic workouts with Corsano or Hoyos. And while the guitar tone here is resolutely treble-kicked — or, as Orcutt puts it, "a bridge pickup rather than a neck pickup record" — it still wades the same melodic streams as his previous LPs (yet, as Heraclitus taught us, that stream is utterly d…
2023 repress; LP version. "It's been ten years since Bill Orcutt released A History of Every One (EMEGO 173CD, 2013), a compendium of hacksaw renditions of American standards on acoustic guitar -- and since ten years is a blink of an eye, you are forgiven for not immediately realizing that we've gone an entire decade waiting for Jump On It, the next Orcutt solo acoustic record. As those of us of 'a certain age' will tell you (ad nauseam), a decade is a blink of an eye containing an infinity of e…
Throughout their legendary, decade-long run, The Shadow Ring were an enigmatic force on the international musical sub-underground. Before their disbandment in 2002, this shambolic rock outfit, formed by a group of rowdy teenagers in southeast England, left behind a mighty run of eight LPs, a handful of 7"s, and a spate of raucous live shows and cryptic zine appearances on both sides of the Atlantic, all which have bolstered their enduring word-of-mouth mystique. Beginning this year with the firs…
Throughout their legendary, decade-long run, The Shadow Ring were an enigmatic force on the international musical sub-underground. Before their disbandment in 2002, this shambolic rock outfit, formed by a group of rowdy teenagers in southeast England, left behind a mighty run of eight LPs, a handful of 7"s, and a spate of raucous live shows and cryptic zine appearances on both sides of the Atlantic, all which have bolstered their enduring word-of-mouth mystique. Beginning this year with the firs…
Tip! Recorded a month after Outspan No 1, this album offers up four more sonic delights from the core trio of Brötzmann, Van Hove, and Bennink. Rarely has free jazz/Euro improv/circus music/[your identifier here] sounded so unfettered and delightful -- adventurous without seeming self-serious, silly yet not without gravity. A must for any fan of these three maestros.
Tip! It's hard to imagine how this record -- and it's mate, Outspan No 2 -- managed to remain more or less out of circulation from the CD era onward. Outspan No 1 is nothing less than an ideal distillation of the broad approach to sound creation utilized by the three-ring circus that is Brötzmann, Van Hove, and Bennink, here with the added bonus of Mangelsdorff. Two short numbers, two long, too perfect.
*2023 stock* Siddhartha, named after a novel by Hermann Hesse, were formed in 1973 in Korntal near Stuttgart. They performed an intelligent mix-ture of progressive and art rock influenced by psychedelia and folk. Although their 1975 album is called "Weltschmerz" all songs contain English lyrics except for "Weit weg". It was released in a limited edition of 400 copies and is now one of the most sought-after collectors’ items. A thirty minute demo tape by Siddhartha which was recorded after the re…
*2023 stock* Epidermis were founded in Idstein, Germany, in 1971. They played some complex and sophisticated rock music, often compared with Gentle Giant, Yes and the Canterbury scene. 'June 1975' has not been released on any physical format back then, and has been made available for the first time. The 20-page booklet in LP size contains a long band history in German and English lyrics and a detailed discography.
*2023 stock* Before the Munich krautrockers turned more strongly in the direction of world music in the following years, at this gig they once again delivered their mix, moving between funk and jazz, as it defined the mid-70s. Fixed song structures never played a role with Embryo. Apart from the - despite difficult meter - extremely loose-floppy 'Getalongwithasong' (from the 1977 studio album Apo-Calypso), they mainly played new improvisations in Vlotho."
*2023 stock* Originally based in Stuttgart Conny Veit’s Gila had already recorded a more rocking psychedelic first album with a different line-up when Veit was invited to Munich to record “Hosianna Mantra” for Florian Fricke’s Popol Vuh. Hanging around frequently at Amon Düül’s commune in Kronwinkel he met Daniel Fichelscher who played and recorded with Amon Düül II at that time. Veit was impressed with Fichelscher’s drumming and decided to revive Gila with Fichelscher on drums, Veit playing gui…
*2023 stock* This album is a bit difficult to pigeonhole, as most of the early Embryo work is. The opening number sounds if anything, like an outtake from Miles Davis' Jack Johnson soundtrack, but with lead guitar sound more prominant. Then, gears are switched, and you are listening to acoustic folk guitar and sitar, which melts into a cool ostenato riff flanging around, that just builds and builds, with countermelody on Violin (or Veena?) and guitar weaving in and out, along with the drum parts…
"Schock" was released in 1977 and directed by horror maestro Mario Bava, released while Italian horror cinema was at its peak, following the international success of Dario Argento with Deep Red and Suspiria. While Goblin soundtracked the work of Argento, the choice for the music of Schock fell on Libra, (distant relatives of Goblin , thanks to drummer Walter Martino and guitarist Carlo Pennisi). In ‘77 Libra, after a brief dalliance with legendary soul/funk label Motown, had practically split up…
11th Street Fire Suite is a post-BAG (Black Artists Group) classic. An emotionally ranging set of blues-drenched duets by alto saxophonist Luther Thomas and flutist Luther C. Petty, it's one of the great documents of the St. Louis creative music diaspora, a wild ride through turbulent and beautiful terrain on a slab of vinyl that's as rare as hen's teeth in its original form. Relocated from their midwestern hometown to New York City, Thomas and Petty entered the studio in 1978 with a fellow musi…
Corbett Vs. Dempsey presents the second release in an ongoing series that will reconstruct the legacy known and the legacy damned of the most overlooked and under-documented American free rock unit, Dredd Foole and the Din.
Tip! Originally released in 1996 as a single-sided tape on Gabriele's Less Than Zero label, and featuring sound sources from Jonathan Canady on one track, the album now comes with a bonus track 'Torture King' sourced from the original master tape, that was previously released in edited form on the 'Retrocuts' compilation.