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*200 copies limited edition* Unbeknownst to the general public at the time and underappreciated until today, arguably the world's first punk record was recorded on September 28, 1966, in New York. On that day, The Godz got together to record their first album "Contact High with The Godz" in about 30 minutes, to be released on the avant-garde label ESP. It comprises eight rudimentary songs (plus one bizarre Hank Williams cover), played without prior rehearsals or repeats, sounding deliberately in…
Tip! *100 copies limited edition* Chantal Michelle's latest work is an immersive composition across four movements, originally presented as a multi-channel installation and reworked for stereo. As with her previous release on Dinzu, Michelle exquisitely captures the raw, elemental processes of the natural world – here evoking the layered, grainy textures of geological formations. The track's titles both denote these geological processes and describe the composition's sonic behaviors and trajecto…
Ten years in the making, Brion Gysin’s Dreamachine is being released by Soleilmoon Recordings, in cooperation with The Hafler Trio and Simply Superior.
2024 stock. Controlled Bleeding was formed in 1978 in Boston. Over the years members have come and gone and the band has transformed and reinvented itself numerous times. In 2010 Paul Lemos remixed the Controlled Bleeding lineup. Drummer Tony Meola rejoined the band and Michael Bazini (a.k.a. DJ Butterface) came onboard to play electronics. The trio played a slew of live gigs in the New York City area, blasting audiences with an improvised instrumental mix of blistering guitar riffs, hypnotic ba…
'La deviazione del profilo’ (the deviation of the profile), is a sound/concrete work that focuses its research on environmental and sonic "profiles" of multiple landscapes, interior or otherwise. It is not about travel, but the freezing of an environment without identity, seeking the auditory erasure of the subject/object concept of a hypothetical territory, temporal suspension. Thus the sound as a weft or a fabric, where, in its spaces, between its threads, voids and smaller sounds nestle. At t…
Repress of this gem by Jon Collin. Recorded in Stockport (UK) and Stockholm (SE) in late 2016 and early 2017, inside and outside. First released on Early Music, autumn 2017. This is the second vinyl pressing. Two-colour riso-printed cover pasted onto kraft brown or reverse-board white sleeves, with insert and hand-stamped labels.
La Scie Doree returns with an absolute stunner, the LP “Atlantic Crossing”, a reissue of a rare privately released cassette recorded by the Bayerischer Rundfunk, from 1988
*200 copies limited edition* And if we thought we couldn't top a line-up, here's this unique quartet who brings a totally different experience. While Garuda Trio with special guest Rodrigo Pinheiro musters a fine balance between classic free jazz and improvisation, this quartet dives deep into the fantastic realm of pure improvisation and textural dialogue : the electronics of Carla Santana, the subtle horn contribution of José Lencastre, Maria do Mar drawing linear lines on the viola and the ev…
*200 copies limited edition* Our 2nd release in the Axis series, graced with the beautiful b&w photography of Martina Verhoeven, is a special one. When José Lencastre came over last year for a recording with Dirk Serries (a pending release somewhere), we did this last-minute trio concert for the Jazzblazzt series in The Netherlands. With Martina Verhoeven on the electric crumar piano, this trio became something else. Tryptophan Suite represents the very first notes this new trio played togeth…
Emerging out of Amsterdam's vibrant squat scene in 1979, The Ex – a name chosen for the ease and speed with which it could be spray-painted onto a wall – have for four decades been an entirely self-sustaining musical entity, charting a course through the global underground with a spirit of freedom and radical exploration. On 1985's Pokkeherrie (Dutch for "terrible noise"), The Ex return to the more stripped-down instrumentation on their early LPs. A key lineup change would also see the arrival o…
Emerging out of Amsterdam's vibrant squat scene in 1979, The Ex – a name chosen for the ease and speed with which it could be spray-painted onto a wall – have for four decades been an entirely self-sustaining musical entity, charting a course through the global underground with a spirit of freedom and radical exploration. Blueprints For A Blackout, The Ex's fifth album and first double LP, combines caustic studio experimentations and loose songs from their gripping live-set at the time. The band…
**17 CDs, 1 DVD and 250 pages of histories, chronology, testimony and commentaries by the band, sundry contemporary documents, and rare photographs – in a sturdy box.** This collection brings together in an inexpensive and definitive edition the full contents of all earlier releases, with the addition of a further 60pp booklet of newly unearthed, or commissioned, band commentaries, pictures and other documents prepared specifically for this box - as well as re-mastered versions of all the studio…
** 2024 Repress. The complete official lifetime releases of This Heat: This Heat, Deceit, Health and Efficiency, Made Available and Repeat, re-mastered and re-packaged, with a substantial (48pp) book of interviews, recollections, information, documents and photographs in a sturdy box, PLUS a new CD of concert recordings ** This Heat were born in the years immediately preceding punk rock. Severe young men Charles Bullen and Charles Hayward were making things go pish-ding-whoosh on London’s free-…
*150 copies limited edition* Nate Scheible makes amorphous music that evades easy classification. Whether working with electronics or as a drummer, his fascination with tone and texture results in a sense of playful exploration, undercutting the stoicism that defines so much contemporary ambient music and free improvisation. Sounds quiver at the edge of existence, flickering imperceptibly between presence and absence. The boundary between the familiar and otherworldly blurs as he approaches the …
"Music for Two Flutes is one of those numerous documents of modern composition with deceptively humble titles. Both "Ceòl Meadhonach" and "SLUB", the pair of pieces presented on this digipak release from Hideous Replica, are certainly written for and performed by flutes, but what each actually sounds like transcends (yet does not hide) such a minimal approach. I’m revealing my own inexperience when I admit I have always associated the instrument with an almost saccharine whimsicality, all delica…
The long-awaited LP reissue of the avant-garde pop band Noizunzuri, acclaimed as the Japanese Neu!, is here. This first album, originally released in 1985 through Telegraph, features the enigmatic participation of Jun Togawa on vocals. It's a bizarre record that represents indigenous Japanese rock originating from Kyoto.
*200 copies limited edition*
Rhys Chatham: trumpet in B flat, transverse flute in C, alto and bass flutes, electric guitarZ'EV: Yamaha DTXPRESS, 16-bit AWM2
Recorded at Studio Myrha, Paris 2014
*300 copies limited edition* Casimir Liberski, pianist, improviser and composer widely recognized in Belgium as one of the most gifted jazz musicians, joins forces with renowned Japanese drummer and composer, Tatsuya Yoshida, founder of the group Ruins, he is considered a monument in the realm of Japanese avant-garde music. This duo brings together two generations and two distinct worlds of sound to deliver free improvisation and syncretic new music on their debut album “Troubled Water". Ranging…
Horizontal shift, features the international trio, from Germany and U.S., of Birgit Ulher, Carol Genetti, and Eric Leonardson. The CD consists of a live performance recorded in 2018 at Elastic Arts in Chicago. Having known each other since the late 1990s, it wasn’t until early 2018 that Ulher, Leonardson and Genetti were able to perform as a trio at Elastic Arts in Chicago. All three are seasoned performers in their own right — each bringing their distinct palettes in combination to create an im…
Monster Mélodies presents the second in a two-part unpublished recording of a concert by Brigitte Fontaine and Areski Belkacem at studio 102 of the Maison de la Radio dating May 21st, 1973. Areski Belkacem and Brigitte Fontaine, major artists of the French counterculture, were often be censored or deliberately ignored by the media due to their libertarian positions. Obtaining success at a late stage, it was not until the album Kékéland in 2001 and Rue Saint Louis en l'Ile in 2004, for Brigitte F…