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Recorded in a bedroom with classical guitar and 4-track tape, The Next From Field Commander is Australian folk of rare emotional density. Layered vocals, inhabited silences, a voice that lingers.
New album by FLOCKS, the duo of drone specialist Werner Durand and percussionist Uli Hohmann. Musical landscapes that move between traditional as well as experimental sounds with influences from Krautrock and Jon Hassell's "fourth world" aesthetics.
In Behind Eleven Deserts, Stephan Micus braids suling, sarangi, sitar and bodhrán into a quietly radiant ritual, a 1978 desert mirage where distant traditions dissolve into one slow, breathing, unmistakably Micusian song.
*100 copies limited release* With Totem Flotté, Brice Kartmann delivers a first solo album of instrumental electronic music, in which the modular synthesizer becomes a true field of exploration and immersion. Sound engineer, musician, sound designer,…
On changing bodies, Thomas Peter treats the world as a resonant instrument, folding field recordings, objects and synths into five patiently mutating pieces where motion, texture and silence feel as physical as touch.
On Health & Safety, Johan Surrballe Wieth drags his post‑hardcore sensibility into a hushed, modern‑classical fever dream: 25 minutes of grief‑stricken keys, corroded drones and ghost‑violin traces that move like medicated insomnia.
After more or less 20 albums on guitar released since 2005 on LPs, cassettes and CDs, the first real album on piano by Belgian singer-songwriter Bram Devens aka. Ignatz. In 1910, the illustrator George Herriman created the Krazy Kat comic strip. Igna…
On Last, Leda distils Sofie Herner’s loop‑based guitar minimalism into six slow‑burning pieces: proto‑industrial basement buzz, worn tape atmosphere and stubbornly simple figures that erode into something hypnotic, eerie and oddly tender over 33 minu…
*100 copies limited edition* The Buenos Aires–based producer’s second album on Umor Rex can be read on at least two levels. The most direct traces its origin to the influence of environmental music, as well as to some pioneers of electronic music. Th…
Vasopressin presents On The Edge Of The Outside, collecting four works by Nurse With Wound — three composed in response to texts by Kafka, Tzara, and Forneret, one previously unreleased — on vinyl for the first time. Electroacoustic abstraction, mini…
On Cafe Mirage, Satoshi & Makoto let their trademark hardware lyricism bloom into a quietly cinematic suite: refined electronica, ambient haze and soft‑focus groove tracing the contours of an imaginary café suspended between daydream and reality.
On Rituals of The Last Dawn, Saba Alizadeh draws Persian classical memory into long‑form electro‑acoustic rites, two side‑long pieces that breathe like prayers for a wounded world - hushed, spacious, and quietly defiant.
On Swirl, Here capture the moment Czech guitar music fell headlong for shoegaze: a 1993 fever‑dream of FX‑smeared riffs and bruised melodicism, now finally given the widescreen vinyl and deep‑dive context it always implied.
On Notes from the Air, Ciro Vitiello turns the seagull into a trembling patron saint of dizziness and desire, drifting between orchestral swells, shoegaze haze and post‑rock afterimages in songs that hover on the edge of meaning and never quite touch…
On Live at ISSUE Project Room, Loren Connors and Alessandra Novaga turn the guitar into a nearly weightless medium, tracing an improvised, slow‑burn dialogue of tremors, silences and ghost‑melodies that feels less like a concert than a séance for two…
Four exclusive tracks. Released in conjunction with a live performance at the Lagerhaus Bremen on 17. April 2004. Record One features two very dynamic untitled tracks by legendary industrial percussionist Zev recorded and mixed in early 2004 , while …
On Mount Analogue, Bill Laswell and P.ST assemble an international cast to translate René Daumal’s unfinished mountain allegory into a two‑records sonic ascent: a six‑part electro‑acoustic “novel” and a mirrored peak of solo guitar visions from Henry…
On Buenos Antwerp, Elko Blijweert and Anla Courtis turn a chance Borgerhout encounter into a two‑part psychedelic correspondence, one acoustic, one electric, a cross‑Atlantic guitar séance wrapped in Dennis Tyfus’ cut‑and‑paste visual delirium.
On Or Gare, Stine Janvin and Morten Joh slow time to a funereal crawl, reanimating Ryfylke’s “liksong” tradition as a ghost‑lit microtonal ritual where voices, synths and creaking percussion hover between lament, liturgy and quietly glowing electroni…