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Late 1970's re-press on CBS of one of the most beautiful, ground-breaking, original, psychedelic, influential, riveting, etc. experimental music album ever made, originally released in 1968. Essential unsurpassed masterpiece.
Late 1970's re-press on CBS of one of the most beautiful, ground-breaking, original, psychedelic, influential, riveting, etc. experimental music album ever made, originally released in 1968. Essential unsurpassed masterpiece.
1980's re-press on CBS Masterworks of possibly the most beautiful, ground-breaking, original, psychedelic, influential, riveting, etc. experimental music album ever made, originally released in 1969. Essential unsurpassed masterpiece. Carrollton Pressing.
Original edition on Shandar of the Minimalist/repetitive tour-de-force for electric organ & feedback released as a double LP set in 1972, some of the most original and genuinely psychedelic avant-garde music ever. Essential masterpiece.
1978 re-issue on Stip of the superlative haunting and atmospheric soundtrack to the 1975 film Le Secret de la Vie. One of the most beautiful and enjoyable Minimalism-related albums.
2LP set released by Gramavision in 1985 with the string quartets in collaboration with the Kronos Quartet moving beyond the Minimalism of the early period. Includes catalogue.
Rare original edition on Shandar of one of the monuments of Minimalism, with the TOEM featuring Garrett List and Jon Hassell on one side and a three-sine-waves study on the other. Absolutely essential.
*200 copies limited edition* On his fourth solo album, and debut work for the Psychic Liberation imprint, Henrik Munkeby Nørstebø presents Faint Light Blackens, a negotiation between the atomized instrumentation of the solo trombone is pushed towards a “full range wall of sound” over the concise sprawl of seven distinct acts on two sides of a vinyl record. The seven acts that make up the album were developed specifically for recording within Emanuel Vigeland’s “Tomba Emmanuelle”. The fresco with…
Originally released in 1980 and long regarded as one of the most avant‑garde statements of its era, Hansten Klork captures Metabolist at the intersection of post‑punk restlessness and uncompromising experimentalism. The album’s stark textures, motoric rhythms, and hypnotic minimalism reveal a band equally indebted to kraut‑rock repetition, post‑industrial atmospheres, and the austere clarity of minimalism—creating a distinct, unsettling sound that still sounds contemporary today.
This reissue re…
*2026 stock* Ten years ago, La Tène released their first record, then as a trio with Cyril Bondi, d’Incise, and Alexis Degrenier. A decade, four albums, and multiple collaborations later, the group returns with Moreïne/Déclives—an album that feels as much like a celebration as it does an upheaval. True to its identity, La Tène continues to explore the cracks between tradition and experimentation, between hypnotic drone and repeated gestures, but this time they choose to move onto new ground: the…
“Lonesome for a Storm” is the result of a felt sense in the summer of 2024. A fleeting feeling in the body meditated on and played through a restrained palette of instruments and found sound. LFAS is Gustav Kemps’s first solo album under his own name, but he’s been a frequent behind the scenes collaborator in various other bands (if you can connect the dots, there’s a lot to find). Mystery can be fun, but this album of his feels tender and generous in what it conveys.
‘Traces of the ceiling’ is the new album by Takako Minekawa, an artistic collaboration between Minekawa who composed, performed and recorded the works contained within - and artist Ippei Matsui, who created and designed the accompanying elaborate five-panel fold out sleeve, risograph inserts, and vinyl. ‘traces of the ceiling’ is also the debut release from Portland, Oregon based shop, label, and event series tone poem.
‘traces of the ceiling’ was recorded in los angeles between 2018 and 2020, a…
*50 copies limitede edition* "Selected Instrumental Works" gathers fourteen instrumental pieces composed and recorded by Mathew Sweet under the Boduf Songs name. Stripped of voice and overt song structure, the music turns specifically to atmosphere, tone, and grainy resonance to carry the emotional weight. Piano sits at the center of the record, along with sparse electronics and sustained textures, focusing on harmonic shifts that unfold with deliberate patience. These dark, reflective, and medi…
Ondanaconda does not compose with the jaw harp, but through it. For their self-titled debut album, the quartet turns this lamellophone, often perceived as archaic, into the record’s sole sound source. Found for centuries across continents, from Asia to Europe, the jaw harp is played against the teeth, using the mouth as a resonating chamber, shaping sound through breath and bodily movement. Here, amplified, prepared and sometimes pushed to its limits, it becomes percussion, bass, drone and textu…