Albumin
Tip! Jim O'Rourke and Jos Smolders teamed up again after their first collaboration, Additive Inverse from 2021. Over a period of three years, both artists worked in sessions of a day, each in their own studio.The result is sometimes like a warm cloud of sounds, suddenly breaking up into a rhythmic, irregular pattern, after which it dives into introverted mindsets. The music is in constant flux. The project followed the same workflow, but this time Jim took the lead and kicked off with a salvo of…
Asphere
*2026 stock* Asphere originates from the ongoing dialogue and friendship among the artists Maika Garnica, Aiko Devriendt and Thijs Paijmans, as shared experiences of time and space. The album takes Garnica’s sound objects and their visual aesthetics and sounds, as a ground for musical and audiovisual exchange. Gradually guiding us back into the now, the artists explore the subtle movements in between various spaces: those that arise from the interplay of different languages, the physical spaces …
Ecliptic
*100 copies limited edition* Across two decades of restless exploration, Haptic—the trio of Steven Hess, Joseph Clayton Mills, and Adam Sonderberg—has earned a reputation for meticulously assembled recordings and compelling live performances that veer from rigorous minimalism to densely textured, immersive sonic environments. Consistently blurring the lines between different genres and disciplines, their experimental practice has expanded to include installations, soundtracks, and unique site-sp…
Electronic Dance Music, 1966-1989
Often credited as the father of multi-media theatre, Alwin Nikolais (1910-1993) took complete creative control over his productions - including cutting-edge approaches to lighting and costume that transformed human bodies into shifting sculptural shapes, while also composing wildly innovative electronic music as accompaniment.
After initially experimenting with musique concrète and tape manipulation (as demonstrated on the 1959 LP Choreosonic Music of the New Dance Theatre of Alwin Nikolais) Nik…
Know I’ve Been Here Before
*40 copies limited edition* »Know I've Been Here Before« by Dan Gilmore is a suite of eleven songs, based on reassembled and overdubbed audio files recorded between 2007 and 2010. What I hear in these recordings are not only various sound sources such as the guitar, the (self-built) synthesizer, or microphones, not only movements, rhythms, textures, or even harmonies, but also ideas, aspirations, circumstances, a mode of production. It is music that, through association and disassociation, makes…
The Neon Weeps Tonight
*300 copies limited edition* Following 'The Sympathy Portal' LP, released earlier this year, 'The Neon Weeps Tonight' was similarly recorded during lockdown and released as a very limited CDr in early 2022 before its being mooted for this slightly edited reissue. This time comprising six compositions, it begins proceedings with Edward in a typically reflective mood that sometimes feels barbed as much as steeped in a yearning for times lost as melodic yet sombre keys assume a haunted quality befo…
Holzweg
Forest Factory is the duo of fellow nomads Elvin Brandhi and Andreas Trobollowitsch. Each using self-made turntables, sampler and voice to create a unique acoustic repertoire, suffusing computational and organic tonalities. Their vinyl debut Holzweg is a compositional amalgamation of recording sessions made in diverse ecosystems: Auditorium Novecento, Naples (2023), Ruang MES 56, Yogyakarta (2024), and their Japan tour in 2024. Redefining themselves in a range of contexts lends fluidity and plur…
Matusalém
The sound of this composition comes from 2 live shows that were superimposed and than mixed with field recordings. The voice sings circular texts. One side is called Além and the other Aquém which means beyond and short of.If you are curious about the lyrics we can share la première strophe of Além The head, banging against the screen, searching for a decapitated cure, promises a Prometheus to the atheist,who didn't even touch the fire.
Polycrisis Apparitions
*50 copies limited edition* Seven musings on death, the afterlife, communication and the musicality of the non-musical, 'Polycrisis Apparitions' is the latest release from Misery Bacon. Misery Bacon is a solo audio project by Luke Drozd, an artist, illustrator and musician based in Bergen, Norway. Following on from 2025's 'Turning in the widening gyre', a release that unspooled over two longform tracks filled with serrated drones, distorted noise and harsh blown-out samples, 'Polycrisis Appariti…
Reliques de Roses
*300 copies limited edition* Reliques de Roses, musical tandem formed by two household names of the European underground: Laure Boer (Edition d’Art, Arbore...) and Tom Val (Orion Music Workshop, HWYUIOD...). Bridging the Berlin-Paris experimental connection, the duo brings us a collection of nostalgia-tainted songs, noisy improvisations and synth-led talk-over songs. A fragile Art-Folk with industrial touches strongly reminiscent of Vox Populi!, Throbbing Gristle, and in more recent times, DIY h…
Vrhältnis
*300 copies limited edition* More than twenty years of friendship haunt Vrhältnis, the new album by Antoine Chessex and Dave Phillips, out now on Coherent States and Krim Kram. Its source material reaches back twenty years, originating from live performances during a 2005 joint tour in Lausanne and Basel and a studio session recorded the same year at the Dynamo/Popkredit Studio in Zürich. Both sessions were then filed away, the recordings disappearing into the archive, untouched for nearly two d…
Arttu Partinen / Nikki Moran & Off Brand
*75 copies limited edition* This release celebrates a wonderful night in Edinburgh in April 2024. However (as per usual) the Arttu Partinen set was not recorded so it has been replaced with another recent live recording. This one is from the Skanu Mezs festival in Riga. The whole thing is tied together with the graphic vision of young Oran Paton, from the original poster.
On side A, Artsy Records head honcho Arttu Partinen attempts to confound both your expectations & his own as he argues his ca…
The Rest Is My Ghost
Nostalgia is not an ideology, though in this moment, we could be mistaken for thinking it might be just that. Over the past years, the idea of nostalgia has been filtered through various political and technological lenses and has become a tool used for forgetting, rather than remembering. Instead of embracing histories’ complexities and inconsistencies, this version of nostalgia seeks only singular recollection. This contemporary phenomenon of nostalgia has become a methodology at best, and a we…
Displaces
On Displaces, sound artist Francesco Fabris fashions a high‑dimensional cartography of memory, hyperobjects and matter, where langspil, biophonies and geophonies are folded into phased time‑space, drifting between suffocation and release in an eerily tactile sonic ecosystem.
Ancient Moment Part 2
With centuries of history, traditional instruments carry physical vibrations shaped by human breath and touch. In contrast, electronic music generates vibrations through inorganic principles such as electrical signals and circuits. When the subtle tremors of traditional instruments resonate with the intricate tones of electronic sounds in an improvised dialogue, performers from distinct realms expand each other’s languages, creating a new sensory experience.
The project album Ancient Moment mar…
Birds Measuring Space
During a 2016 trip to Colombia, I was very fortunate to be welcomed by the staff of the Rio Claro Natural Reserve, located in the central Cordillera. After several days of recording in the caves—the ones open to the public—inhabited by small colonies of cave-dwelling Guacharos (Steatornis caripensis), Juan Guillermo Garcés, director and founder of the Rio Claro sanctuary, allowed me to access a secret location outside of the reserve, home to what ornithologists reckon is one of the largest known…
Bright Lights, L'il City
Bright Lights, L'il City was recorded from November '22 until August '25 in Chicago, Kilkenny, Cork and Glasgow. Played, Recorded and Mixed by Sam Scranton and Neil Quigley
Kilkenny Electroacoustic Research Laboratory Anthology Vol. 3 - The Stray Sod
The Kilkenny Electroacoustic Research Laboratory (K.E.R.L.) announces the release of the third and final volume of its acclaimed anthology, a richly layered exploration of experimental sound, artistic collaboration, and the cultural phenomena orbiting the enigmatic Kiely cousins, Owen and Tom. Bringing the series to a compelling close, this volume bridges archival research, oral history, and critical reflection, tracing the roots and reverberations of a uniquely Irish avant-garde movement. The b…
Kilkenny Electroacoustic Research Laboratory Anthology Vol. 1 (1965-89)
A curated collection of music and sound experiments from the archives of the now defunct Kilkenny Electroacoustic Research Laboratory.
Face The Windmills, Turn Left (LP)
Great electronic/tape pieces realized in 1976 at the Columbia-Princeton Electronic Music Center and released on the composer's own Finnadar label.