Experimental / Musique Concrète

A new Merzbow album, not a reissue: modular analog synthesizer passages and electroacoustic pieces that recall the early cassette years, recorded at Munemihouse in 2021-2022. 2LP on hand-poured Wax Mage vinyl, 300 copies.

Very rare sole edition of the superb 1973 split-LP on Alpha with fantastic electro-abcoustic compositions realized at Ghent's Institute for Psychoacoustics and Electronic Music by two Dutch experimental music composers. Never re-issued on either vinyl or CD.

Rare original edition on Shandar of the breathtakingly beautiful and evocative 1977 electro-acoustic / musique concrète piece by the Swedish composer recorded at Luc Ferrari's studio.

Fantastic 1994 CD on BIS re-issuing the very beautiful and evocative electronic album from 1981 plus two superb earlier electro-acoustic pieces culled from his 1977 collection of Electronic Compositions.

1987 first CD re-issue on Philips of two landmark musique concrète works works from the 60's.

*150 copies limited edition* With Ritual and Radio Waves on the Plains of Elysium, his second album for Unexplained Sounds Group, Rapoon conjures the vast, open spaces of the American deserts and plains, translating the experience of crossing those landscapes into sound. The music captures the hypnotic rhythm of endless travel, where time loses its grip and the scenery becomes a continuous, shifting presence: brief flashes of towns, gas stations, roadside stops, night skies, and distant radio fr…

First vinyl edition of Vinyl Requiem, the 1993 piece by Philip Jeck and Lol Sargent for 180 record players and projections, on Touch.

Two unreleased late works by Pierre Henry for his centenary: Variance (2005), a fugal homage to Luc Ferrari, and Duo (2003), a gestural rhapsody for feedback and piano dedicated to Maurice Béjart. Licensed from Studio Son/Ré.

*200 copies limited edition* Rootless is Andy Guthrie’s fourth album for Students of Decay, following 2022’s Gyropedie. Created in part during a 2024 residency at the Headlands Center for the Arts, it finds the San Francisco-based multi-instrumentalist expanding the hermetic electroacoustic language of their earlier work into something even more open-ended and oneiric. Field recordings mingle with French horn, piano, electronics and, increasingly, the human voice, forming environments whose fami…

New Zealand sound artist Rachel Shearer listens to the Earth through Māori and Western practice: field recordings, electronics and voice on her first full album, a deluxe 45 RPM gatefold from Thin Wrist.

The two new Blume LPs together: David Tudor's Anima Pepsi, composed for the Pepsi Pavilion at Expo '70, and Lea Bertucci's The Days Pass Quickly Immersed in the Shadow of Eternity, written for Norbert Rodenkirchen's flutes.

Tip! Spartiti Spariti is a composition in which diverse practices and experiences converge and overlap: the processing of ‘concrete’ sounds, magnetic-tape collage, field recording and the manipulation of acoustic instruments. At its core lies a profound investigation into the ecology of sound, understood not as mere phenomenological documentation but as a radical experience through which identity is rediscovered. The work’s genesis is deeply rooted in the composer’s biographical memory and in th…

Montreal turntablists Martin Tétreault and Kid Koala, live at Victoriaville on 21 May 2005, vinyl only: old self-help and demonstration records, scratches and loops, from the noise side and the hip-hop side of the instrument.

Second volume of Miúin's Kilkenny Electroacoustic Research Laboratory anthology, turning to the music cultures around the lab, including commissions by its engineer Tony Quinn. Cassette with book and A3 poster, curated by Neil P. Quigley.

Tip! Longstanding pioneer of the Bay Area, Pacific Coastline underground scene. Seymour Glass has been recording, performing, disrupting and spreading his Musique Concrete trickery for many's the decade. With projects such as Glands of External Secretion with Barbara Manning, BUFMS, Brent Lewis Ensemble , his time as publisher and editor of the now legendary magazine Bananafish, his online mail-order empire – Tedium House, his many other solo and collaborative projects, it is safe to say that Se…

Tip! *250 copies limited edition* The "Films Made of Antimatter" series is a new experiment from the Fifteen Minutes of Anonymity label, based on the concept of soundtracks for films that have not yet been made. It's an idea that is already familiar to a great number of sonic artists, as many of us have deliberately set out to create a "cinema for the ear" which would, in effect, cause us to imagine film-like narratives within our mind's eyes. This project aims to take things a step further: com…

*100 copies limited edition* Tokyo-based artist Ryu Yoshizawa has spent the past decade developing a singular language as Koeosaeme. His works sit somewhere between electronic composition, musique concrète, sound collage and sound art. Following a series of acclaimed releases on Orange Milk Records, this album turns his attention to a place close to home: Kaihin-Makuhari, a coastal district on the outskirts of Tokyo. Land that was once part of the sea. Conceived as a future city, Kaihin-Makuhari…

"Apocalypse of Intimacy" immerses you in a distinct sound universe of Concrète Pop. Strange and inventive, yet unmistakably felt. As if some not-quite-human entity wished to become a folk singer. A contemporary, experimental-electronic work with 11 instrumental pieces that reach toward song-like emotional directness without words. It sounds futuristic but perhaps also ancient. Karel Naessens is a musician from Ghent, Belgium, who has played with the avant-pop band Peenoise for years. Recently, h…

*250 copies limited edition* Campsite Love calls you to wander a timeless path of rural rustlings and misty atmosphere. Created by the minds behind Jazzhand and Haudat/Monocyclocybercilia, the album combines hands-on field recordings with ambient soundscapes. Rattles, resonances, and small details gathered along the way gradually blend together, carrying the listener deeper into a dreamlike summer-night haze. The campfire burns yellow.

CD reissue of Volcano The Bear's 2006 LP, the first release on their own Volucan label: theatrical improvisation, musique concrète and ethno-folk. Four-panel gatefold sleeve, limited to 444 copies.

CD reissue of Volcano The Bear's first mini-album, issued by Pickled Egg in 1999, with two bonus tracks from a 2006 lathe-cut 8" on Alt.Vinyl. Oversized gatefold cover, limited to 444 copies.

Unknown versions and unpublished tracks from Column One's early years, remastered by Robert Schalinski, in an oversized cardboard sleeve with 8 postcards and liner notes by Till Kniola. Limited to 500 copies.

Early Column One: the remastered Dream Box Experience LP (1994), alternative versions from the This Is My Dream 7" and an unpublished track, in an oversized sleeve with 6 postcards and liner notes by Till Kniola. Limited to 500.

On Displaces, sound artist Francesco Fabris fashions a high‑dimensional cartography of memory, hyperobjects and matter, where langspil, biophonies and geophonies are folded into phased time‑space, drifting between suffocation and release in an eerily tactile sonic ecosystem.

Aaron Dilloway returns to Dais Records with 'No Skill Comedy Mind Reading', his first full-length album since 2017, a collection of characteristically jarring, absurdist material. Marked by his signature distortions and contortions — feedback-shrouded found sounds, field recordings, and vocal improvisations — 'No Skill' collects nearly a decade of select solo work and feels distinctly in the present, a scattered product of volatility, both harsh and humorous. Few contemporary experimental artist…

Nostalgia is not an ideology, though in this moment, we could be mistaken for thinking it might be just that. Over the past years, the idea of nostalgia has been filtered through various political and technological lenses and has become a tool used for forgetting, rather than remembering. Instead of embracing histories’ complexities and inconsistencies, this version of nostalgia seeks only singular recollection. This contemporary phenomenon of nostalgia has become a methodology at best, and a we…

*300 copies limited edition* Senderkennungen marks the first ever collaboration between Hamburg veterans of sound art Asmus Tietchens and Felix Kubin, whose friendship began in the early 1990ies. The double album collects 25 original „Senderkennungen“ and their artistic deformation and further processing. Long wave, mid wave, short wave and ultra short wave – long since disappeared radio waves in forgotten ethers, where lost souls linger on a quest for a music that so far did not exist and essen…

2009 release ** A broad survey of 14 recent pieces curated by Eric la Casa and Philip Samartzis for Project Space in Melbourne. High definition, highly processed sounds, mostly of environmental origin but made highly abstract and hyperreal. A useful snapshot. Featuring: Thomas Tilly, Tarab, Marc Baron , Anthea Caddy & Thembi Soddell, Jean-Luc Guionnet, Lizzie Pogson, Cédric Peyronnet, Philip Samartzis, Loïc Blairon, Camilla Hannan, Eric La Casa, Geoff Robinson.

1994 release ** Serbian composer born 1932 in Belgrade, Serbia, now living in Croatia, Arsenije Jovanović has been active as a theatre director and stage director for Belgrade and ex-Yougoslavia theaters since the 1970s. He additionaly composes music for theater, film and radio. His works for radio earned him many international prizes. Spanning his entire carreer as a sound composer, this CD offers nonetheless an impressive style and quality consistency. He creates his music from organic sounds …

*Front cover is always a unique print/passpartout* "A new duo from Berlin. By and featuring Hanno Leichtmann and Nils Ostendorf. Both are seasoned musicians with eventful careers who operate within very different artistic spheres. One of them, Hanno Leichtmann, is a veteran—and remains to this day a pioneer—of the electronic music scene that has developed in Germany’s capital since the years following the fall of the Berlin Wall, thanks to projects such as Static, the Trio Groupshow, and countle…

Errands is the first duo recording from Marja Ahti, Swedish-Finnish sound artist and electroacoustic composer, and John McCowen, a native of Southern Illinois, now residing in Iceland, whose work centres on a radical exploration of clarinet multiphonics. Working without the aid of electronics, McCowen has spent years finessing performance techniques that allow him to layer beating patterns and split tones that belie their source in a monophonic instrument. Ahti, in contrast, has built up a stunn…

Ancient Future is a stop on an ongoing quest of sample creation, manipulation, recombination, and morphological transformation through the modular synthesizer. Densely interconnected sound matter moves between islands of respite in a sea of incomprehensibility, grasping but not yet arriving. The ancient future is a place. It is the meeting point between the light piercing through the dark, fragmented state of our present reality. This album is an attempt to materialize this place in sonic form.

"Two longer live works of the now-patented blend of sound collage, crude tape mangling and music concrete sound events executed in a somewhat slapstick manner, where everything is balanced so thin that it can fall apart at any point. First piece recorded in Vilnius, Lithuania, literally days before the world shut down. For quite some time, I thought this might be my last live show ever. I felt sad over this but at the same time the piece has a clear sound where buzzing concrete sound events evol…

Tip! "Whether we experience music as abstract or concrete depends largely on our sensitivity to the richness of perception. Common opinion – often reductive – draws a sharp distinction: music is abstract when it does not “speak,” when it seems diffuse, branching into multiple, elusive directions. It is concrete when it “tells” a story, when its sounds and structures feel familiar, graspable. Yet this distinction quickly dissolves. From a scientific or cognitive perspective, structure itself is i…

'Physique is Neil Quigley (Kilkenny, IRL) and Sam Scranton (Chicago, IL). Together they make music by any and all means. Truly, no sound or technique is off limits as they assemble compositions that combine rich, warm sonic atmospheres with musical objects of objectively bad taste. Curve Totem, for release on 4/2/2021, is their debut album as a duo. Their magpie approach to composition builds novel musical landscapes from homemade instruments, Text-To-Speech and AI voices, lap steel guitar, Able…

Kepla debuts on Liverpool label Sink with new compilation “Outside Time”. Following recent collaborations with Steven Warwick (PAN) and Dialect (RVNG Intl), “Outside Time” brings productions and experiments spanning ten years together for the first time. Early forays draw inspiration from musique concrete, dub and industrial, using granular synthesis resampling from drum packs, repitched melodies and phone recordings, resulting in a collection of tracks both lo-fi and highly detailed. ‘Part Exhu…

People Skills - the long running project of Philadelphia's Jesse Dewlow - has spent close to two decades tuned to that lower, stranger frequency, and Several Years Later may be the fullest transmission he has yet let out of the room. Since the mid 2000s, Dewlow has worked at the seam where a song comes apart into weather. Repetitive guitar figures, idle tape phenomena, sound residue, voices sunk far beneath the surface - materials gathered under the sign of his Heresy Museum and set loose in sha…

Antoine Alcaraz is a French electroacoustic composer based in Paris whose work lies at the intersection of acousmatic composition, performance, and experimental sound practices. He specialized in electroacoustic composition in 2019 at the CRR de Paris, studying notably with Denis Dufour, and developed a compositional style informed by dialogue with poetry, the visual arts, and imagery. In 2024, he composed “Près de Nous,” an audiovisual piece adapted from a text by Virginia Woolf. Since Septembe…

Gathered as a three‑disc bundle, Adam Bohman’s Music and Words series reads like a sprawling, decades‑deep diary of the British underground. Domestic cassette experiments, found‑object acoustics and stream‑of‑conscious monologues mutate across volumes 1–3 into a fiercely idiosyncratic universe where language, noise and everyday detritus share equal weight, turning one man’s tape habit into a major work of experimental autobiography.This Bohman’s Bundle contains:- Music and Words- Music and Words…

Recorded in 1997, on The Shadow Ring’s return from their final American tour, Lighthouse captures the group at their most stripped-down and visionary. Graham Lambkin’s fractured texts conjure Folkestone’s haunted coastline—Vikings, the Morgawr, a fading Britain, the pull of the sea—under the sway of Alternative TV’s Vibing Up the Senile Man (Part One), the mechanical vernaculars of Robert Ashley, and the deflated humor of Dad’s Army and It Ain’t Half Hot Mum. Opening the trio’s famed final phase…