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CD reissue of Volcano The Bear's 2006 LP, the first release on their own Volucan label: theatrical improvisation, musique concrète and ethno-folk. Four-panel gatefold sleeve, limited to 444 copies.
CD reissue of Volcano The Bear's first mini-album, issued by Pickled Egg in 1999, with two bonus tracks from a 2006 lathe-cut 8" on Alt.Vinyl. Oversized gatefold cover, limited to 444 copies.
Unknown versions and unpublished tracks from Column One's early years, remastered by Robert Schalinski, in an oversized cardboard sleeve with 8 postcards and liner notes by Till Kniola. Limited to 500 copies.
Early Column One: the remastered Dream Box Experience LP (1994), alternative versions from the This Is My Dream 7" and an unpublished track, in an oversized sleeve with 6 postcards and liner notes by Till Kniola. Limited to 500.
On Displaces, sound artist Francesco Fabris fashions a high‑dimensional cartography of memory, hyperobjects and matter, where langspil, biophonies and geophonies are folded into phased time‑space, drifting between suffocation and release in an eerily tactile sonic ecosystem.
Aaron Dilloway returns to Dais Records with 'No Skill Comedy Mind Reading', his first full-length album since 2017, a collection of characteristically jarring, absurdist material. Marked by his signature distortions and contortions — feedback-shrouded found sounds, field recordings, and vocal improvisations — 'No Skill' collects nearly a decade of select solo work and feels distinctly in the present, a scattered product of volatility, both harsh and humorous. Few contemporary experimental artist…
Nostalgia is not an ideology, though in this moment, we could be mistaken for thinking it might be just that. Over the past years, the idea of nostalgia has been filtered through various political and technological lenses and has become a tool used for forgetting, rather than remembering. Instead of embracing histories’ complexities and inconsistencies, this version of nostalgia seeks only singular recollection. This contemporary phenomenon of nostalgia has become a methodology at best, and a we…
*300 copies limited edition* Senderkennungen marks the first ever collaboration between Hamburg veterans of sound art Asmus Tietchens and Felix Kubin, whose friendship began in the early 1990ies. The double album collects 25 original „Senderkennungen“ and their artistic deformation and further processing. Long wave, mid wave, short wave and ultra short wave – long since disappeared radio waves in forgotten ethers, where lost souls linger on a quest for a music that so far did not exist and essen…
2009 release ** A broad survey of 14 recent pieces curated by Eric la Casa and Philip Samartzis for Project Space in Melbourne. High definition, highly processed sounds, mostly of environmental origin but made highly abstract and hyperreal. A useful snapshot. Featuring: Thomas Tilly, Tarab, Marc Baron , Anthea Caddy & Thembi Soddell, Jean-Luc Guionnet, Lizzie Pogson, Cédric Peyronnet, Philip Samartzis, Loïc Blairon, Camilla Hannan, Eric La Casa, Geoff Robinson.
1994 release ** Serbian composer born 1932 in Belgrade, Serbia, now living in Croatia, Arsenije Jovanović has been active as a theatre director and stage director for Belgrade and ex-Yougoslavia theaters since the 1970s. He additionaly composes music for theater, film and radio. His works for radio earned him many international prizes. Spanning his entire carreer as a sound composer, this CD offers nonetheless an impressive style and quality consistency. He creates his music from organic sounds …
*Front cover is always a unique print/passpartout* "A new duo from Berlin. By and featuring Hanno Leichtmann and Nils Ostendorf. Both are seasoned musicians with eventful careers who operate within very different artistic spheres. One of them, Hanno Leichtmann, is a veteran—and remains to this day a pioneer—of the electronic music scene that has developed in Germany’s capital since the years following the fall of the Berlin Wall, thanks to projects such as Static, the Trio Groupshow, and countle…
Errands is the first duo recording from Marja Ahti, Swedish-Finnish sound artist and electroacoustic composer, and John McCowen, a native of Southern Illinois, now residing in Iceland, whose work centres on a radical exploration of clarinet multiphonics. Working without the aid of electronics, McCowen has spent years finessing performance techniques that allow him to layer beating patterns and split tones that belie their source in a monophonic instrument. Ahti, in contrast, has built up a stunn…
Ancient Future is a stop on an ongoing quest of sample creation, manipulation, recombination, and morphological transformation through the modular synthesizer. Densely interconnected sound matter moves between islands of respite in a sea of incomprehensibility, grasping but not yet arriving. The ancient future is a place. It is the meeting point between the light piercing through the dark, fragmented state of our present reality. This album is an attempt to materialize this place in sonic form.
"Two longer live works of the now-patented blend of sound collage, crude tape mangling and music concrete sound events executed in a somewhat slapstick manner, where everything is balanced so thin that it can fall apart at any point. First piece recorded in Vilnius, Lithuania, literally days before the world shut down. For quite some time, I thought this might be my last live show ever. I felt sad over this but at the same time the piece has a clear sound where buzzing concrete sound events evol…
Tip! "Whether we experience music as abstract or concrete depends largely on our sensitivity to the richness of perception. Common opinion – often reductive – draws a sharp distinction: music is abstract when it does not “speak,” when it seems diffuse, branching into multiple, elusive directions. It is concrete when it “tells” a story, when its sounds and structures feel familiar, graspable. Yet this distinction quickly dissolves. From a scientific or cognitive perspective, structure itself is i…
'Physique is Neil Quigley (Kilkenny, IRL) and Sam Scranton (Chicago, IL). Together they make music by any and all means. Truly, no sound or technique is off limits as they assemble compositions that combine rich, warm sonic atmospheres with musical objects of objectively bad taste. Curve Totem, for release on 4/2/2021, is their debut album as a duo. Their magpie approach to composition builds novel musical landscapes from homemade instruments, Text-To-Speech and AI voices, lap steel guitar, Able…
Kepla debuts on Liverpool label Sink with new compilation “Outside Time”. Following recent collaborations with Steven Warwick (PAN) and Dialect (RVNG Intl), “Outside Time” brings productions and experiments spanning ten years together for the first time.
Early forays draw inspiration from musique concrete, dub and industrial, using granular synthesis resampling from drum packs, repitched melodies and phone recordings, resulting in a collection of tracks both lo-fi and highly detailed. ‘Part Exhu…
People Skills - the long running project of Philadelphia's Jesse Dewlow - has spent close to two decades tuned to that lower, stranger frequency, and Several Years Later may be the fullest transmission he has yet let out of the room. Since the mid 2000s, Dewlow has worked at the seam where a song comes apart into weather. Repetitive guitar figures, idle tape phenomena, sound residue, voices sunk far beneath the surface - materials gathered under the sign of his Heresy Museum and set loose in sha…
Antoine Alcaraz is a French electroacoustic composer based in Paris whose work lies at the intersection of acousmatic composition, performance, and experimental sound practices. He specialized in electroacoustic composition in 2019 at the CRR de Paris, studying notably with Denis Dufour, and developed a compositional style informed by dialogue with poetry, the visual arts, and imagery. In 2024, he composed “Près de Nous,” an audiovisual piece adapted from a text by Virginia Woolf. Since Septembe…
Gathered as a three‑disc bundle, Adam Bohman’s Music and Words series reads like a sprawling, decades‑deep diary of the British underground. Domestic cassette experiments, found‑object acoustics and stream‑of‑conscious monologues mutate across volumes 1–3 into a fiercely idiosyncratic universe where language, noise and everyday detritus share equal weight, turning one man’s tape habit into a major work of experimental autobiography.This Bohman’s Bundle contains:- Music and Words- Music and Words…