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Huge Tip! Experience the dramatic pulse of Italian crime cinema with the first-ever vinyl reissue of Bruno Nicolai’s iconic soundtrack for "L’Onorata Famiglia (Uccidere È Cosa Nostra)", the 1973 masterpiece directed by Tonino Ricci. Renowned for his prolific work in Italian film scores, Nicolai blends atmospheric jazz-rock, brooding fusion, and haunting melodies to perfectly capture the tension and intrigue of the era’s mafia-centric storytelling. This long-overdue release brings new life to the…

First-ever vinyl edition of Dendö Marionette's Juvenile Rock, a 2LP collection of unreleased recordings, alternate versions, studio experiments and live captures previously circulated only on a tiny CD-R run and a cassette via Brooklyn's Bitter Lake Recordings. The definitive companion to the band's self-titled studio overview, opening a window onto one of Osaka's most singular synth-wave units at its creative peak.

The second part of Matador’s reissues of the essential early records by Texas’s Butthole Surfers continues with three of their most insane slabs -- 1985’s ‘Cream Corn from the Socket of Davis,’ 1987’s ‘Locust Abortion Technician’ and 1988’s ‘Hairway to Steven.’ The period during which these records were first issued parallels the Buttholes’ transition from being weirdo Texas outcasts to becoming internationally recognized smut-kings of the American underground. In 1985 they were still the sole p…

Brian Eno's Ambient album from 1982. Standard 1 LP version.. Though not the earliest entry in the genre (which Eno makes no claim to have invented), ‘Ambient 1 (Music For Airports)’ was the first album ever to be explicitly labelled ‘ambient music’. Eno had previously created similarly quiet, unobtrusive music on albums ‘Evening Star’, ‘Discreet Music’, and Harold Budd's ‘The Pavilion of Dreams’ (which he produced), but this was the first album to give it precedence as a cohesive concept. He gav…

In true ‘Ex fashion’, If Your Mirror Breaks picks up where 27 Passports left off, and erupts like a musical short story collection, a ten-part series of surrealist daydreams, calls to action, ominous warnings and bursts of vitality tapped into the pulse of time. What time could be more appropriate to release this album in, as the current one? Arnold de Boer, Katherina Bornefeld, Andy Moor and Terrie Hessels once again impress with their trademark urgency and creativity.   Starting from a stacca…

Tip! “This is what we need! In these confused, populistic and fascist times — this is the jazz we need! Urgent! Dedicated! Radical! Unique-face-peeling-cutting- edge- and- totally-in-your-face-MF! This is all we need for a better living! Think… Borbetomagus, John Zorn, TG, Masami Akita, Hanatarash… this is it and yet, not at all alike!” - Mats Gustafsson "Absolutely blistering duo album. The sax sounds like it's laser-cutting its way through the atmosphere while the drums expand and contract the…

Just Glittering and Idwal Fisher were two collaborative noise zines produced by Mark Wharton, featuring work by the genre’s finest exponents and fans. The first issues of Just Glittering appeared in the late 1990s, and the two zines went on to document a fertile decade of creative noise-making. Back then, you couldn’t walk past a pub in Leeds without hearing windows rattled by a passing Japanese noise artist or effects pedals looped into submission, whilst meat thermometers regularly disappeared…

Tava Tava Rare is pleased to announce the first release on 7" of Franco Micalizzi's main theme to the film “Delitto Sull'Autostrada”, directed by Bruno Corbucci and starring the Italian-Cuban-American actor Tomas Milian. Eclectic, innovator, full of life and energy, out of the ordinary, the composer is best known for his scores in poliziotteschi films such as “Roma A Mano Armata”, “Napoli Violenta” or “Italia A Mano Armata”, whose theme was used also in Quentin Tarantino's “Death Proof”. The mus…

We Are Busy Bodies presents Drive Unlimited. A gem by South African group The Drive, founded in 1971 by Adolphus "Bunny" Luthuli and Henry Sithole. Remastered reissue by We Are Busy Bodies. Art restoration by Steve Lewin.

What if the blue that I see is different from the blue that you see? This question is an infrastructure for my Afro-Surrealist Anti-Opera, Colla Voce. Often, when we think of Surrealism, we think of subconscious mental states, dreams, nightmares-those unexplored corners of our psyche. But Afro-Surrealism protests: what if that which one calls a ‘dream' is a nightmare to another? What if that which one calls ‘rational' is completely baseless to another? And surely, we must have varying ideas of w…

Tip! *300 copies limited edition* An’archives is proud to present [sensitive], a new album, and the first solo vinyl release, by Japanese keyboardist and synth player, Mitsuhisa Sakaguchi. A deftly assembled suite of glistening electronic tonalities, [sensitive] is the latest in a lengthy run of excellent, idiosyncratic albums by Sakaguchi. A low-key yet productive artist, Sakaguchi has released banks of solo titles via his own Bandcamp page, and is also an in-demand improvisor for electronics: …

Everything Is Possible, the third album from Peace Flag Ensemble, pushes the boundaries of jazz improvisation and ambient experimentation. Led by Jon Neher’s lyrical piano and complemented by subtle electronic flourishes from Michael Scott Dawson, the group’s ensemble dialogue traverses gentle melodic passages and unexpected textural turns, resulting in a collection that is both introspective and quietly assertive.​

Exploring the water engineering relationship between Japan and the Netherlands across a trilogy of experimental releases, the third and final part of Field Records' Waterworks series is courtesy of Yui Onodera. Pairing delicate synthesis and instrumentation with field recordings and negative space, the accomplished artist and sound architect examines the impact of water engineering on Japan's Kiso Three Rivers. The location refers to the confluence of the Kiso, Nagara and Ibi rivers on the Nōbi …

Pioneering Scottish-Canadian animator Norman McLaren (1914-1987) - creator of seminal short films Dots, Neighbours, Synchromy and many more - is remembered in first ever release of soundtrack works, self-composed from the 1940’s to 1970’s and forecasting the following half-century of electronic music. Norman McLaren was once described by composer, music theorist, and mathematician Milton Babbitt as “the first electronic musician.” In addition to his pioneering work in animation, the electronic s…

Larrison’s Connecters Vol. 1: Original Recordings, 1992–1999 rescues a lone CZ‑5000 and one quietly obsessive mind from cassette oblivion, revealing 26 miniatures where lo‑fi space‑age pop, DIY synth craft and daydream cinema gently fold into each other.

"Yes, Simple Songs is an album of songs sung by Jim O'Rourke all the way through! It has been ten years since Jim's voice rang out from a new album. Ah, when James Michael was just a wee lad, he sang all the time, with a lovely little lilt to his voice, like all the children do. But the songs he sang gave his parents no end of consternation: 'Great Decei-verrr! Cigarettes, ice cream, figurines... of the Vir-gin Mar-eeee!' Aye, if only we'd-a been there -- little Jimmy's career would have started…

The Original Motion Picture Soundtrack for Hands That Bind, by Jim O'Rourke

2024 Repress. LP version, originally released 1997, the first Jim O'Rourke album for Drag City. "Make no mistake, Bad Timing is not a pop album by any standards. But it is a musing on popular standards and uses much of the same instrumentation that many of our country's most popular records have. Yes, Bad Timing is a theme record, Jim O'Rourke's pop opera, just waiting for someone to come along and play with it. Based on John Fahey-esque 6-string acoustic guitar foundations, each of the three pi…

Drag City is proud to announce the reissue of “Crookt, Crackt, or Fly,” the groundbreaking album by avant-garde duo Gastr del Sol. Originally released in 1994, this record stands as a landmark in experimental and post-rock music, now remastered and available once again for a new generation of listeners. Formed by David Grubbs and Jim O’Rourke, Gastr del Sol emerged from the fertile Chicago music scene of the early 1990s, pushing the boundaries of rock, folk, and modern composition. “Crookt, Crac…

Upgrade & Afterlife stands as a pivotal and singular recording in the catalog of Gastr del Sol, the duo of David Grubbs and Jim O’Rourke. Originally released in 1996, this album is frequently cited as a landmark of post-rock and experimental music, praised for its blend of avant-garde abstraction, folk minimalism, and a restless, exploratory spirit. The album opens with “Our Exquisite Replica of ‘Eternity’,” a piece that has become emblematic for many listeners: a slow-building, cinematic sounds…

That Wolf At The Door is a collaborative 2 CD between Henry Kaiser (Califonia, USA; guitar) and P.ST (Prague, Czechia; electronics). The first CD That Wolf At The Door is a solo baritone guitar disc that pays a heartfelt tribute to the late science fiction author Gene Wolfe (May 7, 1931 - April 14, 2019). The album is a testament to the decades-long friendship and mutual appreciation between Wolfe and Kaiser, two creative minds who shared a passion for pushing the boundaries of their respective …

Pieces for Broken Piano turns a weather‑wrecked 1916 Gebrüder Stingl grand into an accidental “prepared” instrument, as Miroslav Beinhauer navigates new works by Terry Riley, Philip Glass, Milan Knížák, Gordon Monahan, Elliott Sharp, Milan Gustar and Yoon‑Ji Lee written specifically for its fractured voice.

"I have been fascinated by the sound and potential of gongs since I first heard Stockhausen's Mikrophonie 1 in the late 1960s. When I moved to Oakland in 1999 I discovered the work of Karen Stackpole, one of the few percussionists in the world specializing entirely in gongs, and attended several of her performances. I always tried to imagine how I could combine my own sonic vocabulary with her incredibly rich array, and we enthusiastically agreed to a musical meeting which somehow kept being pos…

When the performance group Ligna approached me in 2012 to compose music for a play based on Rudolf von Laban’s revolutionary kinetic theories and so-called ‘Bewegungschöre’ (movement choirs), I thought of a soundtrack that would be both rhythmically engaging, abstract and mechanical. I knew there would be pre-recorded voices talking about his philosophy and guiding the audience via headphones. So, I had to leave some “air” in the arrangements, allowing the visitors to concentrate on the spoken w…

Oidupaa Vladimir Oyun was a Tuvan musician and a man with an amazing, but really heavy destiny, a man of unbending will and divine talent and the creator of a unique style of throat singing, accompanied by playing the button accordion. Researchers described Oidupaa's style as blues and emphasized the complexity of this style of performance, which requires the singer to exert a lot of tension on the vocal cords. This is the author's unique version of the deepest and most powerful type of throat s…

For over half a century, Sven Åke Johansson and Rüdiger Carl have explored the boundaries of music together. Villa Hügel captures a rare moment: a concert with no audience, recorded in 2020 in the library of Villa Hügel during the 2 x Kippenberger exhibition. The few present could only experience it  in-house via TV transmission. Carl on accordion, Johansson on percussion, cardboard, and crackle box—an interplay of structure and openness, sound and silence. This release follows Johansson’s exhib…

*200 copies limited edition* UK experimentalist Ivan The Tolerable announces “House of the Hidden Light,” a sprawling new double LP arriving in 2025 on Stolen Body Records. The prolific project of Oli Heffernan, Ivan The Tolerable once again blurs genre and expectation, offering a deep dive into restless creativity and immersive, atmospheric sound. On “House of the Hidden Light,” Heffernan continues his exploration of cosmic psychedelia, ambient textures, and freeform experimentation. Across its…

*300 copies limited edition* Stars align and Oli Heffernan brings his ever-(d)evolving Ivan The Tolerable to Riot Season for two LPs of sublime entropic drift. Having this time recruited Christian Alderson (The Unit Ama) on drums, John Pope (Ponyland) on double bass, Kevin Nickles (Ecstatic Vision) on flute and saxophone and Ben Hopkinson on electric paino - both works were recorded as a quintet almost instantaneously, the players barely brushing or breathing a note before the whole thing was do…

"An Ivan The Tolerable album is a journey that is visceral, expressionistic, and full of heady intentions." "Going into an Ivan The Tolerable album it's best to expect the unexpected. His music swings and swerves from psychedelic flights of fancy to free jazz explorations to cosmic drone swirls, sometimes all in the same song. An Ivan The Tolerable album is a journey that is visceral, expressionistic, and full of heady intentions. Time Is A Grave, the latest from Ivan The Tolerable (aka Oli Heff…

*2026 much needed repress!* Akusmi is the new project moniker of French-born, London based composer, multi-instrumentalist and producer Pascal Bideau, who signs to the new Tonal Union imprint for the release of his album ‘Fleeting Future.’ With its hallucinatory, genre-defying blend of minimalism, cosmic jazz and Fourth World influences, and in its quest for optimism in the face of unknown and limitless possibility. ‘Fleeting Future’ stands apart as an inventive and inspirational debut. The crea…

Infinite Fog Productions is excite to announce this vinyl edition of early works by Peter Davison, one of the most important ambient reissues on the year and a pure gem of early ambient music. The first step into a realm of peace and love will be the long-awaited re-edition of "Music On The Way" to celebrate its 40th anniversary. "Music On The Way" was the artist's debut in 1980 and has not been reissued since its initial release. A mesmerising ambient recording with just a touch of early new-ag…

Ebalunga!!! is thrilled to announce the first official reissue of the self-released, self-produced, and self-titled 1985 LP Scott Seskind. The album is a lo-fi singer-songwriter jewel. Don't miss it.

The long-awaited reissue of rare Eastern and psychedelic Jazz LP by the famous Hungarian guitarist, originally released in 1968. The first time, extended Edition with four bonus tracks: radio version from singles 7” 1968.  Deluxe Gatefold Vinyl comes with long, exclusively written inner notes by the famous researcher and biographer Douglas Payne. Gabor Szabo was at his creative peak at the end of the 60s, when he recorded his masterpiece “Bacchanal”. Szabo’s 60s quintet, featuring guitarist Jimm…

Often dark, sometimes repetitive or experimental, sometimes rhythmical and exotic, always based on emotion inducted by the Sound. One could define it as dark age music (as opposite to new age music), a sort of minimal come back to the roots and purity of acoustic sound without the cultural background linked to the 'academic' use of some instruments (for example African senzas are transformed and tuned to sound like Indonesian instruments, sitar or harmonium are used as rhythmical instruments, va…

On Mount Analogue, Bill Laswell and P.ST assemble an international cast to translate René Daumal’s unfinished mountain allegory into a two‑records sonic ascent: a six‑part electro‑acoustic “novel” and a mirrored peak of solo guitar visions from Henry Kaiser, refracted through Jodorowsky’s The Holy Mountain.

Edition of 100, signed and numbered. In the last 10 years Akira Matsuoka (aka Veltz) has established himself as a key figure in the next generation of Tokyo noise artists. His work covers a wide range: metal junk noise, erased tapes, field recording and audio dedications to analogue television. Analogue broadcasting in Japan was switched of in 2011, an event recorded by Matsuoka and presented at the end of this album. The collection of broken televisions he has since amassed have become his prim…

* Special embossed, die-cut sleeve with 56-page booklet - 200 copies on black vinyl * Aude Van Wyller (aka Oï les Ox, aka AI les Axes) joins forces with acclaimed poet Lucy Van, author of The Open (2021) and Australian Women's Historical Photography (2024). This debut collaboration weaves together Van Wyller's ambient mutations with Van's incisive, luminous words. In Material, words reach for the image, sounds reach for the word, and one thing becomes another. The result is an intimate, tactile …

‘Anima Latina', Lucio Battisti's ninth studio album. It is considered one of the most beautiful and important records in the history of Italian music. The album was conceived after a trip to Latin America and marks a clear break from previous production.

Umanamente Uomo: il Sogno by Lucio Battisti reinvents Italian pop with a poetic blend of nostalgia, emotional candor, and stylistic exploration. Mogol's lyrics navigate the complexities of memory, longing, and everyday struggles, set against Battisti's evolving sound, which balances melodic intimacy with touches of folk, progressive, and pop arrangements. These eight tracks, including enduring classics, reveal an artist at the peak of his expressive powers, fusing personal narrative with broader…

The soundtrack for “Last Tango in Paris” (1972), composed by Argentine saxophonist Gato Barbieri, is one of the most iconic works in cinematic history, perfectly capturing the emotions and themes of this controversial masterpiece by Bernardo Bertolucci. The film, brilliantly acted by Marlon Brando and Maria Schneider, delves into desire, pain, and loneliness through an intensely physical and clandestine relationship between two strangers in Paris. Barbieri's music is a blend of sensuality, melan…