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From the viral Severance TV dance party to spiritual jazz explorations, this vinyl compilation spans five decades of the Poughkeepsie legend's most electrifying moments. Funky grooves, cosmic transcendence, and raw improvisation collide.

Tip! "Expect the unexpected.  Masami Akita, corrupt mastermind behind the bound and gagged and tossed into the jet engine noise of Merzbow has, over the last years, really begun to stretch the limits of what he sonically does.  Seems, with releases (Tauromachine, Hybrid Noisebloom, 1930...), there has been more variety within the choppy slabs of noise that he designs. What we have here is, quite possibly, the most varied Merzbow release to date.  Why?  Because, amidst the stalk and squeal noise,…

Tip! Tip! Tip! New funky soul record of FNR! All music written, recorded & mixed by Pavel Grachav.

2024 Stock. Funk Night Records presents a beautiful psychedelic-funk dance-theatre music by the great Misha Panfilov for the 2021 Tallinn premiere of Karistjan Rohioja's Original Theater Soundtrack 'Plan X'. A unique project from the legendary Misha Panfilov, but one that is very much in keeping with the psychedelic feel of his funky 45s - as the collection here is entirely instrumental and includes tracks recorded by Misha for a live performance! However, this is hardly familiar soundtrack musi…

2025 stock "Schematics For A Blank Stare - Volume Three" is a meticulously crafted album that explores organic grooves with a strong funk and soul influence. Released in 2021 under the Funk Night label, this LP vinyl captures Jeffery Scott Greer's signature lo-fi funk sound, recording straight to cassette tape for an authentic vintage feel. The album showcases a blend of groovy, soulful tracks that offer a rich auditory journey for fans of instrumental funk and soul music. It's a perfect additio…

This album was commissioned by KAAP / Concertgebouw Brugge for Jazz Brugge Festival. Music, production, pianos, Fender Rhodes, synthesizers and pipe organ by Giovanni Di Domenico. Featuring Alexandra Grimal on soprano saxophone (Part I) and Eric Thielemans on drums (Part II and Part III). Recorded in January 2023 at Concertgebouw Brugge by Christophe Albertijn and in April 2023 in Zaal Miry (Ghent) by Peter Desmedt. Mastered by Joe Talia at Good Mixture. Vinyl cut by Andreas at Schnitstelle. Art…

Updating canonical Scottish folk tunes is a rather unfashionable niche, placing these songs within the context of modern/alternative rock is an even tougher chore, but it's one that Scottish neo-traditionalist Alasdair Roberts approaches with pluck and somber intensity. Previously with the band Appendix Out, No Earthly Man is Roberts' third album as a solo artist and it is undoubtedly his most difficult to approach. His previous album, Farewell Sorrow, was a collection of joyful, filigreed songs…

"When I came to New York City in 1975, after my second period in Paris, I felt as if I was starting again. I didn’t have a band at that time. The Black Artists Group had broken up, or separated—well, it wasn’t much of a “break-up,” but we had come to our musical end, even though one of the last groups I had before returning to New York was with BAG member Baikida Carroll playing trumpet, Peter Warren on bass, and Oliver Johnson on drums. I was basically by myself. I felt eager and anxious to see…

NoBusiness Records presents Walpurgisnacht by Total Music Association. Transferred and remastered from the original tape. Tape transfer by Wolfgang Obrecht at Tonstudio RichArt, Munich. Original Cover Design by Manfred Vogel. Design by Oskaras Anosovas. Remastered by Arūnas Zujus at MAMAstudios. Photography of the musicians by Konstanze Vollmer. Produced by Danas Mikailionis and Ernst Nebhuth. Co-producer - Valerij Anosov. Liner Notes by Hans-Jörg Hussong / Liner Notes (translation) - Ernst Nebh…

NoBusiness Records presents Live at Jazz Spot Combo 1975 by Itaru Oki Quartet. Improvised and composed by Itaru Oki, Yoshiaki Fujikawa, Keiki Midorikawa and Hozumi Tanaka. Recorded live on the 7th December, 1975 at Jazz Spot Combo, Fukuoka City, Japan by Heihachiro Arita 有田平八郎 (cassette tape). Mastered by Arūnas Zujus at MAMAstudios. Design by Oskaras Anosovas. Cover photo by Tatsuo Minami南達雄. Booklet photos by Tatsuo Minami 南 達雄 and Heihachiro Arita / 有田平八郎. Liner noto by Akira Saito齊藤聡. Produc…

"Recorded live at Yamaneko-ken, Ogose, Saitama, Japan, in December 2019, Japan Suite includes 6 kind free jazz pieces in Japanese style. The fantastic idea of this album is actually to confront kind free jazz phrasing of François Carrier with the truly free jazz phrasing of Masayo Koketsu. That is actually the second amazing aspect of this album: the battle of two alto saxophones. The opening monumental Uchi-soto - Inside Outside is a great illustration of these aspects. All of this happens with…

Lovely archival recording by this incredible due comprised of Midori Takada - percussion and Kang Tae Hwan - alto saxophone. Recorded live on the 14nd March 1995 at Café Amores, Hofu, Yamaguchi, Japan by Takeo Suetomi.Mastered by Arūnas Zujus at MAMAstudios.

Recorded at Staccato Studios, Stavanger, Norway on 12th October, 1982 by Kjell Arne Jensen - with Frode Gjerstad - tenor and soprano saxophones, Johnny Mbizo Dyani - double bass and John Stevens - drums. Re-mastered by Arūnas Zujus at MAMAstudios. Cover drawing by Tora Fredrikke Helle, photos by Judith Sørvik, liner notes by Frode Gjerstad.

Recorded April 21, 1976, Blue Rock Studio, NYC. This is a reissue of the rare album, ‘The Haunt’ (Otic 1005). Includes a nearly 7 minute bonus track not found on original LP. Featuring Bobby Naughton on vibes & compositions, (Wadada) Leo Smith on trumpet and Perry Robinson on clarinet. Recorded April 21, 1976, Blue Rock Studio, NYC. This is a reissue of the rare album, ‘The Haunt’ (Otic 1005). After attending dozen of jazz gigs at places like the Village Vanguard, the Village Gate and the Five S…

Kang Tae Hwan plays alto sax with a rawness that's usually reserved for the tenor – a fantastic sound that really comes through beautifully here in this solo set of improvisations! The material was recorded around the same time as Kang's brilliant (and few) recordings for the Japanese market – and the long-overdue presentation of this performance comes as a much-needed accompaniment to his small catalog – the kind of record that boldly, brilliantly documents a completely unique talent – one whos…

*2025 stock* One live improvisation of over an hour that zips by with the velocity of a three-minute single, Zafiro confirms that one of improvising music’s most enduring partnerships – 25 years and counting – is still a potent and electrifying force. Refining their interaction every time they play together – saxophonist Evan Parker, bassist Barry Guy and percussionist Paul Lytton don’t lack for other gigs, but express instinctive rapport here. Veteran British improvisers, the three use a variet…

Not enough is heard from Brooklyn-born bassist Adam Lane. He boasts an impressive track record, illuminated by a series of outstanding recordings, mainly on the CIMP label, but culminating in the acclaimed Ashcan Rantings (Clean Feed, 2010). Nothing has surfaced under his own name since, so any new disc grabs attention. That's not to say he has been idle, notching up notable appearances on drummer William Hooker's excellent Bliss Suite (Not Two, 2010) which also featured rising star saxophonist …

The title's a good one – given the complex layers of sound and interaction going on here – as this avant quintet find a way to come together in these varied and compelling ways over the course of the long improvisations in the set! Pianist Alexander Von Schlippenbach may well be the biggest name in the group – but all players contribute equally, and the lineup also includes Frank Paul Schubert on alto and soprano sax, Paul Hubweber on trombone, Clayton Thomas on bass, and Willi Kellers o…

*2023 stock* "Both a reunion and a new configuration, the galloping interaction which makes up Hell-Bent in the Pacific unites alto saxophonist Marco Eneidi, who now lives in Austria, with his West Coast rhythm section plus added impetus from Los Angeles-based Vinny Golia’s many reeds. Golia’s wide-ranging gigs have frequently put him in contact with bassist Lisa Mezzacappa and drummer Vijay Anderson, two of the Bay area’s busiest players, so that his contributions are inspired not alienating. M…

*2023 stock* "Constantly changing and challenging, this extended three-part sequence by four of Europe’s most accomplished improvisers ebbs and flows enough to create a perfectly framed soundscape, but leaves enough ellipses for individual expression. Recorded at the Total Meeting in Tours, the almost 52 minutes of music were put together with no pre-conceptions. But as the interaction evolved, the players found themselves melding and separating their extended and expected narratives into sponta…

The Freestyle Band never courted fame, but they never welcomed obscurity either. The choices they made to follow their individual muses and to independently document their efforts were conscious ones. The musicians made this music in the faith - perhaps certainty is a better word - that its power and integrity would ultimately triumph over shortsighted commercial pressures and America’s racist attitudes toward black artists. Perhaps this reissue does a little bit to validate that faith.

* 2021 Stock * A never earlier released duo recording that was played back in 1987 at Kassiopeia, Wuppertal brings these two great musicians and composers together for this unique and unforgettable session. The late great saxophonist Julian Hemphill and bassist Peter Kowald ate their peak

*2023 stock* The eight cuts are credited jointly to the brass man and drummer. Their compositions are rhythmically complex but harmonically simple, making the most of Berger's ambiguous role midway between melody and percussion. They eschew overt virtuosity in favor of a distinctive group conception, achieving an orchestral feel from just three voices. Their arrangements are tight, but loose enough to accommodate Berger's ringing solos, extracting maximum dividend from what might seem limited re…

*2023 stock* The title already suggests the content is inspired by the devastation of hurricane Katrina in 2005. And it is without a doubt the best musical performance dedicated to the catastrophic event (as by Terence Blanchard or Wynton Marsalis). How to be all soul and all spirit with just two instruments and remain captivating and compelling from beginning to end may seem like a great challenge to many, but these two fantastic mugicians do it.

"It's almost a given that any new release on the Lithuanian No Business label is going to be a bit out of the ordinary. As the catalogue grows, so does its depth and breadth. Turbina Anthem vouchsafes that proposition, comprising an unusual guitar and trumpet duet by two Portuguese improvisers who deserve a wider audience. Trumpeter Sei Miguel boasts a discography stretching back to 1998 in the company of compatriots, but in recent years has made a number of appearances with American free guitar…

Taagi – which takes its title from the Apache word for “three” - is his first trio recording with bassist Aaron Gonzalez and drummer Stefan Gonzalez. Recorded on successive nights during May 2009 performances in Dallas and Austin, this album represents a great collaboration between jazz veteran and great piano maestro Curtis Clark and young, but very talented Gonzalez brothers - Aaron and Stefan. Piano trio at it’s best. Curtis Clark (piano), Aaron Gonzalez (contrabass) and Stefan Gonzalez (drum…

Devoted to the art of moving butts, our latest cover stars are the fabulous Tom Tom Club, the band that started out as a Talking Heads offshoot but rapidly turned Tina Weymouth and Chris Frantz into global musical heavyweights in their own right. We have an exclusive blue vinyl seven-inch featuring two awesome remixes of the group's 'Genius Of Love' to accompany the magazine too.

With her debut solo album rocketing into the UK Top 10 on the week of its release, we are delighted to have Alison Goldfrapp on the cover of the new Electronic Sound. We have a fantastic red vinyl seven-inch by the always stylish and often elusive singer to accompany the issue too.

Electronic Sound Magazine announces its latest issue featuring beloved British electronic pop trio Saint Etienne as the cover story, coinciding with the band's announcement that their upcoming album 'International' will be their final studio release. The special issue includes an exclusive limited edition transparent blue vinyl seven-inch, marking a poignant celebration of the group's remarkable 35-year career. After three and a half decades of crafting innovative electronic pop music, Sarah Cra…

We're marking the return of The Art Of Noise with this month's Electronic Sound cover story. Or The Art Of This as they're now calling themselves. And as well as bringing you the very first interview with the band under this name, we’re bundling the magazine with an exclusive silver vinyl seven-inch featuring the new group's debut recordings.  More than 25 years on from The Art Of Noise's last studio album, three of the five founding members – JJ Jeczalik, Gary Langan and Paul Morley – are reboo…

"We're rewinding back to the glory days of The Blitz Club for this month's Electronic Sound cover story and we've got a superb purple vinyl seven-inch three-track EP featuring Blitz favourites John Foxx, Vice Versa and Gina X Performance to accompany the magazine." - Electronic Sound

This month's Electronic Sound cover feature tells the fascinating story of the soundtrack to 'Drive', one of the greatest movies of recent times.

2010 release ** "In the planning (and many faxes, emails and discussions in person) for 20 years, finally this stunning collaborative release for Cold Spring from Japanese Noise king Merzbow and legendary elemental sound artist Z'EV is here. The tracks were created in London and Tokyo, with each artist remixing the other's original sounds. Two tracks weighing in at 22 minutes and 28 minutes respectively! Dark Ambient Noise."

Very limited 2 LP release of the trio of Thomas Borgmann (reeds), Wilber Morris (bass) and Reggie Nicholson (drums) performing live at the Tampere Jazz Festival in 1999, plus one track from St. Ingbert in 1998.

* Limited Edition of 300 copies with hand-made artwork. Hand-numbered edition. * Lithuania saxophonist - here on contrabass and prepared clarinet, tenor and soprano saxophones - is a musician with many faces, ranging from the powerful free jazz of "Kablys" over the melodic and sensitive excursion with pianist Petras Geniusas, to the angular free improv with Barry Guy on "Lava". On Pacemaker he demonstrates yet another side of his art, now in the company of Christian Windfeld on prepared drum kit…

400 copies. Cornetist Bobby Bradford and saxophonist Frode Gjerstad have been performing together since they were first introduced in 1986 by drummer John Stevens . Bradford and Gjerstad’s associations date back almost 30 years to their pivotal posts in Detail, Stevens’ short-lived quartet with bassist Johnny Dyani. A bond forged, they reconvened in a variety of contexts over the intervening years. Their most recent collaboration took the form of a quartet with bassist Ingebrigt Haker Flaten and…

Shifa is a name taken from the Arabic word for healing, شفاء. The trio's members are three of the UK's most experienced and in-demand improvising musicians.

For avant modern jazz piano trio music at its free best, you can't go wrong with RED Trio. And their LP on No Business (NBLP 67) is as good a place as any to start. They give us three supercharged cuts. Hernani Faustino's double bass cavorts, rumbles and brings in a storm from the lower depths throughout. I love his pizzicato and his arco equally and he sets up the churning excitement the band generates. Gabriel Ferrandini has the drum dynamics covered--senses the sound colors and thrust needed …

Live At The Yippie is part of a performance by tenor saxophonist Lorenzo Sanguedolce and bassist Michael Bisio, with two tracks clocking right under 20 minutes each, the regular time constraint of a vinyl LP.  Sanguedolce is possibly best known, if at all, from his Sweetblood Quintet, a name which is the English translation of his Italian family name. The first piece, "'Stract (part 1), brings a lyrical, free boppish improvisation with bluesy inclinations, quite accessible overall, all within th…

A wonder trio consisting of Charles Hayward, Guy Segers (Univers Zero) and Kawabata Makoto (Acid Mothers Temple), captured live. A special evening in which the three veterans met on stage, setting the atmosphere on fire with a unique concert, short-circuiting forty years of rock history from blues to noise via the most liquid and rarefied psychedelia. Charles Hayward has always asserted a very personal idea of improvisation, in some ways equidistant from the abstractness of European free and the…