Takanehishigu
Born in 1964, Yukihiro Isso is a Japanese Noh flutist (hayashikata fuekata) from a family that has been playing this instrument since the 16th century. He received his initial instruction in flute playing from his father, Yukimasa Isso, and performed on the Noh stage for the first time at the age of nine. Beginning in his middle school years, he began listening to a variety of different kinds of music and studying new instruments including the recorder and piano. An acclaimed performer of classi…
Yurt Yeri
Born in Tbilisi, Georgia, Nargilә Mehtiyeva aka Aşıq Nargilә has been playing saz (long-necked lute) and singing since the age of 15. Fluent in Azerbaijani, Georgian, and Russian, Nargilә represents the cosmopolitan heritage of old Tbilisi, a city once known as a meeting point for multilingual aşıq bards who would travel through the region serving as conduits for news, ideas, music, and culture. Nargilә is currently the only female aşıq living and performing in the ethnic Azeri region of Georgia…
An Anthology of Turkish Experimental Music 1961-2014
Double LP version. This anthology features works by Turkish artists ranging from the electronic music of the 1960s to all forms of experimental music of the 2010s. This is Sub Rosa's second release exploring experimental music by zone or sphere of influence. The constellation built between 2000 and 2012 with Sub Rosa's seven-part Anthology Of Noise & Electronic Music continues to expand through the Early Electronic collection (consisting mostly of tracks composed between the '50s and the '8…
The Art Of Spectres
P version. Covering a large pan of genres, Ultraphallus defines their sound with some accents from different styles including western music, death-metal, doom-rock, avant-garde, psychedelia and electronic soundtracks, as a tribute to rock culture. Seven tracks were recorded in four days at Drop Out Studios, South London, with Tim Cedar (Part Chimp leader, Hey Colossus). Tracks are inspired by The Residents, Marc Bolan, Mark Frechette and Zabriskie Point, Swans, Autechre, David Bowie, Eva Ion…
Classics Remastered (1993-1998)
Double LP version. Cristian Vogel\'s best techno tracks from the \'90s, remastered in 2015. All tracks originally recorded between 1993 and 1998 in Brighton, UK. Cristian Vogel is a composer and music producer, known for his DJ sets and live performances as well as his studio composition and production (having worked with artists such as Radiohead, Maxïmo Park, Chicks on Speed, and Thom Yorke). Vogel was born in Chile 1972 and grew up in the UK; he has been touring consistently since 1992 as DJ …
Disillusioned!
1980s music from former Yugoslavia has always been a special affair. Even pop was not the same as pop, if you understand. REX ILUSIVII is the brainchild of composer Mitar Subotic and will go well with fans of dark synthie pop and atmospheric gothic stuff. There are four shorter tunes to be found on the A side of this record and this is as pop as pop could go if you wish to play it in a gloomy and more experimental style. Bowie would have been proud of this music if it was his. It is dark …
Voice is the original instrument
Masterpiece!! Voice Is The Original Instrument was the first record released by Joan La Barbara in 1976 on Wizard Records. This is the first time the original LP, with artwork, has been made available again. It has since become iconic as one of the initial examples of extended vocal techniques in experimental music. The human voice is the only instrument on the recordings.
The works on Voice is the Original Instrument were some of Joan's earliest compositions, researching the possibilities of th…
Honey Ant Dreaming
Honey ant dreaming is the third full-length album by this Italian combo, following the release of the 7 inch split-series they shared with Yannis Kyriakides, Oren Ambarchi & Steve Roden. The music on this album is muscular, dreamy, evocative and occasionally percussive: this is an initiatory journey inspired by the strength of the Honey Ant Mural painted in 1971 by Papunya’s aborigines, an immersive trip through six tracks, created with a blend of guitars, electronics, percussions, beats and vib…
X
Gaudenz Badrutt electronics & analog synthesizer Christian Müller electronics & contrabass clarinet
"X" as the unknown, "X" as a reference to time. "X" as a definite position between possibility and contingency. The album X by the Swiss band Strom works with remix as a method, explores the potential of the origin. Or the result's? The work on the concept album started with an improvised piece by Gaudenz Badrutt (analog synthesizer) and Christian Müller (contra bass clarinet and live effects). In…
The Bakery
Keith Rowe electronics, guitarMartin Küchen alto- and baritone saxophones, radio, iPod
Keith Rowe was invited to a residency that Martin Küchen, through support from the Swedish Arts Council, was granted a few weeks in the autumn of 2013 at the Vor Anker artist residency, Vienna, Austria. The artist Johannes Heuer and his wife Sandra Baer had invited Martin Küchen for this residency. The artist studio is located in the old Anker bread factory complex in Vienna. During these weeks work included r…
Rim
Kurt Liedwart, lloopp, electronics, percussion. Phil Raymond, computer, percussion. Phil Raymond lives in Moscow and has been working with microlevels of sound for ten years. In 2009 he worked mainly with electroacoustic manipulations of percussion using different methods of computer processing and recording. 'Rim' is his second recording released by Mikroton family of labels following critically acclaimed 'Absence' released by Mikroton Digital in 2008. In 2009 he joined his forces with Kurt Lie…
Bitter Earth
Bitter Earth is the much anticipated, long-in-the-making new album from John Duncan joined by a broad cast of adroit collaborators; Oren Ambarchi, Jim O’Rourke, Smegma, Chris Abrahams, Joe Talia, CM Von Hausswolff, Eiko Ishibashi, France Jobin - all written in dedication to Mika Vainio (who, for avoidance of doubt, is not dead!). It's a remarkable suite of cover versions - from The Gun Club to Nina Simone and Iggy Pop - and original material by an arch experimenter who continues to explore unfa…
Future Perfect
Serge Baghdassarians, mixing desk, delays, electric guitar. Boris Baltschun, computer, sampler. Burkhard Beins, percussion, zither. The three gentlemen formed a live performing electroacoustic work unit throughout the first decade of this century, exploring hybrid musical areas shaped by digitized samples, analogue circuits and acoustically produced sounds stemming from a diverse range of materials and objects. This first phase has been documented on the 'Labor' compilation (Charhizma, 2003) and…
Rubble Master
The cassette showcases two contrasting explorations of the microtonal tuba. On side A, Rubble Master explores noise production, with the lips and tongue acting as noise generators which are filtered using half-valve techniques. On side B, Underground Music uses live-electronics to simulate the movement of two related tunings moving in opposite directions, like trains through the abandoned underground station in which the piece was premiered.
Stop Time
Robin Hayward plays microtonal tuba in Catherine Christer Hennix's ensemble and Stop Time is his first composition to be released on Important Records. Stop Time was commissioned for a festival of the same name taking place in Leuven in 2013. It is the first piece to use a subset of the three-dimensional physical version of the Hayward Tuning Vine, invented in 2012, as a musical score. The harmonic space implied within the four cubes contained within the subset, based on prime numbers two (octav…
New Songs Of The Humpback Whale
Packaged in a deluxe, heavy duty 6 panel digipak and insert containing an essay from David Rothenberg and Michael Deal designed whale song visualizations. What record album was so important that ten million copies of it needed to be pressed at once? You guessed it. Songs of the Humpback Whale. In 1979 National Geographic Magazine inserted a flexible "sound page" inside the back cover of all of its editions in twenty-five languages, and that is supposedly how many they printed. No human pop star …
Arrebato
On Arrebato, Asheville's Ahleuchatistas embellish their trademark intensity with a more pensive and existential amble. These six pieces channel recollections of a natural kinship the band struck up with a number of communities they played to on an Iberian tour in early 2014. The resulting story threads together a suite of lyrical instrumentals showing a deepening meticulousness for structure—elastic and labyrinthine.
Spanish for "passionate outburst," Arrebato aptly evokes a rapturous rising fro…
See Heat
Mornings at the Case family breakfast table in summer-to-fall 2013 passed to the score of Justin Walter’s Lullabies & Nightmares, a solo record debuted for Chicago’s stalwart Kranky label that spring. A willfully reflective amendment to the AM ritual, Brian Case found a stirring soulful resonance in Walter’s cooing geographies. After decades under the alt rock context with 90 Day Men, The Ponys and Disappears, in recent years, Case’s interests have turned to more textural and alinear musical end…
Ame Debout
First-time vinyl reissue of two extraordinary documents from Catherine Ribeiro + Alpes. Born from the tumult of the '68 riots in France, Ribeiro + Alpes defined a uniquely Gallic take on the progressive psychedelia of the time. This is ecstatic music fusing European medieval traditions with the contemporary free jazz of the era. Ribeiro, with her confrontational and surrealistic poetry, along with Patrice Moullet's invented instruments, defined a genre unto themselves and created some of the mos…
Debris In Lower Earth Orbit
Twinkle3 have teamed up with Sidsel Endresen, Norwegian singer, avant garde pioneer and Ecm recording artist. The result is Debris In Lower Earth Orbit, a graceful, yet precarious dance through the weightless slipstream of orbital flotsam and jetsam.The core trio of Richard Scott (analogue synthesizer and electronics), David Ross (Drosscillator, kantele, mbira) and Clive Bell (shakuhachi and other woodwind) conjured 7 distinct sonic landscapes through an intuitive and delicate interplay first ho…