Jazz /
Doway Do Doway Do !?!!
Australian progressive fusion-jazz-symphonic rock act Pantha burst from the mid‑1970s with a uniquely spirited record, Doway Do Doway Do !?!!, a thrilling hybrid of rock, jazz, Latin American rhythms, West Indian grooves and occasional Zappa‑styled e…
Live at the It Club
On Live at the It Club, Thelonious Monk and his classic quartet - Charlie Rouse, Larry Gales and Ben Riley - burn through two nights of Los Angeles brilliance in 1964, turning familiar originals and standards into angular, swinging explorations now f…
Live in Europe 1968 & 1972
On Live in Europe 1968 & 1972, Marion Brown leads a borderless quartet through two rare European concerts, pairing his singing alto with Gunter Hampel's vibes, Barre Phillips' bass and Steve McCall's drums in a sound that hovers between lyrical free …
Sonic House Reunion
On Sonic House Reunion, Bobby Bradford, Mark Dresser and Hafez Modirzadeh reconvene a long‑running alliance, turning cornet, five‑string bass and hybrid reeds into a quietly radical chamber unit where Ornette‑rooted lyricism, spectral tuning and deep…
Sun's Blessings
On Sun’s Blessings, Sunny Murray and Sabu Toyozumi meet as a double‑drum frontline, turning a 1999 Sapporo concert into a two‑part ritual where clattering polyrhythms, rolling thunder and sudden hollows of space make free improvisation feel both volc…
Keeping It In Context
On Keeping It In Context, Daniel Carter, Sabir Mateen, William Parker and Lou Grassi turn a 1996 Context Studios session into a blazing, deep‑listening workshop, with twin reeds, singing bass and restless drums stretching free jazz language without l…
Jazz Harpist
*2026 repress!* This is Dorothy Ashby's debut album, originally released in 1957 by the Regent label. Recognized as the woman who gave the harp a jazz voice, here Ashby is at the head of a highly distinctive combo featuring Frank Wess on flute, Eddie…
Hip Harp
*2026 repress!* Born in Detroit in 1932 Dorothy Ashby can be easily recognized as the woman who gave the harp a Jazz voice. In her hands, the harp, an originally classical instrument which seemed to just scare people, became a highly versatile swingi…
Jazz Mood
The debut album from jazz multi-instrumentalist Yusef Lateef, Jazz Mood was originally released in 1957 on New Jersey’s Savoy label. Featuring five Lateef originals the album included Curtis Fuller (trombone), Hugh Lawson (piano), Ernie Farrow (bass)…
Kinetic
With their anticipated new album, Black Flower delves into the transformative power of rhythm and motion. Each groove, rhythm and pulse channels raw energy, acting as a disruptor that drives transformation. When the mind feels stuck—cemented in patte…
Downwind
On Downwind, Pierre Moerlen's Gong trades cosmic whimsy for aerodynamic precision, fusing mallet‑drunk jazz‑rock, prog heft and a dash of pop clarity into a sleek late‑70s vessel where vibraphones, drums and guest guitar gods share the same thermal u…
Cosmos Nucleus
On Cosmos Nucleus, Carlos Garnett turns his cosmic post‑Coltrane fire into a large‑ensemble manifesto: six expansive tracks where Pharoah‑like spiritual cries, funk currents and celestial brass fanfares coalesce around the incandescent “Mystery Of Ag…
Oscillations
On Oscillations, Sol Sol stretch their free‑jazz vocabulary into something almost cosmic: ten pieces where Elin Forkelid’s four saxes, David Stackenäs’ guitar and the Agnas brothers’ rhythm team move from feather‑light drift to razor‑edged intensity …
Foraging
On Foraging, The Blassics Experiment dig deeper into their analogue-funk soil, spinning nature-tuned grooves and mossy dub atmospheres into an eight-track crate of break-ready instrumentals that feel both forest-floor organic and dancefloor precise.
Schematics For A Blank Stare - Volume Four
On Schematics For A Blank Stare Volume 4, Jeffery Scott Greer digs deeper into his cracked-beat, sample-scarred universe, sketching late-night instrumentals that flicker between head-nod hypnosis and uneasy, half-remembered dream logic.
Convergence: Live In China
On Convergence: Live In China, William Hooker and John King turn a Shenzhen stage into a pressure chamber, stretching one unbroken hour of drums and guitar from whispering tension to volcanic release in a charged act of real‑time communication.
Circumstantial
On Circumstantial, Ira Sullivan returns to Chicago after fourteen years away, sounding both relaxed and razor‑sharp as he trades easy, hard‑won wisdom with a seasoned hometown rhythm section and a fiery young guitarist at his side.
Procession of the Great Ancestry
On Procession of the Great Ancestry, Wadada Leo Smith threads trumpet history and civil rights struggle into a lean, glowing suite where dedications to Davis, Gillespie, Little and Eldridge sit alongside blues testifying and a closing hymn for Martin…
Spirit Catcher
On Spirit Catcher, Wadada Leo Smith moves between luminous small‑group ritual and radical chamber experiment, setting airy trumpet-and-vibes lyricism against the austere blaze of a muted horn surrounded by three harps.