Jazz & Improvisation / All styles

French bassist Joëlle Léandre is one of a relatively few women pioneers on the Free Jazz and Improvised Music scene to earn a legendary status. Her activities on the scene have brought her in contact with the most distinguished performers, both European and American (such as Anthony Braxton). She also worked in the field of contemporary Classical music with composers like Pierre Boulez and John Cage. in 2007 Joëlle visited Israel and her Live performances there have been recorded and are now iss…

2007 release (light storage wear) ** Card sleeve. Interlace/Ongaku presented this live show at the Shunt Lounge in the labyrinth under the London Bridge station in November of 2006. Three groups performed: the e-a improv quartet of Tom Chant, Ross Lambert, Sebastian Lexer and Matt Milton; the trumpet/Indian harmonium duo of Jamie Coleman and Mark Wastell; and the AMM duo of Eddie Prevost and John Tilbury.

*In process of stocking. 2022 stock.* The first new studio recording in almost ten years by one of the most exhilarating ensembles in the ever growing Masada family. Together since 1994, their breathtaking virtuosity, extraordinary passion and telepathic interplay has increased over the years and now their performances set a new standard for excitement, concentration and commitment. Performing thirteen new compositions from Zorn's legendary Book of Angels, these three brilliant musicians, under …

Soul Jazz Records are releasing for the first time-ever a long lost cult classic of French New Wave cinema on DVD. Les Stances a Sophie has been out of print for over 30 years and this is its first release ever outside of France. Filmed in Paris in 1970, this fully-subtitled film features killer music, groovy clothes and post-1968 revolutionary ideals. This super-rare film is now perhaps best known for its soundtrack from the legendary Art Ensemble of Chicago (who also feature in the film). The …

"Their music reaches from blues to jazz into space," proclaimed the original liner notes to this highly unusual psychedelic jazz blast, originally released in 1968. The demented seven-piece band hailed from Boston, which was in the throes of the notorious "Bosstown hype" when their album was recorded. Though it can be compared to contemporary acts such as Captain Beefheart and Blood Sweat & Tears, it has a distinctive sound of its own, blending howling vocals, biting electric guitar and avant-ga…

Chronologically beginning the label's in-depth survey of the lesser-known psychedelic era of Sun Ra (1968-1971), these discs were painstakingly mastered from first and second generation passes of Michael Wilderman's original recordings and sound better than any collector has ever heard them previously. The Electric Circus show features an unknown female singer who was with the group prior to June Tyson. The Arkestra on stage at Newport cover photo is published in high resolution for the first ti…

RESTOCKED, last copies around: an amazing collection of music -- the complete performances of the Sun Ra Arkestra during a one week stay at the Detroit Jazz Center in the early 80s! The massive 28 CD set offers a wonderful chance to see this creative ensemble in action -- as each night of the performances offers up something different -- a change in mood, a shift in style, and a wide array of songs that never fails to amaze us! These guys were hardly content to just run over the same music night…

The Thing was originally formed in 2000 to play concerts and record music based around Don Cherry's compositions, along with original compositions. They've since played and recorded with Joe McPhee, with whom they released 3 albums, and joined with the Norwegian rock band Cato Salsa Experience for one album, again with Joe McPhee. Over the years they've expanded their repertoire to include work by Frank Lowe, James Blood Ulmer, Norman Howard, and rock bands like The White Stripes, Yeah Yeah Yeah…

Firmly-established as one of Britain's leading saxophonists and flautists, Ray Warleigh is perhaps best-known for his contributions to albums by Nick Drake, Elton John, Paul McCartney, U2 and many others. This 1969 bachelor pad classic was produced by Scott Walker (for whom he acted as musical director), and features a plethora of renowned musicians, including Gordon Beck, Harry South, Terry Cox and James Galway. Never previously available on CD, it comes complete with rare photographs and compr…

William Parker's Quartet is the premier outlet for his (and their) immense and timeless talents. The group's first two albums are universally recognized as still-revealing exemplars of modern music. Here now is the third album -- Petit Oiseau aka 'Little Bird' -- a wholly new set of melodically, harmonically and rhythmically advanced compositions rendered by one of the greatest jazz bands the world has yet had the good fortune to bear witness to. Insinuating melodies and counter-melodies, layers…

Arguably the single-most important landmark in European free music: the original BRO Records LP restored to its '68 format, with two alternate takes, new liner notes by Brötzmann and John Corbett -- PLUS the only live version of 'Machine Gun' ever recorded. In 1968, there was a palpable sense of optimism in the air. This in spite of the fact that the shitheads seemed to have the upper hand, with the quagmire of Vietnam, the intractability of the American struggle for Civil Rights, Martin Luther …

Using prepared piano (Anthony Pateras), prepared guitar (David Brown) and drums (Sean Baxter) this live concert of two improvisations was captured at l’Usine in Geneva, Switzerland in 2006, an exploratory conversation of dynamic structures and sound that implicitly references modern compositional approaches to keyboard, strings and percussion. Formed in 2002 Pateras-Baxter-Brown have performed countless concerts throughout Australia, New Zealand and Europe, developing a worldwide reputation for …

An outstanding box, documenting the early 80's impro/experimental scene fro Russia - almost 10 hours of music, housed in a lavishly packaged box, with a 32 pages full color booklet, considered by the label itself as the most important release of the entire Leo Records catalogue "In a way the document is not only a summing up of a decade of new music in the USSR. It is also a summing up of Leo Records' activity during these ten years. The advances of Soviet new music were tremendous in spite of t…

A record for double-bass (adding here and there a cello and some recorded voices). Felice Del Gaudio mixes multiple tracks with his instrument and creates atmospheres keeping alwais a convinced attachment to his land (Basilicata, his native soil) and the popular roots, even if he uses a very free and creative language, peculiar to jazz, and also, as a learned composer, doesn't disdain atmospheres typical for chamber music. In short, a record following the path traced by artists like Renaud Gacia…

very rare, long out of print studio recording from 1982. This marks the recording debut of John Tilbury (piano) in the group, plus the now reunited core of Prévost and Keith Rowe (guitar, electronics). Absolutely stunning improvisational "noise" from a very serious standpoint ensemble. One copy only available, new and unplayed

rare original LP, recorded live in London on 1/10/87. Prévost, Rowe, Tilbury, and Rohan de Saram (cello). The organic control of sound on this disc is spectacular; pretty much a must for serious listeners worldwide. One copy only available, new and unplayed

Alex Ward (clarinet), Alexander Hawkins (piano), Dominic Lash (double bass), Paul May (percussion). An improvising quartet comprising four excellent young improvising musicians based in London and Oxford, none of whom have ever been to the outer London suburb of Barkingside. Two complete performances from concerts at Cambridge University and the 2007 Freedom Of The City festival in London.

Tom Djll (trumpet, pocket cornet & preparations), Matt Ingalls (Bb clarinet, bass clarinet), Frédèric Blondy (piano), John Shiurba (electric guitar), George Cremaschi (double bass & electronics), Lê Quan Ninh (surrounded bass drum), John Bischoff (electronics), Tim Perkis (electronics), Gino Robair (energized surfaces & voltage made audible). Tom Djll put this electro-acoustic improvising nonet together when Frédèric Blondy and Lê Quan Ninh were visiting the San Francisco area, resulting in some…

Separately they are three of the best improvising musicians Melbourne has to offer. Together they're a force to be reckoned with. Bob Baker Fish, Cyclic Defrost, Australia. Pateras-Baxter-Brown is, absolutely, one of the best radical improvisation ensembles currently in circulation and I would not hesitate in citing them to the flank of historical formations of the Braxton, Jenkins, Smith & McCall quartet, the Bailey, Guy & Rutherford trio or the New Group Consonanza. Awesome!!!!!!

The English free jazz improvisation scene of the late 60s and early 70s was an incestuous breeding ground. Robert Fripp was producing albums by Keith Tippet, Brian Eno was using Derek Bailey and Evan Parker on albums of odd Russian electronic music on Island, and labels like EMI and RCA were actually taking a stab at selling this music to a large market. Amidst all this was Ray Russell, a popular session guitarist, also playing in John Barry's group, also reputed to be the first guitarist in Eng…

The recordings were done at 2 seperate gigs at Photospace Gallery in Wellington, NZ. I exhibited at the gallery twice and we began performing there quite often (the owner even played drums for my group The Rick Jensen Trio). Nova Scotia played a number of times there as the environment was particularly suited to us, outside was the main street in Wellington, where everyone would go drinking at night. It was all nightclubs and bars, buskers and drunk people. When we performed we'd open the window…

 Chicago pianist Sun Ra emerged as a leader on the jazz scene early in 1956, when he assembled a group of neo-boppers that contributed to the original and exciting jazz sound offered by his new Sun Ra Arkestra, a medium-sized group that swung like a giant locomotive, an effect primarily due to an interesting use of two basses playing simultaneously.They featured the power of big band ensemble along with the excitement of combo blowing by fine soloists, among them the driving tenor John Gilmore, …

This outstanding DVD includes a memorable live performance by the most influential avant-garde jazz band of the 70s and 80s, the Art Ensemble of Chicago. The primary innovators in the fusion of traditional African and African American music with European performance art, the AEC are legendary for their inimitable stage shows.Dressed up in African costumes, odd masks and colorful face paint, the group transports its audience through time and space on eight brilliantly improvised tunes. With a wea…

One of the rarest Art Ensemble albums ever -- an obscure recording issued only briefly by the equally obscure Calloway Records in France. The set's got a spare, moody feel to it -- and seems to use a bit more stringed instruments than on some of the group's other recordings -- especially on the longer track "Dance ", which matches the usual basswork of Malachi Favors with some additional violin or cello stylings, possibly performed by the rest of the group -- although the cover's not much on not…

Kaoru Abe's duo with legendary free bassist Motoharu Yoshizawa, nord, stands as a critical summit between two of the major forces in japanese jazz at the time. recorded in december 1975 and released in 1981 by Kojima, it reveals a different side to Abe.the two had apparently been playing together since the late '60s - Yoshizawa had, for various reasons, and it's probably due to yoshizawa's undeniable heavyweight status that this dialogue is conducted largely on his terms, with abe toning down hi…

Mort à Credit shows Kaoru Abe in a fascinating period of transition, moving forth to something complexly and identifiably new, yet intransigently rooted in what had come before. It consists of two alto improvs from a show on October 18, 1975, and five more (three on alto, two on sopranino) from another performance a couple of days earlier. Released by Kojima on 2LP in 1976, it can be said to mark a significant change in Abe's style. Abe is here a little soften from his usual urgency - this can p…

A well-regarded and influential group with saxophonist John Surman and two expatriate American musicians, bassist Barre Phillips and drummer Stu Martin.

Eichenberger directs the musicians to change what they are doing, but not what to. The result is an hour-long performance with many changes, and surprises. Marianne Schuppe & Dorothea Schürch (voices), Carlos Baumann (trumpet), Paul Hubweber (trombone), Carl Ludwig Hübsch (tuba), Markus Eichenberger (clarinets), Dirk Marwedel (extended saxophones), Helmut Bieler-Wendt (violin), Charlotte Hug (viola), Peter K Frey & Daniel Studer (double basses), Frank Rühl (electric guitar) & Ivano Torre (percus…

Amazing music by one of the French piano legend Georges Arvanitas, in the company of George's fantastic rhythm duo of Charles Saudrais on drums and Jacky Samson on bass

Portraits is a sprawling, ambitious work composed by bassist Barry Guy that brings together musicians from across the British jazz/improv spectrum, from free music luminaries Evan Parker, Paul Rutherford, and Phil Wachsmann to somewhat more jazz-based players such as Paul Dunmall and Trevor Watts. The album contains seven main "portraits," each distinct from the next, which are tailored to spotlight the various soloists as well as the different smaller working units contained within the larger 1…

The problem that besets British jazz - from Ray Noble and Ronnie Scott to Barbara Thompson and Andy Sheppard - is light-music, 'Radio 2' gentility; in Germany it is what Michael Kator (describing the results of the Nazi ban on "hot Jewish music") called "the bane of German jazz, the dreaded 'um-papa' sound". Here, four free music veterans from East Berlin (Ernst-Ludwig Petrowsky, alto; Ulrich Gumpert, piano; Connie Bauer, trombone; Günter Sommer, percussion) have decided to ease up, let some 'da…

Recorded in 1978, In The Midst Of Chaos is this western CT free-jazz group's only release. It would become improv jazz sax player Paul Flaherty's 1st record, who, as a youth, was smitten by the world, it's creator and Pharoah Sanders. Chaos is also the only release of legendary guitarist Barry Greika, who, along with bassist Bob Laramie and drummer Glen 'Hobbit' Peterson, remain the most under - recorded trio in history. A screamin', howlin', blisterin', slap of a record that defies categorizati…

Trio improvisations recorded at the Eremita de la Anunciada, Urueña, Spain, August 2007. Esteban Algora (accordion), Alessandra Rombolá (flute and tiles installation) and Ingar Zach (percussion) - three Madrid-based improvisers creating music where the room became a fourth member of the group. An entirely acoustic affair. The title, taken from a poem by Pablo Neruda, suggests the use of the space where the recording was made - an old stone church where the instruments amplify and extend the pote…

Braxton concentrated heavily on duo performance during this period, and this was one of the happiest of his associations. ...warmly recommended.

With this album , the return of the Third Ear Band became reality mostly though the realization of an italian producer and label owner of Materiali Sonori and longtime fan. Two of the four original members regrouped and added Mick Carter on guitar which was to remain for many years to come and Alan Samuel on Violin but the fourth member will often change for future albums . But the music has not change after a 15 year stop, and we are right away plunged through the usual and quasi dronal music T…

Leo Cuypers, pianist and composer from southern Holland, is one of the great unsung heroes of Dutch creative music -- as a bandleader, solo pianist and member of the first incarnation of the Willem Breuker Kollektief. Heavy Days Are Here Again was a project that brought Bennink and Breuker (who made the first ICP record, New Acoustic Swing Duo together as a twosome back in the 60s) back together after a somewhat fractious split, and reunited Buypers with Breuker as well. Cuypers named the group …

Now here's an oddity, an album of compositions for and by a pair of accordionists; and, with the exception of a forte-piano here and a bayan or melodica there, accordions are all you hear. Guy Klucevsek is the man who single-handedly brought the accordion into the jazz underground. He is also a composer of note having his works performed by many ensembles around the world, including the Kronos Quartet and the Arditti String Quartet. Alan Bern is well-known as the musical director of Brave Old Wo…

1992 release ** Guy Klucevsek plays music by Steve Elson, Tom Cora, Guy Klucevsek, Joseph Kasinskas, Anthony Coleman, Daniel Goode, Nicolas Collins, Guy De Bievre, Robin Holcomb, Duke Ellington, Peter Garland, William Duckworth, Bobby Previte, Carl Finch. "Accordionist Guy Klucevsek was listening to a radio interview with Charles Mingus one day in the '70s. The interviewer asked Mingus about the racial divide in jazz and whether or not whites could create great, innovative jazz music. "Let the w…

1991 release ** Guy Klucevsek plays music by William Obrecht, David Garland, John King, Fred Frith, Peter Zummo, Bill Ruyle, Lois V. Vierk, Phillip Johnston, Thomas Albert, Carl Stone, Mary Jane Leach, David Mahler, Elliott Sharp, A. Leroy. ?Who Stole the Polka? is the second volume of pieces that accordionist Guy Klucevsek commissioned from composers ranging widely over the contemporary new music scene in the mid-'80s. For pure wicked fun, it probably exceeds its companion, Polka Dots and Laser…

2024 Stock. Minor signs of wear from long-time storage. A new side of ever surprising master composer/musician Anthony Braxton. A world premier performance by the Arizona State University Percussion Ensemble directed by Dr. J. B. Smith. Recorded Feb 6, 1994 in the Music Theatre at the Arizona State University School of Music, Temple, Arizona. The CD is accompanied by an 8-page booklet to lead you throught the labyrinth of Braxton's thinking.