Jazz /
Brand New Feeling
400 copies, black vinyl. The Awakening were one of the greatest bands in early '70s jazz blending Spiritual and soul. They combined veterans of Chicago’s R&B sessions and jazz players affiliated with the Association for the Advancement of Creative Musicians and were the only "group" on the legendary Black Jazz Records roster. This album includes the most representative tunes from their only two albums released in 1972/1973.
The Return
*First pressing of 200 copies* Drew Gardner - Drums, John Tchicai - tenor & soprano sax (1, 4), Marco Eneidi - alto sax (3), Roberto De Haven - alto sax, Vytas Nagisetty - bass. Recorded by Myles Boisen at Guerilla Euphonics Studio, Oakland, CA 1995. All compositions by Drew Gardner (Elklag Music) ASCAP
Singing Icons
*First pressing of 150 copies* "Singing Icons brings together – though remotely – two highly exceptional and innovative, and, obviously, in-demand drummers-percussionists – Spanish, Barcelona-based Vasco Trilla, known for his bands Phicus, Fish Wool, Nobject and his duo with Portuguese trumpeter Luís Vicente, and his hero, American poet-dancer-nature mystic Ra Kalam Bob Moses, known for his collaborations with such legends as Charles Mingus, Rahsaan Roland Kirk, Keith Jarrett, Pat Metheny and Pa…
A Sublime Madness
Psychic Ills keyboardist, Brent Cordero and Sunwatchers bassist, Peter Kerlin’s, first full length collab A Sublime Madness is the culmination of decades of circling each other's creative orbits. After years of casual jamming, numerous fledgling one offs, and touring sideman gigs (ibrighden addition to Sunwatchers, Kerlin was also Chris Forsyth’s long time bass player and in the John Dwyer helmed improv project, Bent Arcana. Cordero worked for years with Psychic Ills and Mike Wexler among others…
Forest Standards Vol. 3
What is a standard to a forest? What makes that different to what’s a standard, in that jazz classic compositional sense, to a desert? To a city? To a suburb? To a plain? A wetland? A grove? The only thing standard in a forest, like any other environment, is the search for balance. Nature seeks an equilibrium and, given enough time, it finds it. It’s the only way to ensure survival and growth. For three albums, David Lord has been exploring this idea, seeking out some sense of the ethereal, with…
Volume 2
*300 copies limited edition* Volume 2 is the long awaited followup from the all-star Chicago trio of Quin Kirchner, Daniel Van Duerm & Matthew Lux. Although it's been three years since their debut, Volume 1, KVL has continued to hone their brand of call-it-whatever-you-want jazz, keeping many of the same meditative and ambient qualities as their previous album, but expressed in new and different ways - Van Duerm's repetitive and winding organ lines on "Absent Crash," Kirchner's steady & insisten…
III
Elijah McLaughlin Ensemble III is an album full of shimmering harmonic atmospheres. It’s emblematic of the Chicago-based ensemble, whose music explores the textures and resonances of their string instruments, namely six and 12-string guitar (Elijah McLaughlin), upright bass (Jason Toth), and hammered dulcimer (Joel Styzens). Throughout Elijah McLaughlin III, they expand their usual palette by including analog synths, field recordings, and melodies from guest musicians cellist Katinka Kleijn and …
Lockdown
Leaney's lyrical and multi-textured tenor and alto saxophone playing is featured throughout, as is his playing on the Zimbabwean mbira and west African flulani flute. The record comprises equally of planned and deeply rehearsed compositions by both Leaney and Thouin, each with their own flavour brewed together to form a uniquely organic music. This is the first documented studio recording of 83 year old Thouin's lifelong exploration in sound and rhythm featuring his folkloric, DIY hybrid setup b…
You No Fit Touch Am
Wah Wah 45s are very proud to present the first full-length album in almost a decade from vocalist, keyboard player, Fela Kuti collaborator and afrobeat legend, Dele Sosimi!
Lovin' Mighty Fire (Nippon Funk • Soul • Disco 1973-1983)
The first official collection of Japanese soul, funk and disco in the West. Available in CD and deluxe vinyl formats.
Maghreb Cantata, Live 1969
** Much-needed repress ** A marvellous double album as document of the historical collaboration between Don Cherry and Swiss pianist, composer George Gruntz, a central figure in European Jazz who always showed a special interest in extending his solid post bop skills through other languages such as ethnic or even baroque music. This is North-African deep flavoured Jazz recorded live in Tunisia and Germany in May and September 1969, with Cherry (cornet, flute) and Gruntz (piano, celeste) leading …
Musikforum Schloss, Viktring, Austria – July 20, 1972
* Much-needed repress * Recorded live in Austria in 1972 this outstanding document marks an important event such as the meeting between Don Cherry and Dollar Brand. Here the modern jazz trumpet master and the great South-African pianist along with percussionist Nana Vasconcelos and bassist Johnny Dyani are caught in the middle of a sound ritual where Jazz elements and world music echoes appear as fully integrated in some sort of visionary, organic music form. A deep sensorial experience based on…
Live at IUCC 2/25/79
Volume 2 out of 11. Edition of 333 copies, one-time pressing. This is the last recording with Jesse Sharps as the Bandleader before he left for the Army. An incredible afternoon of music and a fitting “Departure” for a Jesse, a true pillar of the 70’s Arkestra. Macrame was originally released in 1979 on the IUCC 2LP, it is presented here, in a raw transfer of the master reel. Mykowski’s 1st Fifth is nothing but pure fire with those blistering solos by Sharps, Session, and a very special reading …
Live at IUCC 6/24/79
**333 copies, one-time pressing** Volume 6 out of 11. This is the last recording with Jesse Sharps as the Bandleader before he left for the Army.. An incredible afternoon of music and a fitting “Departure” for a Jesse, a true pillar of the 70’s Arkestra. Macrame was originally released in 1979 on the IUCC 2LP, it is presented here, in a raw transfer of the master reel. Mykowski’s 1st Fifth is nothing but pure fire with those blistering solos by Sharps, Session, and a very special reading by Kam…
Prayer For Peace
Big Tip! While stationed in Germany in the RAF during the late 1950s and early 1960s, York-born alto and soprano saxophonist Trevor Watts met the drummer John Stevens, with whom he would form the Spontaneous Music Ensemble upon returning to the UK in 1965, which became an important vehicle for British free improvisation. Watts’ spin-off project Amalgam came two years later with Stevens and bassist Jeff Clyne, previously in the Jazz Couriers with Ronnie Scott; their debut LP Prayer For Peace is j…
Symphony No. 107 - The Bard
Black Truffle is pleased to announce Symphony No. 107 –The Bard, a previously unheard archival recording of the legendary improvising ensemble MEV (Musica Elettronica Viva), captured in concert at Bard College, New York in 2012. Formed by a group of American expat composers in Rome in 1966, the MEV ensemble played an important role in the development of free improvisation, bridging the live electronics tradition begun by John Cage and David Tudor and the high-energy squall of free jazz. Early re…
Prophet
Featuring what may be his only recordings on the Prophet keyboard, these once lost performances expand the omniverse of Ra across a stellar set of lengthy cuts! All recorded in a single day and finally making their terrestrial debut! What happens when a Prophet meets a Prophet? The answer lies within these grooves. Amongst the hundreds of recordings issued by Sun Ra and his Arkestra, under their various guises, the majority were recorded in concert or in makeshift studios such as their early 19…
Kwanza
These 1969 recordings (released 5 years later) combine Archie Shepp’s free jazz bonafides and a blend of blues and funk through an African lens, all in a big band setting. The all-star brass section, featuring James Spaulding and Charles Davis on sax along with trombonist Graham Moncur III lead the way on stand outs including “New Africa” and “Spoo Pee Doo.” This Verve By Request LP features transfers from analog tapes and remastered on 180-gram vinyl, pressed at Third Man in Detroit.
Marc'h Gouez
LP version. Includes eight-page booklet; 425 gsm brownboard outer sleeve; 180 gram vinyl. "Why would I sing in French? I have Breton culture, I speak Breton, I live in Brittany, and the Breton language is the language of this country..." So explained Kristen Noguès, of whom this is the first of the (rare) albums that she recorded Marc'h Gouez, is a fabulous voyage in space on each listening. Noguès learned the Breton language as a child, at the same time as the Celtic harp, -- taking lessons wit…
Blues and News
"I get something out of listening to Coltrane, Shepp, and Coleman; I'm really pleased that young players are trying to change things. If they go back the roots and come up with something new, that's fantastic." This comment was made by saxophonist Hal Singer to Gérard Terronès for the magazine Jazz Hot in 1968. Two years later, Terronès would issue Singer's album Blues and News, on his label Futura Records. Though born in 1919, Hal Singer claims, just like the precursors of free jazz, "to always…