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A 14-track tape pulling together rural Greek demotika recordings from the late 1930s to the mid-1950s. Soaring pentatonic improvisations, odd-metered rhythms, and vocal performances oscillate between heartbreaking laments and ecstatic celebrations.
“Hanging in the chill out rooms of the 1990’s rave scene inspired me to create my first ambient album, Atmospherics over 30 years ago. For this album I wanted to journey back and create a love letter to those magical times, and the energy that was felt in those small rooms decades ago.” - JB
The sound of this composition comes from 2 live shows that were superimposed and than mixed with field recordings. The voice sings circular texts. One side is called Além and the other Aquém which means beyond and short of.If you are curious about the lyrics we can share la première strophe of Além The head, banging against the screen, searching for a decapitated cure, promises a Prometheus to the atheist,who didn't even touch the fire.
*250 copies limited edition* As part of their 20th year celebrations Gnod grace us with the latest output from their ongoing R&D project. Operating as a stripped back two piece the raw energy and sonic power shines through across the two tracks that make up ‘Nobody Knows this is Anywhere’. ‘Catholic FM’ and ’Sunset 102’ are but a fraction extracted from a mammoth 2 day recording session at Gnod farm back in 2019. Recorded straight to cassette at the time and with minimal editing done at some poi…
*50 copies limited edition* Aster are poets and experimental sound makers Alex Keramidas and Catherine Norris. Their practice is informed by perpetual choirs, sacrificial stones and top of the pops, as well as being guided by divination. Party Down the Hall is their first album - a collaboration built on ethereal narratives, samples and melodies, creating invocations for the modern era.“In an apartment in a big old building. It used to be a hotel where people would stay in order to be healed. No…
*50 copies limited edition* Seven musings on death, the afterlife, communication and the musicality of the non-musical, 'Polycrisis Apparitions' is the latest release from Misery Bacon. Misery Bacon is a solo audio project by Luke Drozd, an artist, illustrator and musician based in Bergen, Norway. Following on from 2025's 'Turning in the widening gyre', a release that unspooled over two longform tracks filled with serrated drones, distorted noise and harsh blown-out samples, 'Polycrisis Appariti…
The premiere vinyl release of Giovanni Fusco's 1968 score for Ugo Liberatore's Il Sesso degli Angeli, prepared in full stereo as it was meant to appear in 1968 but never did.
Edition of 350. Built from three episodes, Stato Interessante turns on the experiences of women facing pregnancy and abortion in an Italy on the edge of profound change, the country's debate over reproductive rights reaching its height in the months before the 1978 law. Nasca, working from a script co-written with Maurizio Costanzo, frames intimate character study against broader social observation, with a cast including Janet Agren, Monica Guerritore, Duilio Del Prete and Turi Ferro.
Morricone …
Issued for Ortolani's centenary, the most complete edition yet of his 1967 western score for Tonino Valerii's film with Lee Van Cleef and Giuliano Gemma. Jazzy horns, electric guitar and that slow-stepping main theme, across the original mono and stereo albums plus the full score in stereo. 350 copies.
Tip! *100 copies limited edition* "A Decent Run is the result of a journey that began in 2000 and was recorded in 2024, seven years after the death of Tom Raworth, whose poems I used as the basis for ten tracks—ten songs—to which I added two pieces by Steve Lacy. It is a journey through many different kinds of music, lyrics, images, and sounds, yet one shaped by a single principle: the idea of music and improvisation as a collective, choral process, in which space and prominence are given to ind…
Cinedelig/Jamdung proudly presents the first repress of the rare UK compilation In Reggae Time (originally 1970) as a limited-edition 12" picture disc. Unearthed from original 7" single sources issued around 1967 on Ember Records and its sub-labels, this repress collects exceptionally rare UK tracks that sit at the crossroads of late‑’60s British youth culture—only marginally reggae, they instead deliver a vivid fusion of mod, R&B, ska and northern soul with the era’s restless energy preserved i…
*300 copies limited edition* Reliques de Roses, musical tandem formed by two household names of the European underground: Laure Boer (Edition d’Art, Arbore...) and Tom Val (Orion Music Workshop, HWYUIOD...). Bridging the Berlin-Paris experimental connection, the duo brings us a collection of nostalgia-tainted songs, noisy improvisations and synth-led talk-over songs. A fragile Art-Folk with industrial touches strongly reminiscent of Vox Populi!, Throbbing Gristle, and in more recent times, DIY h…
Recorded across a single sweltering Paris summer in June 1978, Adonia - the lone album credited to Ose - captures a rare alignment of intellect, imagination, and emerging technology. For decades it has lingered as one of the great half-secrets of French electronic music's most fertile decade, traded between collectors who understood exactly what they were holding.
At just twenty-six, Hervé Picart was living three parallel lives: scholar of rhetoric and ancient languages, journalist for the Frenc…
** 50th anniversary Limited Edition ** The fourth full-length album by legendary German electronic music duo Cluster, originally released on Sky Records in 1976. Sowiesoso follows on from their most highly-acclaimed album, Zuckerzeit (1974). Michael Rother's influence was clearly audible on the latter, Cluster having already recorded two albums with him under the name of Harmonia. 1976 saw the duo looking for new musical forms. More than any other Cluster album, Sowiesoso represents the utopian …
Laure Boer & Franz Wrakhowitch did again. They left our lands, for being Édition d’Art, their free-floating project with no logic. This time harvesting industrialised drones, tones, n zones, where rhythm, melody, and the idea of musical form gets challenged. Some say, they say, that the album's concept was to create cut-ups from tea bag sayings, just to poke some fun at the effective and comforting healing of the soul. If “Déploiement de l’immuable” can heal, is yet to be decided. It can steal. …
On Break The Faith, Repeated Viewing drags his VHS‑streaked horror synths onto the factory floor, hammering grime, dread and adrenaline into a streamlined industrial brawler built for raves in the rubble rather than candlelit cult screenings.
On Nightshades, Celestial Hex step out of Berlin’s mist with a sleek strain of electro‑noir: neon‑bleeding synths, darkwave pulse and vampiric hooks that feel custom‑built for creatures of the night raised on grainy 80s cult cinema.
On Through a Dark Glass, Jim Kirkwood peers into his signature realm of neo‑medieval gloom and cosmic dread, layering synth choirs, martial pulses and dungeon‑folk melody into a fogged‑mirror vision of fantasy where revelation always stays just out of reach.