New Arrivals
Good Thoughts, Bad Thoughts (LP, Coloured)
Huge Tip! *White vinyl with obi strip* Twenty years into their singular journey, Valence-based trio France have become one of Europe's most hypnotic live forces - a hurdy-gurdy-powered engine generating waves of kraut, psych, folk and drone that blur the boundaries between physical experience and altered consciousness.
Good Thoughts, Bad Thoughts captures the band in full flight during their very first English tour, recorded at The state51 Factory in East London. Until this tour, UK audiences ha…
Le Temps des Figures du Soleil Noir
With Le Temps des Figures du Soleil Noir, Unglee Izi extends his shadowy electronic cosmos into a four‑hour box set: a slow‑burning, ascetic immersion where time dissolves into glacial pulses, spectral overtones and a solitary mind listening to its own echo.
Policing The Beats - Black Music, Racism And Criminal Injustice
A bold analysis that exposes the racist policing of Black music. The emergence of UK drill music made headline news, portraying it as a criminal enterprise instead of recognising it as an art form. This new rap subgenre, however, is neither the first nor the only Black music to be targeted this way. Policing the beats rewinds the tape to demonstrate how music has been used as an instrument for policing Black people, from the era of colonial slavery to the present day, revealing the racist legal …
Washing Machine
Washing Machine is the ninth studio album by the American experimental rock band Sonic Youth, released on September 26, 1995 by DGC Records. It was recorded at Easley Studios in Memphis, Tennessee and produced by the band and John Siket, who also engineered the band's previous two albums. The album features more open-ended pieces than it's predecessors and contains some of the band's longest songs, including the 20-minute ballad "The Diamond Sea", which is the lengthiest track to feature on any …
Goo
Sonic Youth's eighth album, Goo, was their first for DGC / Geffen. The album marked their major label debut, featuring arena rock staples like "Kool Thing" and "Dirty Boots" deep in its grooves.
This allowed Sonic Youth to enter the mainstream world, destroy everything in their path, and emerge victorious. They rode the Top 10 charts to sonic stardom and glory, or at least secured the opening spot on the 1991 Crazy Horse tour.
A Thousand Leaves
A Thousand Leaves was Sonic Youth's 10th studio album and the group's first major effort to be recorded at their own Echo Canyon studio in NYC. Free from the constraints of paying for costly studio time, the band was able to work at their desired pace and experiment at will. The result was an album born out of improvisation, chiefly characterized by the guitar interplay between guitarists Thurston Moore and Lee Ranaldo. The album title was inspired by Walt Whitman as Moore explained, "The same w…
One Size Fits All
One Size Fits All’s 50th Anniversary 2LP “black glitter” anniversary edition boasts a brand-new analog cut of the album, a bonus LP of highlights from the box set, and the 50th anniversary edition booklet. The booklet has newly revealed photos by Sam Emerson accompanying the bespoke liner notes by Ruth Underwood, David Fricke, and Joe Travers.
The Composer Of Desafinado, Plays
Recorded in 1963, The Composer of Desafinado Plays documents the beginning of what would become a long-term creative relationship between Jobim and arranger Claus Ogerman. Although there was initial resistance by producers, Jobim not only plays guitar but piano as well in his debut for Verve. Jobim is joined by George Duvivier (bass), Edison Machado (drums), Leo Wright (flute), Jimmy Cleveland (trombone) and full strings on the 12-song instrumental set that features such bossa nova classics as “…
The Prisoner
Recorded and released in 1969, Herbie Hancock’s last Blue Note album The Prisoner is a powerful but overlooked masterpiece. A moving tribute to Dr. Martin Luther King, this nonet session features some of the most exceptional instrumentalists in jazz including Joe Henderson, Johnny Coles, Hubert Laws, Garnett Brown, Buster Williams, and Albert “Tootie” Heath. Hancock said of The Prisoner: “I've been able to get closer to the real me with this album than on any other previous one.”
Blue Note Tone …
Empyrean Isles
Herbie Hancock debuted on Blue Note in 1962 and quickly established himself as both a remarkable pianist and a brilliant composer with three excellent albums—Takin’ Off, My Point Of View, and Inventions & Dimensions—before making what is widely considered to be his first masterpiece: Empyrean Isles. Recorded in 1964, the album seemed to distill the full breadth of Hancock’s artistry into a sweeping 35-minute musical journey. Joining Hancock on the voyage were three of his closest collaborators: …
Jazz Mood
The debut album from jazz multi-instrumentalist Yusef Lateef, Jazz Mood was originally released in 1957 on New Jersey’s Savoy label. Featuring five Lateef originals the album included Curtis Fuller (trombone), Hugh Lawson (piano), Ernie Farrow (bass), and Louis Hayes (drums). This new edition of the album is released as part of the Original Jazz Classics Series on 180-gram vinyl pressed at RTI with all-analog mastering from the original tapes at Cohearent Audio and a Stoughton Tip-On Jacket.
Scala Destillans / Rumbling...Ravage... (LP)
Split LP with minimal industrial music by two experimental electronic Dutch bands, released on Korm Plastics / De Fabriek in 1990 in an edition of 250 copies split into two hand-numbered editions of 125 copies each differently packaged by the two groups. This is the De Fabriek edition. With inserts.
Rudra (LP)
Second album by dark industrial / power electronics project from Austria, released by Steinklang Industries in an edition of 500 numbered copies.
Mental Depression
*36 copies limited edition* Maurizio Bianchi amassed pre-transposed sounds together with hertzian waves; no electronics were utilized.
Untitled
*27 copies limited edition* Artwork By Antonio Benini. Mastered By Vintras. Noises, Voice, Composed By, Performer, Recorded By White Weapon.The CDR business card is contained in a printed banner canvas envelope, stapled, measuring approximately 8.5 x 13 cm. The printed business card is contained in a 200-gram printed cardstock envelope containing a printed mini poster.The package also includes a sticker.
Before The Signal
*30 copies limited edition* The CDr is contained in a black cardboard envelope measuring 13x13 cm. about (250 grams thick) with 3 stickers on the front. The CDr has a small sticker, and inside the envelope there is an insert in the format of a mini poster of the dimensions of 30x30 cm. open and 10x10 cm. closed, approximately (paper 190 gr. thick). Materials created for live-set at Signal Reload Festival, 14th September 2025.
Jackson C. Frank
60 years since its release, celebrating the one album Jackson recorded in his lifetime, and produced by Paul Simon, which stands as a testament to one of the great lost talents of the 60s. 2x Double Sided Black LP in Gatefold Sleeve - not previously released by BMG on LP. Original album plus bonus tracks available only digitally and on 2001 CD version.
Actual Earth Music - Volume 1 & 2
Earth Ball’s ‘Actual Earth Music Vol. 1 & 2’ captures raw live energy and experimental collaboration, from Vancouver chaos with Wolf Eyes to a transformative, improvised London summit with Beresford and Corsano.
Resonances of Light
On Resonances of Light, Angelo Contini, Francesco Paolo Paladino and Riccardo Sinigaglia dismantle their usual vocabularies to build something stranger: an improvised sound‑lab where jazz, electroacoustic textures and silence collide in patient, luminous tension.
Fancy cannot cheat
Ten arrangements, dialogues, compositions. Direct, diverse, dating you quietly, never naming the act. They arrive on tape, twisted sided. Shaped by Belgian drummer and sonic wanderer Karen Willems. A mover between scenes. Breaker of frames. Restless in sound. She likes to step into that space, where you can push, strike, remain in motion. Where curiosity earns its name by never staying the same. “Fancy cannot cheat” is title for her latest beat. There is ambient breath. There is classic stretche…
