New Arrivals
Eternity's Pillar
Los Angeles, 1985. Every Sunday after midnight, on KTTV Channel 11, an independent commercial television station, something appeared that had no business being on commercial television: Alice Coltrane, appearing as Turiya, broadcasting devotional wisdom, meditation and music straight into the Californian night. The programme was called Eternity's Pillar. It ran until 1988, then vanished, thought lost for decades, until seventeen episodes surfaced from broadcast master tapes held by the Coltrane …
Atlantis (LP)
Sealed Japanese original edition on CBS/Sony of the 1985 album. With obi.
Live (LP)
1980 Italian re-issue on Affinity of the 1976 live album on BYG Japan with recordings from 1960 featuring Eric Dolphy and Ted Curson.
In Concert (LP)
1992 Japanese re-issue on GNP's "Jazz LP On GNP" series of the 1954 album. With insert and obi.
Midnight Jazz At Carnegie Hall (LP)
1985 re-issue on Verve's "Best 50" series of the Japan-only 1976 live album with recordings from 1949/1950.
Dual Unity (LP)
Original French edition on Freedom of the 1972 album featuring Han Bennink.
Sugar (LP)
Original Japanese edition on King/CTI of the 1971 album featuring Ron Carter, George Benson and Freddie Hubbard. With insert.
Pres On Keynote (LP)
Original US edition on Mercury of the 1973 album with recordings from 1943/1944.
In Greenwich Village (LP)
Rare 1968 re-press on Impulse!/ABC of the 1967 album featuring Alan Silva, Henry Grimes and Donald Ayler.
Punk Flyers (1975-2020
234 pages, paperback, 14 x 17cm. Over 200 flyers, compiled by Masala Noir, Paris. Nobody was supposed to keep these. A flyer is made to be handed out on a Tuesday, read once, and dropped in the street on the way to the show. It has a job, the job lasts about four days, and then it is rubbish. That is the whole reason this book exists and the whole reason it is worth having: what you are looking at is the accidental survival of a form designed to be thrown away.
And what a form. No budget, no cli…
Record Sleeves 1930 - 2000 (Book)
A selection of 300+ record sleeves from 1930 to 2000 by Masala Noir.
Switched On Bob Moog and the Synthesizer Revolution (Book)
490 pages, hardback, with 60 black and white photographs. Foreword by Francis Ford Coppola. Published by Oxford University Press. Voltage control. Two words, and everything downstream of them: the oscillator that tracks a keyboard, the envelope that shapes a note's attack and decay, the ladder filter that gives a sawtooth its wet, vocal edge. These are the grammar of the instrument, and they are almost all his. Anyone who has turned a cutoff knob has touched Bob Moog's thinking. He died in 2005 …
Yugoslav Avant-Garde Music, 1945–1991 (Book)
292 pages, 244 x 170mm, with figures and music examples. Published by Cambridge University Press in the Music since 1900 series, paperback. Zagreb, June 1961. On the programme: Karlheinz Stockhausen, Pierre Schaeffer, Mauricio Kagel, Witold Lutosławski, the Darmstadt serialists, the tape pieces coming out of Paris, Milan and Cologne, and the experiments of John Cage. In a communist country that had spent the previous fifteen years under socialist realism, with closed borders and almost no contac…
Holy Ghost: The Life & Death of Free Jazz Pioneer Albert Ayler (Book)
312 pages, paperback, with 8-page photo insert. 150 x 215mm. The first extended biography of Albert Ayler ever published in English, and it took twenty years to build. Part life story, part case file, and long overdue. Richard Koloda is a musicologist and a practising lawyer, and both trades show on every page. He was a long-time friend of Donald Ayler, Albert's trumpet-playing younger brother; a consultant on Revenant Records' ten-CD retrospective Holy Ghost: Rare And Unissued Recordings (1962…
Poem 1
On Poem 1, Ana Roxanne strips away the ambient haze of her earlier work to place her voice, naked and close‑mic’d, at the center of a heartbreak record. Slow, piano‑led ballads, a Schumann lied recast in synth‑chamber light, and one Lynchian jazz centerpiece turn her quiet intensity into a lucid, emotionally exposed song cycle.
Nordic Sound Art
Edition of 30 (!) Eight pieces by the graduating artists of the Nordic Sound Art programme, issued in 2015 by the Royal Danish Academy of Fine Arts in an edition of 300, compiled by Jonas Olesen, who coordinated the programme throughout its life, and supported by the KUNO Publication Fund.
Nordic Sound Art ran from 2007 to 2015 as a joint study programme within the KUNO network, shared between the art academies of Copenhagen, Helsinki, Bergen, Tromsø and Umeå. Students spent a year moving betwee…
From the Ruins of the Literal: Critical Organology, Timbre, and the Poetics of Affect (Book)
Sarah Davachi's first book, From the Ruins of the Literal: Critical Organology, Timbre, and the Poetics of Affect, published by her own Late Music imprint. The title is borrowed from Paul Ricoeur, whose account of metaphor locates meaning at the point where literal sense gives way. Davachi turns that idea on the study of instruments and timbre, disciplines she sees as long governed by empirical, neuro-cognitive and modernist assumptions. Her objection is not that measurement is wrong but that it…
Sergio Mendes & Brasil '66
On Herb Alpert Presents Sergio Mendes & Brasil ’66, the pianist and his group turn bossa nova and Brazilian songcraft into sleek, cross‑border pop. Their version of Jorge Ben’s “Mais Que Nada” became the first Portuguese‑language hit in the US, opening doors for Brazilian music worldwide and helping earn the album a place in the Grammy Hall of Fame.
A Body of Water
On A Body of Water, Kaloja - the duo of Jan Anderzén and Paul Wilson - summon a strangely pastoral, hyper‑alive electronic ecosystem. Psychedelic synthesis, physical modelling and impressionistic sound‑painting converge into abstract figures that ripple through an unstable yet welcoming landscape, like sentient currents moving beneath a calm surface.
Telegogue
On Telegogue, Charlie Thall detonates a 29‑minute, eleven‑track riot of cartoonishly surreal genre‑mashups that feel born and bred in the infinite remix lab of the digital DIY. Frenetic keys, MIDI drums and warped child voices collide into neurotic, hyper‑danceable earworms that treat the internet’s trash heap as sacred compositional mulch.
