Karlheinz Stockhausen
Music for flute and synthesizer
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*2022 Stock.* Music for flute and synthesizer is a collection of independent acoustic and electro-acoustic chamber pieces drawn from four of the Licht operas, highlighting the flute and voice of Kathinka Pasveer as well as the synthesizer playing/programming of Antonio Pérez Abellán.
- Stockhausenspace.blogspot.com
| Zungenspitzentanz = Tip-Of-The-Tongue-Dance (Für Piccolo-Flöte, Euphonium, Einen Synthesizer - Spieler, Einen Schlagzeuger) | |||
| 1 | Vorspiel = Prelude | 0:33 | |
| 2 | Eingang = Entrance | 1:41 | |
| 3 | Bändertanz = Ribbon-Dance | 3:35 | |
| 4 | Kadenz = Cadenza | 2:11 | |
| 5.1 | Abgang = Departure | 2:37 | |
| 5.2 | [Silence At The End] | 0:23 | |
| Klavierstück XVI = Piano Piece XVI (Für Tonband, Saitenklavier, Elektronische Klaviere) | |||
| 6 | 9 Sek. Vor Takt (1) = 9 Sec. Before Bar (1) | 0:19 | |
| 7 | 2 ♩ Vor Takt (4) | 0:04 | |
| 8 | 2 ♩ Vor Takt (5) | 0:30 | |
| 9 | 2 ♩ Vor Takt (9) | 0:08 | |
| 10 | 2 ♩ Vor Takt (10) | 0:32 | |
| 11 | 2 ♩ Vor Takt (15) | 0:08 | |
| 12 | 2 ♩ Vor Takt (16) | 0:04 | |
| 13 | 2 ♩ Vor Takt (17) | 0:09 | |
| 14 | 2 ♩ Vor Takt (18A) | 0:09 | |
| 15 | 2 ♩ Vor Takt (20) | 0:04 | |
| 16 | 2 ♩ Vor Takt (21A) | 0:07 | |
| 17 | 2 ♩ Vor Takt (22A) | 0:30 | |
| 18 | 2 ♩ Vor Takt (25) | 0:23 | |
| 19 | 2 ♩ Vor Takt (29A) | 0:22 | |
| 20 | 2 ♩ Vor Takt (33) | 0:25 | |
| 21 | 2 ♩ Vor Takt (40A) | 0:26 | |
| 22 | 2 ♩ Vor Takt (45A) | 1:01 | |
| 23 | 2 ♩ Vor Takt (59) | 0:26 | |
| 24.1 | 2 ♩ Vor Takt (61) | 2:03 | |
| 24.2 | [Silence At The End] | 0:40 | |
| Freia = Freia (Für Flöte) | |||
| 25 | 9 Sekunden Vor Kernformel 1 = 9 Seconds Before Nuclear Formula 1 | 1:40 | |
| 26 | 1 Takt Vor Kernformal 2 = 1 Bar Before Nuclear Formula 2 | 1:58 | |
| 27.1 | Kernformal 3 = Nuclear Formula 3 | 2:33 | |
| 27.2 | [Silence At The End] | 0:50 | |
| Komet Als Klavierstück XVII = Comet As Piano Piece XVII (Für Einen Synthesizer - Spieler Und Tonband) | |||
| 28 | 9 Sekunden Vor Anfang Der Elektronischen Musik = 9 Seconds Before The Beginning Of The Electronic Music | 1:50 | |
| 29 | Komet Takt (1) / Bar (1) | 0:16 | |
| 30 | Takt (4) | 0:14 | |
| 31 | Takt (6) | 0:23 | |
| 32 | Takt (11) | 0:20 | |
| 33 | Takt (15) | 0:19 | |
| 34 | 1 ♩ Vor Takt (21) | 0:31 | |
| 35 | Takt (29) | 1:07 | |
| 36 | 1 ♩ Vor Takt (32) | 0:35 | |
| 37 | Takt (44) | 0:32 | |
| 38 | Takt (50) | 0:14 | |
| 39 | Takt (55) | 0:32 | |
| 40 | Takt (63) | 0:41 | |
| 41 | Takt (75) | 0:12 | |
| 42 | Takt (78) | 0:27 | |
| 43 | Takt (85) | 0:08 | |
| 44 | Takt (88) | 1:36 | |
| 45 | 3 ♩ Vor Takt (93) | 0:14 | |
| 46 | Takt (97) | 0:12 | |
| 47 | Takt (99) | 0:17 | |
| 48 | Takt (107) | 0:14 | |
| 49 | Takt (109) | 0:32 | |
| 50 | Takt (117) | 0:24 | |
| 51 | Takt (122) | 0:24 | |
| 52.1 | Takt (128) | 2:58 | |
| 52.2 | [Silence At The End] | 1:20 | |
| Entführung = Abdduction (Für Piccolo-Flöte) | |||
| 53 | 9 Sek. Vor Takt (1) = 9 Sec. Before Bar (1) | 1:40 | |
| 54 | Takt (51) | 0:45 | |
| 55 | Takt (87) | 0:47 | |
| 56 | Takt (124) | 0:46 | |
| 57 | Takt (161) | 0:48 | |
| 58 | Takt (198) | 0:52 | |
| 59 | Takt (235) | 0:48 | |
| 60 | Takt (272) | 0:52 | |
| 61 | Takt (309) | 0:50 | |
| 62 | Takt (346) | 0:47 | |
| 63 | Takt (383) | 0:46 | |
| 64 | Takt (420) | 0:48 | |
| 65 | Takt (457) | 0:45 | |
| 66.1 | Takt (494) | 1:17 | |
| 66.2 | [Silence At The End] | 0:50 | |
| Flöte Aus Orchester - Finalisten = Flute From Orchestra Finalists (Für Flöte Und Elektronische Musik) | |||
| 67 | 9 Sek. Vor Anfang Der Elektronischen Musik = 9 Seconds Before The Beginning Of The Electronic Music | 0:56 | |
| 68.1 | Einsatz Flöte = Entry Of The Flute | 4:18 | |
| 68.2 | [Silence At The End] | 0:54 | |
| Thinki = Thinki (Für Flöte) | |||
| 69.1 | 9 Sek. Vor Takt (1) = 9 Sec. Before Bar (1) | 5:05 | |
| 69.2 | [Silence At The End] | 1:25 | |
- Karlheinz Stockhausen
- Composed By, Conductor, Performer, Sound Designer [Sound Projectionist], Music Director, Mixed By [Mixed Down Recordings], Mastered By [Mastered For CDs], Liner Notes, Illustration [Cover Drawing]








































































