*2022 Stock.* Harmonien (Harmonies, 5th Hour from Klang, 2006) consists of three adaptations (for bass clarinet, flute, trumpet) of a composition for a solo melody instrument, in which broad melodic fragments are answered by brisk cycles of related arpeggio figures (or broken chords). These ostinato figures are modulated dynamically so that they subtly approach and recede. In Schönheit (Beauty, 6th Hour from Klang, 2006) the material from the three arrangements of Harmonien are layered and synchronized for a trio. These solo and chamber ensemble works really show off Stockhausen's ability write in a more traditionally lyrical style, and wind up being possibly some of his most accessibly poetic writing since his chamber arrangements for Tierkreis. At the same time, the juxtapositions of these looping phrases with the expanding/contracting melodic fragments provide for some amazingly witty and complex contrapuntal shapes.