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Tip! * In process of stocking * His desperate need for a torrent, a precipice, a railroad track - no matter what, but instantly - made him appeal for the very last time to the topography of his past. And when, in front of him, a grinding whine came from behind the hump of the side street, swelling to full growth when it had overcome the grade, distending the night, already illuminating the descent with two ovals of yellowish light, about to hurtle downward - then, as if it were a dance, as if th…
*2021 stock* This album, originally released in 1977, was re-mastered and repackaged in Digifile cardboard format. It includes the original full-color booklet. Old and New Dreams was a jazz group that existed from 1976 to 1987, and was composed of tenor saxophone player Dewey Redman, bassist Charlie Haden, trumpet player Don Cherry and drummer Ed Blackwell. A virtual reincarnation of Ornette Coleman's first ensembles, the cooperative Old and New Dreams brought together trumpeter Don Cherry, te…
In just over ten minutes of recorded music, Los Angeles-based composer, artist, and instrument designer Meara O’Reilly can communicate a daunting breadth of creative possibility. That’s no mean feat in today’s soundbite-obsessive world, but it’s part of what makes Hockets for Two Voices such an unusual and compelling addition to the hypermodern canon of new music. Hocketing refers to the practice of splitting a melody across multiple parts, often in very surprising ways. While the form dates ba…
* 2021 stock * Ethnic music of pre Columbian Mexico / Central America, as interpreted by Jorge Reyes. Prehispanic, Forgotten Spirits, Rituals are a set of "authentic pre-Columbian music" from Jorge Reyes. Reyes continues his homage to his native Mexican American roots and his Shamanic practices. The ritualistic music on these CDs is performed on acoustic ethnic instruments only. There are no electronic enhancements beyond amplification. This highly inspirational soundworld is steeped on the trad…
Within these works the 1974 album Captain Beefheart and The Magic Band “Unconditionally Guaranteed” is a true hidden gem which has been rightfully elevated to cult status over the years since its first appearance. Unavailable on vinyl for over 20 years this Record Store Day 2021 reissue of “Unconditionally Guaranteed” will return this fantastic album to the vinyl racks where it should be.180g clear vinyl pressing / Cut to lacquer from 1/4” analogue masters. / Includes “Unconditionally Guaranteed…
50th Anniversary Edition – on heavyweight vinyl and with download The heady second album from Bill Fay – much more introspective and moodier than his first outing for Deram, and a session done in tight collaboration with British guitar legend Ray Russell! Russell's got Fay working here with a much smaller group than on the first album – a collection of jazz-influenced players that includes Nick Evans on trombone, Tony Roberts on reeds, and Alan Rushton on drums – all working with Russell's guita…
* Official reissue of one of Argentina's top jazz-rock albums. First vinyl reissue. Top sound mastered from original master tapes. 8-page booklet with previously unpublished pictures and bilingual liner notes (English and Spanish) * It's safe to say that starting a jazz album with a version of Led Zeppelin's "Black Dog" was quite a daring deed, to say the least. In Argentina — back in 1977. And yet this is something a musician with the career of Jorge Navarro could afford. Navarro belongs to a g…
Michael Ranta has collaborated with Takehisa Kosugi, Toshi Ichiyanagi, Jean-Claude Eloy, Conny Plank, Mike Lewis, and Hartmut Geerken, just to name a few. He was also assistant to Harry Partch and performer in the Gate 5 Ensemble in the 1960s. Additionally, Ranta performed in Stockhausen's ensemble during the 1970 World Expo in Osaka. Ranta's resume also includes recordings by Helmut Lachenmann, Herbert Brün, Toru Takemitsu, Josef Anton Riedl, Mauricio Kagel, among others. Throughout his extensi…
**300 copies, first time on vinyl** Mammoth stone walls stretching high into the unknown, dank cellars stewn with bones and ashes. A chill in the lonely night wind disturbed by the utterance of arcane phrases. This is music guaranteed to at least bring about thoughts of mysticism, if it doesn't produce mystical states outright. This defines the term hauntingly beautiful.In Sadness, Silence and Solitude’, first released in 1997 by Cold Meat Industry, is the fourth fullength album of Raison d'être…
*Limited edition of 300 copies.* "Within the Depths of Silence and Phormations takes the listener deep below the world of the ordinary into the catacombs of the subconscious, the worlds lying within us so few ever live to explore. This is music meant to stimulate the mind, to inspire one in their explorations of self and solitude. Layers of ethereal atmospheres and the collage of choirs, strings, bells and occasional voices slowly bleed together to create music for society whose spirituality has…
Saba developed ‘world music’ beyond its jazz label remit, the eclectic ‘Jazz Meets The World’ series brought together artists from Japan, India, Tunisia, Indonesia and Brazil. Producer Joachim-Ernst Berendt travelled to Rio in 1966 to create SABA’s first Brazilian release with a giant of the scene, guitarist Baden Powell. The resulting album, one of Baden’s greatest, bore two deeply rhythmic, spiritual titles found on this 45. ‘Sarava’ is a trance-like ritualistic number designed to whip dancers…
Original created by Roland Kovac’s studio band for an industrial commercial, Hans Georg Brunner Schwer, an admirer of Kovac’s work, released the recordings as a full length SABA album in 1968 under the title ‘Trip To The Mars’. The recording has a sound somewhere between atmospheric soundtrack, library and modal jazz. Sort after for the modal waltz dancer ‘Blue Dance’, presented here in it’s ultimate sonic form – AAA analogue mastered and cut to 45rpm. Side 2’s ‘Milky Way’ is a heady trip mixing…
Another highly collectable Nathan Davis release on SABA, also recorded in 1965, ‘Happy Girl’ has remained unissued on vinyl since the 1960s. The date gathers together another top drawer line-up, with Woody Shaw on Trumpet and Larry Young, the Coltrane of the organ, uniquely found on piano for this session. Jimmy Woode again supports on bass, with a furious Billy Brooks on drums. ‘Theme From Zoltan’, a fierce modal original by Shaw, was recorded by Young the following year on his classic Blue Not…
Nathan Davis recorded ‘The Hip Walk’ in 1965 alongside his school mate, trumpeter Carmell Jones (who a month later went on to record the Song for My Father album with Horace Silver). The quintet is backed by the tightest of rhythm sections: Francy Boland on piano, Jimmy Woode on bass and Kenny Clarke on drums. One of the most beautiful, swinging jazz pieces ever captured on tape, ‘Carmell’s Black Forest Waltz’ is presented in all-analogue richness on 45 single format for the first time. On side …
Although considered to be the greatest jazz singer the world has ever known, Mark Murphy remained underground with a cult status. Perhaps the pinnacle of his recording career was Midnight Mood released by SABA in 1968, aligning his unique vocal skills with the Clarke-Boland Octet. With the arrangements of Francy Boland, Kenny Clarke playing offbeats and between-beats, and individualists like Sahib Shihab and Ake Persson, the backing on this date provided a unique dialogue for Murphy. After the l…
Recorded in 1966, Fats Sadi’s ‘Ensadinado’ was his second recording as leader, his first album had been an early Blue Note 10”. Essentially comprising the Clarke-Boland rhythm section, with Sadi on vibes, Francy Boland on piano, Jimmy Woode on bass and Kenny Clarke on drums, this 45 features the two standout tracks from this rare SABA LP, which remains unissued on vinyl since its release in 1966. ‘Ensadinado’ finds the quartet playing a latin oriented title penned by Jimmy Woode. Boland’s ‘Night…
* sold out at the label * Musique Pour La Danse is proud to present Spaced Out!, a compilation curated by Belgian artist and producer DJ Athome (Front de Cadeaux) focusing on psychedelic dub, space rock, and early electronica created in the UK’s festival scene between 1986 and 1996. Dredging lost marbles from the trampled grass and mud of the festival scene Spaced Out’ is a superb exploration of the UK scene that laid the groundwork for and paralleled the ‘90s rave movement. Scanning trax by ti…
Not a lockdown record here: With 'Comité Hypnotisé' Tim Vanhamel (Millionaire, Evil Superstars...) tumbles into a subsonic wormhole where smoked out dub glues with boogie funk and off-kiltered early hip hop vibes. Transcending frequencies from an unknown galaxy channeled through a broken 70’s echo deck. Shortly after Evil Superstars played a one off concert for ‘An Evening With Laika’ in the Ancienne Belgique in 2013 Tim started to create the music which was the entering point of ‘Dubs Pour Oh …
A major discovery and first recording of an important Cage piece from 1944. In 1944, John Cage was invited to participate in “The Imagery of Chess” exhibition at the Julien Levy Gallery in New York City. The artists included Calder, Noguchi, Motherwell, Breton, Duchamp, Ernst, Man Ray, Tanning and other leading surrealists.Cage contributed a painting entitled “Chess Pieces”. It was purchased at the show and went into a private collection. For decades it was deemed lost and was (almost) forgotten…
Casioworks’ by Gust De Meyer, originally released as a cassette on Ding Dong Tapes and Records in 1983. ‘Casioworks’ was made at home with only one instrument: the then very popular and cheap Casio VL Tone 1 synthesizer. Every track was recorded in one take on a porta-sound Fostex 250 4 track cassette recorder/mixer. Anyway, these minimalist pieces were produced under a strict guideline : the exclusive use of the Casio VL 1, a japanese monophonic synthesizer (and calculator). Between 1979 and 19…