Electronic / Musique Concrète

condition (disc/cover): M/M (still sealed) Vittorio Gelmetti (1926-2005) worked outside the Italian academic avant-garde and made a music built from other music. Organum Quadruplum (1967), written for a concert at St. Paul's American Church in Rome, sets a choir and Frederic Rzewski on organ against tape, popular songs and radio noise. Ipotesi A (1974), a study for the opera Non otterrete risposta, has Gelmetti on piano, percussion and bird call. Side B, L'opera abbandonata tace e volge la cavi…

Anthology of the German-born dancer and choreographer's electronic music for dance, made in his three North London studios: tape loops, kettle-lid percussion, radio interference and generator pulses, in Sub Rosa's Early Electronic series.

Roxanne Turcotte’s “sonic archeology”: electroacoustic works mixing everyday objects, field recordings from Tokyo, the Seychelles and New Zealand, and sounds of Jean-François Laporte’s invented instruments, dedicated to her late colleagues and mentors. CD-R.

Armando Balice’s triptych of inner gardens from 2018 to 2021, three acousmatic pieces in eight movements each built from ravens, forest recordings, analogue synthesizers and the cello of Lola Malique, starting with an Ina-GRM commission inspired by Japanese gardens. CD-R.

Annette Vande Gorne’s complete Vox Alia cycle (1992-2024), five multichannel works on the voice without words, from Maria Callas and Pierre Schaeffer in Affetti to sacred chant, a Werner Lambersy poem, crowds and animal calls. CD-R.

Five stereo acousmatic works by Manuella Blackburn from 2018 to 2023, made from household sounds, plastic waste and microplastics, a rotary landline and the factory samples and fan noise of a Fairlight CMI. CD-R.

Six works by John Young from 2017 to 2023, from New York subway preachers and Oberlin crickets to Mahler’s composing hut and a setting of Simon Perril’s poem after Lévi-Strauss, including the Klang ! and Akousmatique prize winners. CD-R.

Four electroacoustic works by Ivo Malec composed between 1961 and 1982, from the early Dahovi to Week-end, gathered by Recollection GRM and reissued on vinyl for the very first time.

Numbered edition of 200 copies. Six LPs in a box, with restored original artwork reprinted in monochrome blue. Each record comes with its own extra materials: inserts, booklets, postcards and posters. Between 2011 and 2022 Alga Marghen devoted an archival series to the early, unreleased magnetic tape and feedback works of Éliane Radigue: five LPs, issued in small runs and repressed only in tiny quantities, that quietly rewrote the story of where her music came from. A few months after the compos…

Brume's picture 10" Anastomose (Ant-Zen, 1996), the 7" Charlemagne (1997) and the 2012 cassette Seven Trumpets, remastered or remixed by Christian Renou in 2013. A5 gatefold cover, limited to 444 copies.

*150 copies limited edition* Overlook is a music compilation inspired by The Shining, the 1980 film directed by Stanley Kubrick, widely regarded as one of the most influential works in the history of cinema. Adapted from Stephen King’s novel and reshaped through Kubrick’s distinctive vision, The Shining stands as a key reference within modern cinematic language. Its impact emerges through atmosphere, spatial tension, psychological fragmentation, and a precise use of sound, architecture, and rhyt…

2026 stock. It is genuinely difficult to place Rod McKuen anywhere in the twentieth century. He read alongside Kerouac and Ginsberg at the Jazz Cellar in San Francisco in the early 1950s, sang with Lionel Hampton's band, worked as a contract player at Universal, and cut the beat-poetry record Beatsville for HiFi Records in 1959. The early 1960s took him to France, where his encounter with Jacques Brel produced the English versions of Ne me quitte pas and Le Moribond that entered the language as …

2012 LP in an edition of 500 hand-numbered copies on Bo'Weavil Recordings by one-off project featuring Ghedalia Tazartes.

*23 copies limited edition* Nazlo Records and A. Nahodnike present an anthology of works by one of the more prolific sound-noise producers from deep Russia, recorded over many years and compiled by the author especially for this retrospective edition. Although anonymous and having used many pseudonyms, he is widely recognized by the most knowledgeable fans of ritual experimental and hauntological music.

On New Year’s Day this year I set off from my home in Loughborough Junction to undertake a rather idiosyncratic journey. For a long time now I have wanted to try and trace a vertical trajectory in London – and New Year's Day with its connotations of renewal and starting-over seemed just the time to attempt to flee upwards, if you will. The spine of this album is that journey from roughly minus 20 metres below sea level to 240 metres above on that cold, short wintry day. It was a quiet day, by Lo…

Clear Vinyl. For more than six decades, Beatriz Ferreyra has been building worlds out of sound. Born in Córdoba in 1937 and based in France since the early 1960s, the Argentine composer entered the GRM at the invitation of Pierre Schaeffer in 1963, contributing alongside him to the foundational texts and recordings that would define an entire discipline of listening, among them the Solfège de l'Objet Sonore. From 1970 onward she has worked independently, composing in absolute fidelity to her own…

2014 flexi-disc by a member of the aktionist art/noise Schimpluch group released in Brasil by Estranhas Ocupações.

Funeral Danceparty began in 1979 in Newcastle. Their debut cassette, The Curiosity Shop (1980), was advertised in the national weekly music paper Sounds in the established DIY fashion of the era: interested parties were requested to send a blank cassette and a self-addressed envelope. Approximately 100 copies reached destinations worldwide. A national fanzine review compared the music to Cabaret Voltaire, Faust, and The Residents. Their second cassette, The Attractions of Fixed Interest, was als…

On Sanctioned Departures, William Selman lets two rainforests - Pacific Northwest and Costa Rica - compose themselves, braiding tidal lagoons, primates, saunas and street sweepers into humid, borderless environments where categories dissolve like shorelines under floodwater.

On Sumatra Method, Émile Zener (aka Gunnar Haslam) rebuilds 1950s–60s Indonesia as a haunted acoustic system, where Cold War proxy battles, propaganda and terror flicker through unstable drones, VHS detritus and spliced testimonies.

On Chandler and Dickow Play Fischer, David Chandler and Paul Dickow treat Marcus Fischer’s graphic scores as a lab problem rather than a script, using tracing paper, chalk, piezo styli, EEG data and a 1970s modular synth to probe what it means to “play” an image without simply projecting themselves onto it.

On Mount Mansfield, Sam Boston and Shawn O’Sullivan turn a Vermont peak into both instrument and score, binding bent lapsteel and analog feedback into a slow‑growing, topographic drone where static contour becomes living, verdant resonance.

A cornerstone of the acousmatic tradition, finally on vinyl. François Bayle's Jeîta ou Murmure des Eaux arrives as a limited LP via Recollection GRM and Shelter Press - one of the composer's most singular and spatially ambitious works, composed in the wake of a concert given at the Jeita Grotto in Lebanon in 1969, where Bayle had traveled to mark the opening of the cave's newly discovered upper gallery. Bayle joined the Groupe de Recherches Musicales in 1960, studying under Pierre Schaeffer and …

*15 copies limited edition* Nazlo Records is proud to announce the release of the highly anticipated cassette 'Sous Sol [Na Podvale]' by the provocative band Church of Hate. This bold and innovative offering is set to redefine the boundaries of modern music, challenging listeners to confront their darkest fears and desires. With 'Sous Sol [Na Podvale],' Church of Hate invites you into an underground world where raw emotion and unfiltered expression reign. The album combines haunting melodies wit…

*30 copies limited edition* Nazlo Records is proud to announce the release of the highly anticipated collaborative album 'Natural Area' by the innovative Buffalomckee and Debt Of Nature. This dynamic project blends an array of musical influences, offering listeners a refreshing exploration of sound and creativity. In 'Natural Area,' Buffalomckee and Debt Of Nature delve into themes of environmental consciousness, connection to nature, and the intricate balance of life. The album combines thought…

*30 copies limited edition* Nazlo Records is thrilled to announce the latest release from the enigmatic band on2ky their album titled Prolepsis: 'No One Knows What the Hell’s Gonna Happen or What’s Waiting for Us.' This captivating collection is set to take listeners on a sonic journey filled with introspection and raw emotion. In a world fraught with uncertainty, on2ky harnesses the power of music to explore the unexpected twists and turns of life. With their unique blend of experimental sounds…

On Rampe Amalgam, Markus Oehlen extends his studio day into the night, turning the same unruly humour and visual overload of his paintings into skewed, concrète‑spattered electronics: half hidden beat, half dust‑storm, all deliberately “wrong” and fully under control.

This 32CD bundle includes the following items: Denis Dufour "Complete Acousmatic Works — Vol 1" (16CD Box, 2021). and Denis Dufour "Complete Acousmatic Works — Vol 2" (16CD Box, 2026)Denis Dufour "Complete Acousmatic Works — Vol 1" (16CD Box, 2021)Epic box set containing 16 CDs, presenting more than 40 works and 18 hours of listening, including never released before music by Denis Dufour and texts in a detailed booklet. There is a title buried in this collection that serves as its unspoken manif…

One of the most essential early documents of Japanese noise, originally recorded and mixed at home in 1980 and released in 1981 on cassette by Lowest Music & Arts, now given the physical treatment it always deserved: a 2LP set housed in a natural birch wooden box with laser print, hand-numbered edition of just 99 copies. Ninety-nine! With a double-sided 42 x 60 cm poster, heavy card insert reproducing the original master tape cover, and black cardboard strip with album credits. An art object, pl…

Second monumental box set of Denis Dufour's complete acousmatic works: 16 CDs, 17 hours of listening. Direct heir to Pierre Schaeffer at the GRM, Dufour redefined acousmatic art by reintroducing theatricality, voice and narrative into a sonic universe of unprecedented rigor and freedom.

Sunset and Forever finds Cindytalk once again stepping into the faultline between collapse and renewal, extending a project that has always treated the band itself as sculptural material to be broken apart and reformed. From the earliest days of Camouflage Heart and In This World, Cinder’s vision fused post‑punk dissonance, industrial dirge, and abject rock deconstruction with a strangely luminous vocal presence – the same voice that threaded through early This Mortal Coil and Cocteau Twins reco…

The Austrasian Goat started as a black metal outfit that was meant to be anti-nationalist (and of course anti fascist) but that proved ultimately too taxing a fight to have within the genre’s flawed genetics… but The Austrasian Goat never died and comes back as beautiful and bold as ever, its fur now bruised but gilded. The Austrasian Goat is Julien Louvet, who has expertly mastered most of our latest releases, channeling his music from Metz, capital of Austrasia.

*9 copies limited edition* Nazlo Records, the nomadic experimental outpost originally hailing from Russia, dives deeper into sonic obscurity with sans titre troisième partie [toujours venir aux mêmes endroits], the latest transmission from hôpital des dauphins. Following the whispered enigmas of sans titre deuxième partie, this third installment unfolds as a hypnotic loop of repetition and drift—echoing the compulsion to "always return to the same places." Across two sides of swirling, low-fi ha…

2010 release ** Cardboard sleeve. “2009-2010 sees the celebration of twenty years of Kapotte Muziek, the first musical project of Frans de Waard. Expanded in 1993 with members Peter Duimelinks and in 1995 Roel Meelkop, this trio explores the world of micro electro-acoustic music, playing on waste found on the streets and with a fine addition of field recordings. Before 1993 Kapotte Muziek was largely known as a player in the field of industrial music and musique concrete. To celebrate their 25th…

*30 copies limited edition* Underground electronic music innovators Kina:suttsu join forces with veteran producer E-Da and ambient visionary Dolphin Hospital for the release of their captivating collaborative tape, 『儀式〜よもぎとの遭遇』 [Gishiki ~Yomogi no Sōgū]. This limited-edition cassette blends hypnotic rhythms, ethereal soundscapes, and experimental textures, inviting listeners into a ritualistic encounter with the mysterious essence of yomogi (Japanese mugwort). Available now via select independen…

2025 stock A journey back in time, maybe thousands of years ago, somewhere in the isolated islands of Melanesia. Here, just like a sound alchemist, Roberto Musci transforms organic nature elements into a unique sound performance of self-estrangement. In the artists’ laboratory, we will discover a melting pot of ancestral ceremonial sounds collided with contemporary chamber music and experimental-electronic methods based on music research. Among these, ethnical music of the populations of Kanaki…

"A Composition of Agitprop Music for Electromagnetic Tape" by İlhan Mimaroğlu is a collage of political sound art blending revolutionary texts, manipulated electronics, and the vocal performance of Tülay German. Recorded from 1972–74, it transforms agitprop tradition into a radical meditation on freedom and dissent.​

Herpes Ö DeLuxe’s Kielholen dives headfirst into the murky waters of industrial decadence. With Hinterzimmer as its unsettling core, the record dissects German cold wave through rusted machinery and post-human irony, a claustrophobic yet hypnotic experience simmering between performance art and corrosion.

2015 release ** With oversize booklet. "Dante Tanzi has studied electroacoustic music and worked for the Musical Informatics Laboratory of the University of Milan from 1985 to 2009. He has written many articles and reviews for various sound art and electroacoustic papers and participated in numerous prestigious events such as the Festival Futura in Crest and the Festival Licences in Paris. As you would expect from such a curriculum vitae, the sound work on Double Miroir is of the highest caliber…

*2025 stock. 300 copies limited edition* "Hybrid is a word used indiscriminately in our daily lives. This record isn't a hybrid; it's beyond hybrid, post-hybrid, so to speak. Does this phrase sound complicated to you, and are you never overly convinced by music theory and its caricatural aspect? Then forget what you’ve just read and listen to both sides of this record. You'll soon realise that these tracks are deliciously deft, drawing their essence from dub while leaving room for some skillful …