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Leaping from a twig, a spider lays a strand of silk in the open air. Intuitively, it traces a design, reactive to its environment but guided by something deeper. As it works towards the center, something resembling a home emerges, intricate in its design and inevitably imperfect. The web comes to represent the creature’s creative response to the world and its needs within it. Artmaking and music- making emerge from a similar nerve: through the impulsive drive to create a space for one’s self, cr…
Tip! *2025 stock* Body of Sound, Body of Music is Norwegian bass player Christian Meaas Svendsen’s second solo bass album. The entirety of the recording is based around a framework which Christian calls bass, body, bows: An ongoing introspection in how he can use all of his instrument and all of his body without any external preparations other than the traditional bow, albeit usually several of them at the same time. This is the basis. Furthermore, the recording is an investigation in bringing t…
*2025 stock* We’re beyond thrilled to present ükya, the first band ever on our label which does not feature any member from Nakama! Ah, how we delight in the smell, taste and – not least – sounds of fresh blood! Jokes aside – we still consider them family, as two of them have attended The Nacademy in the past. ükya (always written with a small ü) is an up and coming Norwegian trio playing music in the field of improvised and open form music. Dangerous as individuals, lethal as a band!
We Come fo…
*2025 stock. 200 copies limited edition* "Strings and Stamps. When two become one. A cliché from romantic texts, perhaps, but also an apt saying for the duo that has created the music on this album. They come from different backgrounds and traditions but have both found ways to break free from those conventions without making an ostentatious break—instead, it feels entirely natural and deeply organic. A new realm has opened up for us and for them, where their strings intertwine like a shared cli…
*2025 stock. 300 copies limited edition* The fiddle player Hans P. Kjorstad from Oppland and the cellist Ernst Reijseger from the Netherlands met each other in the winter of 2022 after the concert series Blow Out! in Oslo invited Kjorstad to come and play with whoever he wanted. The choice was simple, Reijseger's background as a pioneering improviser since the 70s (ICP, Amsterdam String Trio, Clusone 3+++) plus the later years' explorations of the interplay between sound and image in collaborati…
*100 copies limited edition* "Composer and percussionist Sarah Hennies and composer and bassist Tristan Kasten-Krause make music rooted in observation. Timbres across percussion and string instruments gradually meld into one; pitches gently float into consonance after bristling in dissonance. With The Quiet Sun, their debut duo album, the two musicians present two pieces that survey their nuanced approach to sound as it grows over time. The album, recorded at Issue Project Room, presents two wor…
*2025 stock* "Hanging by a Fan Over Wet Cement is the music of listening after listening, when water runs relative to the sound of your own footsteps, and you lean over the resonating chamber of a trashcan like it’s a campfire, then fill it with wheezy laughter. Only, the steel mesh of Hair Clinic/Max Nordile’s field microphone is all mangled and bludgeoned, and the field extends into his home garage. The same contact-foraging quality of attention goes into the beginner’s brain improvisations, w…
The music on this record is the result of a process of re-imagining Acre's concert at Area Sismica on June 11, 2022. No editing is present other than the extraction of some movements from the concert, which have been recombined in temporal order, according to a narrative logic given by the need to coexist with the space offered by the medium.
2009 release ** Broken Guitars is the first recording by Italian visual artist Michele Lombardelli: acoustic guitar improvisations between Loren Connors, Derek Bailey and Robbie Basho, with a tinge of sadness that permeates every moment and creates a sense of longing and nostalgia that seems destined for a nameless past."
2012 release ** "Touch is the new sound work by Tiziano Milani. Published in CDR digipak by Setola di Maiale, Touch confirms Tiziano’s status as one of the best and most appreciated Italian experimental and research composers, especially since, for this new work, he was able to avail himself of the collaboration of musicians of the caliber of Koji Nishio on piano, Hiromi Makaino on objects/electronic percussion/rhythms, Lars Musiikki on double bass/acoustic guitar, Cristian Corsi on tenor sax an…
*350 copies limited edition* An’archives are proud to announce the release of the debut album by Tête de Chou, the trio of Mark Anderson, Kurumi Kido, and Arlo Wynks. Some may know Anderson for his membership of Greymouth, 番長Taste, Mysteries Of Love, and Suishou No Fune; Kido and Wynks have more personal, sporadic musical histories, which informs the intimacy and gently exploratory nature of the eight pieces contained here. The trio’s movements seem spontaneous and open-ended, which makes sense …
For over half a century, Sven Åke Johansson and Rüdiger Carl have explored the boundaries of music together. Villa Hügel captures a rare moment: a concert with no audience, recorded in 2020 in the library of Villa Hügel during the 2 x Kippenberger exhibition. The few present could only experience it in-house via TV transmission. Carl on accordion, Johansson on percussion, cardboard, and crackle box—an interplay of structure and openness, sound and silence. This release follows Johansson’s exhib…
2007 release ** "In April 2007, Ramuntcho Matta went to Tokyo to play with Mama Milk, a Japanese duo, and came back with hours of live recording done by Romain de Gueltzl. From this meeting of three different instruments, accordion, double-bass and guitar, above which Ramuntcho sometimes sings, a unique music was born, mixing jazz, tango and the new music in a movement which is both Zen and sincerely contemporary. SometimeStudio decided to publish these recordings in order to share these moments…
1994 release ** "Recorded live in May 1994 at the Festival International de Musique Actuelle de Victoriaville, All at Once at Any Time features two members of the Dense Band, drummer David Moss and guitarist John King, and an experimental DJ largely unknown at the time: Otomo Yoshihide. In the course of the next six or seven years, the first two names became less and less heard, while Yoshihide arose as a leading creative force in avant-garde music. The trio's music is made of fragmented bits of…
*100 copies limited edition* ⎤⎤⎤, the duo of Chantal Michelle and Grace Villamil, are interested in what they term "sound obliteration"—a paradoxical process that, in their hands, reveals teeming masses of sonic detail. The pair works in a variety of modes, including composition, installation, and performance. Live at Opus 40 begins with machinic drones that expand and dissolve into the warm, open-air environment where it was recorded, initially anchored by the site's rock formations. The piece …
*300 copies limited edition* Bertrand Gauguet, alto and baritone saxophones.Jean-Luc Petit, contrabass clarinet and sopranino saxophone.Recorded and mastered by Pierre-Henry Thiebaut22 and 23 June 2024 - Chapelle Saint Martin, Bignac (Fr)Photography - cover: B.G.Photography - inside page: Claude MesnardWarm thanks to Philippe Levreaud and Anne MaillouJean-Luc Petit and Bertrand Gauguet are members of the UN.
*300 copies limited edition* "The Other World was recorded in the spring of 2023 by Greg Norman at his home studio in Chicago. Each track was done in a single take without editing or manipulation. The recordings were made using a Stratocaster running into a minimal effects chain, which was then fed into a small solid state amplifier and captured by a pair of stereo microphones. I was interested in a sound palette that was very blanketed and gray, which led me to cut the high end tone of the guit…
2008 release ** "Although this collaboration between Italian psych-pop band Jennifer Gentle and mercurial, collabo-prone Acid Mothers Temple guitarist Kawabata Makoto sounds pretty much like you’d expect, the The Wrong Cage can’t quite be reduced to the sum of its parts. It can be a rich, rewarding document for listeners on either side of the pop/free psych divide represented by the two groups. Separating Makoto’s and Marco Fasolo’s guitar (the latter being the sole JG member to carry over into …
1999 release - cardboard box ** "Hard to explain the birth of a band like A Short Apnea, ahead in the conception and in the sound, if you don’t browse the curriculum of the musicians, devoted to experimentation with other genres of music since the 80′s. Always in search of a music in which barriers between progressive, post-rock, free jazz, avantgarde, A Short Apnea became soon a cult and a reference for who attends from years to find in a band ahead as well as deeply italian."