Giuseppe Ielasi

Tip! *300 copies limited edition* fold/interval is an audiovisual project and publishing and curatorial platform founded by Giuseppe Ielasi, Fabio Perletta and Giulia Bruno. This is their first release. Thirty minutes of guitar and electronics duos with a 12-page photo booklet and a letterpress sleeve.

Sold out at the label. Sparkling or Silent finds crys cole and Oren Ambarchi pausing their restless, always‑on‑the-move discographies at a curious angle, as if turning the light slightly to see what has been glinting at the edges all along. Both artists have long carried an electroacoustic sensibility in their work - in cole’s hyper‑attentive treatment of small sounds and negative space, in Ambarchi’s use of guitar and electronics as malleable matter rather than fixed instruments - but here that…

Biiig Tip! Italian drummer, composer and sound artist Nicolas Remondino announces the release of his new album Hìeratico, a work that delves into the borderlands between ritual, abstraction and contemporary experimental music. The record presents a radical reimagining of the drum set and percussion as an autonomous sound-world, where pulse, noise and silence continuously collide and reconfigure. On Hìeratico, Remondino treats rhythm as a living architecture rather than a mere time-keeping device…

The Vestige is the first fruit of a new intergenerational collaboration between Giuseppe Ielasi, a quietly prolific key contributor to the European experimental music scene for over twenty years, and Jack Sheen, a young composer-conductor-sound artist from Manchester whose recent projects have seen him moving seamlessly from enigmatic chamber music composition and installations to conducting the London Symphony Orchestra. Their materials and working methods differ significantly, with Ielasi havi…

Giuseppe Ielasi & Riccardo D. Wanke’s debut duo album blends electric guitar and piano with reverb, showcasing shared improvisational artistry and a delicate sculpting of sonic space through careful interplay and mindful silences.

2011 release ** "French soprano saxophonist Michel Doneda and Swiss accordionist Jonas Kocher are joined by Slovenians Tomaz Grom (double bass) and Tao G Vrhovec Sambolec (laptop) in four tight, tense improvisations recorded at the (DA)(NE)S Festival in Maribor. Kocher's squeezebox and Doneda's squeaks work together with near telepathic precision, while Grom's growls and Sambolec's grainy drizzle add depth and drama. Filling up what would otherwise be a rather short album, Giuseppe Ielasi's remi…

Tip! *200 copies limited edition* "Yesterday it started to rain… The smell of damp tarmac rising up through open windows, a smell which is uniquely evocative for us all depending on our individual histories: a suburban pavement, a school playground, a basketball court. The rain cut through a band of low pressure that had been lying over the city for days, pinging rhythmically off metal, causing rolling tyres to hiss and spit. The music that soundtracked this meteorological shift was the debut fu…

Born in 1974, Giuseppe Ielasi grew up in the south of Italy and now resides in the outskirts of Milano with his family. He has been making music and touring since the late nineties (he tours much less nowadays). He mostly plays solo, but also in Bellows (with Nicola Ratti), Rain Text (with Giovanni Civitenga) and in duos with Enrico Malatesta, Kassel Jaeger, Andrew Pekler and collaborates regularly with film-maker and photographer Armin Linke (also editing his films). He has released (short) rec…

Tip! First vinyl edition of the album Rhetorical Islands, originally released by Giuseppe Ielasi in 2012 as a limited-edition CD on his Senufo Editions label, with recordings made in 2011 as a commission for l’Audible Festival, Paris. The album’s ten tracks have neither titles nor accompanying text, standing for themselves as what Ielasi himself has called “isolated sound worlds”. They are nonetheless unparalleled in their plasticity, acoustic events with a rare degree of tangibility. Ielasi evo…

Black Truffle is pleased to announce Down On Darkened Meetings, the first solo release on the label from the quietly prolific Giuseppe Ielasi. Recorded at Ielasi’s studio in Monza outside of Milan over two days in February 2022, the seven pieces presented here continue the renewed exploration of the guitar that marks much of his solo work over the last few years. Emerging in the late 1990s as an improviser working primarily with prepared acoustic and electric guitars, the instrument became less …

*2023 stock* Five Wooden Frames marks the return of Italian artist Giueppe Ielasi to 12k after his captivating polyrhythmic explorations on Aix (12k1051, 2009). He completely abandoned the guitar in the mid 2000’s to explore minimal electro-acoustic abstractions (see his releases on his own Senufo Editions) or rhythmic and groove-based music (see his Stunt series, the Inventing Masks project, and Aix and Tools on 12k). Once again, however, the guitar has become his main focus, both as an instrum…

*2023 stock* Giuseppe Ielasi is back following his 2020 release Five Wooden Frames. There he returned to the guitar exploring shifting and modulating loops and the interplay of tuning and drifting to create five stark yet ethereal pieces. On The Prospect, Ielasi sticks to solo guitar but this time in a much more pure form. Each of the two pieces consists of parallel electric guitar lines recorded simply through a tube amplifier free of studio tricks or heavy editing. Like much music written over…

* 6-panel digisleeve (coated 350gms cardboard). Edition of 200 * Electronic music, composed and mixed in May 2021. Original materials recorded in January 2018.

Andrew Pekler and Giuseppe Ielasi stunning collaborative album

Italian sound artist and mastering engineer Giuseppe Ielasi has been a quiet but persistent presence in experimental music for over two decades, his work as a musician paralleled by his crucial behind-the-scenes contributions to countless releases that have passed through his studio. As an artist, Ielasi creates music of exceptional subtlety and precision, working with field recordings, processed guitar, and various electronic sources to build compositions that reward close listening with an abu…

Aix is an outstanding piece of work by Italian electro-acoustic savant Giuseppe Ielasi, originally released in 2009 on Taylor Deupree's 12k label, the follow-up to 2007’s August (12k) and Ielasi's first collaboration with Nicola Ratti as "Bellows", also out in 2007 (Kning Disk). Originally only released on CD (12k), the album got a very limited vinyl issue on Czech label Minority Records in 2010. Keplar presents this extraordinary and timeless collection of 9 evocative minimalist soundscapes on …

New Giuseppe Ielasi full lenght album. Music for whistling, microphone and digital degradation. Recorded in november 2016 and august 2017. to be played at low volume.

Parallel/Grayscale is the first collaborative work between Italian guitarist and composer Giuseppe Ielasi and French-Swiss composer and electroacoustic musician Kassel Jaeger. It is comprised of two different improvisation sessions. The first one took place in Paris, in October of 2011. The second happened in Oreno, in June of 2012, after the first concert Ielasi and Jaeger performed together. The first session was a pure analog device improvisation, whereas the second one was more laptop-o…

Electronic music realised between 2014 and 2016, to be played at low volume...

Originally released in 2013, Error Broadcast re-issued ‘Stunt (Appendix)’ just recently (ebc028). After a hiatus of three years Inventing Masks is a new moniker the producer uses to publish his self-titled debut LP. ‘Inventing Masks’ comprises six concentric but slightly out-of-balance sound sculptures, equally inspired from generative composition, ambient music, and hip hop. "Inventing Masks can stand alongside some of the greatest loop-based records of the sampledelic era. Put a vocalist on to…

*Limited to 200 copies* "Quarry is the latest chapter in the ongoing collaboration between the London-based composer-performer of musique concrète Adam Asnan and the Italian sound artist and mastering engineer Giuseppe Ielasi. As the title may suggests, this encounter produced a dusty sculpture whose shape was only drafted immediately after the stone has been excavated from the ground, and where it is hard to distinguish the acousmatic touch of Asnan from the rhythmic textures of Ielasi. "It ven…

** One-time pressing edition limited to 250 copies. ** In April 2011 Giuseppe Ielasi and Andrew Pekler met for a three day recording session at Pekler's studio in Berlin. In a comfortable atmosphere and with a minimum of preparation, the two artists endeavored to find common musical ground through their shared interests in sample manipulation, layering the texture and improvisation. Some months later Ielasi auditioned the recordings and then mixed down his favorite passages. To a few of these se…

Limited edition of 250 copies in a deluxe LP with embossed lettering and printed inner. Giuseppe Ielasi and Nicola Ratti reconvene their wonderfully enigmatic Bellows project with a ghostly album for Entr'acte. 'Reelin'' is the third document of their hardware-honed endeavours, and much like their eponymous debut on Kning Disk and celebrated side for Planam, we're left with little background info other than their equipment list. Navigating between a CDJ/Sony Walkman/Revox A77/Memory Man, they cr…

Original materials produced for an untitled piece commissioned by Jérôme Noetinger for l’Audible Festival, Paris 2011. A few sounds taken from the ’15cds’ tape, released on Entr’acte. Recomposed, mixed and mastered in Dec. 2012.Letterpress sleeve printed by Ben Owen / Middle Press.

Masterpiece! "It’s overwhelming. Electroacoustic/acousmatic/gaussian/binaural/phantom organ/air conditioner pioneers Entr’acte have just simultaneously tossed out so many new releases that it’s difficult to know where to start. The only means to resolve this complex decision is to turn to my Metro horoscope, which tells me that I should consider listening to more Giuseppe Ielasi. It’s such a useful, UK-wide public-transport-based newspaper sometimes.In this release, Ielasi is taking a well-earne…

*Limited edition of 350 copies in a vacuum packed metallic foil packaged with embossed lettering* Giuseppe Ielasi - sound artist, mastering engineer, label owner, half of Bellows - presents his most substantial solo release since 2009s 'Aix' for 12k with this untitled collection for London's Entr'acte. The eight unmarked tracks were produced in Spring/Summer 2011 and, much like his other work, would appear to be concerned with the minutiae and textured infidelities of the recording proces…

"15 more tapes" is a suite of 15 short pieces, very different in character and dynamics, edited from improvisations on various tape machines. The music was recorded during the year 2009, and then edited, recomposed and mastered in vimercate in summer 2011. Artwork by Alessandro Brivio. Limited edition of 90 copies.

This new Ielasi album is the final part of a trilogy started in 2008 with the “Stunt“ EP on Schoolmap. The series only source material is one turntable and a large selection of vinyl records; pulses and rhythms being the main organisational/compositional principles. Ielasi focuses on the (audible) physical gesture of actually playing these records, a technique borrowing heavily from turntablism in hip-hop music, in contrast to the more anthropologic sampling techniques of plunderphonia. T…

restocked: Analogue synth and field recordings, re-played through CDJs. Starting out as an improvising guitarist in the late 1980s, Giuseppe Ielasi's current work is mainly studio-based compositions utilising records and CDs, and creating pieces for theatre and film. His solo shows, which take the form of multichannel diffusion and recomposition of pre-existing pieces and fragments, create complex site specific audio works. He also plays in Bellows (with Nicola Ratti) and Oreledigneur (wi…

restocked...Tools is the latest creation from Italian experimentalist Giuseppe Ielasi. While Ielasi's work over the years as a guitarist and drone artist has become highly regarded his work on 2009's Aix (12k1051) completely broke that mold, turned heads, and quickly became one of his most critically acclaimed releases. The fractured, almost jazz-like rhythms pieced together from sampled fragments that graced Aix has been taken one step further in concept with Tools. Created as singular s…

RESTOCKED, brand new Giuseppe Ielasi CD on his own Senufo art editions: “15tapes” is a suite of 15 short pieces, very different in character and dynamics, edited from improvisations on various tape machines. the music was recorded during the year 2009, and then edited, recomposed and mastered in tübingen, april 2010. total lenght 20 minutes. artwork by alessandro brivio, beautifully letterpressed by ben owen / middle press.

A series of 7” records of 1 minute tracks and lock grooves. Focus of each volume is on one particular instrument and on the ways in which invited artists address the specifics of duration as defined by the given format. Duration here is not considered as a mere quantity of time, but as the subjective relations that we establish within time’s dimension. Twelve participants to the first two releases contribute one minute-long track and two locked grooves (of 1.8 seconds at 33.1/3 rpm). Each record…

Issued in 2008 as the first installment of a three-part series, Stunt marks a striking departure for Giuseppe Ielasi. Best known up to that point for the patient ambient and electroacoustic work on labels like Häpna and 12k, Ielasi sets aside guitars and field recordings here in favour of a single tool: one turntable, and a large pile of vinyl records. The six pieces collected on this 12" were assembled over three months from short segments, loops, and longer improvisations drawn directly from t…

The Dutch word zondag translates as Sunday in English and indeed these improvisations were recorded in a single day, a Sunday in January 2005. Quite in contrast with the speed of the recording, the recordings themselves were then shelved for no less than 2,5 years before they were revised by Roel Meelkop in June 2007. This CD, smartly packed in cardboard material as used for cardboard boxes, lists exactly who does what on the sleeve. Meelkop plays on Roland SH-101, Ielasi plays guitar, De Waard …

12k presents the latest solo work from Italian composer Giuseppe Ielasi. August is the 4th full-length cd from Ielasi following his critically acclaimed debut Plans (Sedimental, 2003) and the stunning Gesine and s/t (Häpna, 2005, 2006).August takes a more linear approach to Ielasi’s composing with sounds stretched like like layers of gauze forming a thick, soft blanket. Utilizing piano, hammond organ, guitars, dobro, synthesizers and shortwave radio, Ielasi creates deep, warm drones and suspende…

This trio features very distinct musical personalities and caught us off guard simply by its appearance at all, but we sure did smile when we heard it as we knew it would pack the goods. Both Zach (percussion) and Doneda (reeds) lay sturdy frameworks with Ielasi (guitar) adding an almost alien warmth to the group sound. Intense sonic impact yet transparent and sparse enough to navigate with alert senses, the whole disc has an ambitious arc that one may miss when caught in the web. Doneda's comme…

Korm Plastics is proud to present the eigth release in the brombron series. Originally a co-production between Staalplaat and Extrapool, it is now hosted by co-curator Frans de Waard. In the year 2000 Frans de Waard and Extrapool started the brombron project. Two or more musicians become artists in residence in Extrapool, an arts initiative in Nijmegen, The Netherlands, with a fully equipped sound recording studio. These artists can work in a certain amount of time on a collaborative project; a …

Right After is a remarkably subtle album of duo electronics by two relatively young Italians with roots in avant-garde improvisation. While Giuseppe Ielasi began his career as a guitarist and Domenico Sciajno was an improvising bassist of note, both gradually moved into the area of pure electronics and sound manipulation. A fine balance of pristine, crystalline sounds and earthy scrabbling noises is shown from the first track, ²at a greater distance² which offsets pinging, high pitched tones tha…

Ulrich Böttcher: percussion, electronics. Uwe Buhrdorf: clarinet, electronics.Ulrich Phillipp: bass, electronics.Since 1994 Maxwells Dmon has been playing improvised music with electro-acoustic instruments. The trio works beneath the surface of cleanly structured contexts to explore the molecular structure of music. With the music on 'Stillte post', Maxwells Dmon expands their fragmentary approach extending it to the field of postproduction. The recorded music has been fragmented and re-compos…

Following last year's incredible 'Gesine' comes Italian experimental guitarist Giuseppe Ielasi's latest full-length, an album which may come as something of a surprise to fans of his earlier work. The obvious inclusion of electronic elements comes at an odd time when the majority of experimental musicians seem to be moving further away from anything electronic rather than embracing it, yet Ielasi manages to infuse a glitchy almost minimal techno frame with the most intriguing guitar structures t…