Maggi Payne's musical imagination is vivid: she is interested in the surreal, the inward, the micro, and the accumulation of physical and psychological tension. Periods of silence gently evolve into flowing drones of complex resonances. Oozing drones evolve into dense and powerful peaks of short duration. On one cut, multi-tracked voices shift in and out of phase, creating alternately shimmering and percussive patterns; on another, digital delay and 32 separate flute tracks create a rain forest …
Dream Rooms, the new release from the shadowy Italian project Ambienti Coassiali, is an organic development rising out of the ashes of the surreal synthesised tone poems they released in the late 1980s, developing into cult favorites, spoken of with quiet reverence.Spread out over two sides, Dream Rooms is a immersive listen, ambience that’s frigid but not dark; a cold morning in the valleys. Recorded with a vintage EKO Ranger guitar from the early 1970s, loops extend to infinity, echoing into t…
Ross Alexander first came to our attention with Memorias Vol.1 - Bugandan Sacred Places, released back in 2017 on Sucata Tapes, it featured a mind altering mix of recorded sounds from a series of visited sites considered sacred within the Bugandan kingdom and session recordings with Ugandan musicians Albert Sempeke and the Nilotika Collective layered with his own original composition using the Yamaha DX7 and programmed FM synthesis. The result being a unique reconfiguration of new age vocabulary…
**1.000 copies, 2019 stock** Born in Brooklyn, Alan Vega was reared on the rock'n'roll sound of Elvis Presley and Roy Orbison, but originally struck out on a career as a visual artist and light sculptor, making pieces out of electronic debris. Seeing Iggy Pop fronting the Stooges at the New York State Pavilion in 1969 was an epiphany for him: "It showed me you didn't have to do static artworks, you could create situations. That show was the first time in my life when the audience and the stage m…
**1.000 copies, 2019 stock** Born in Brooklyn, Alan Vega was reared on the rock'n'roll sound of Elvis Presley and Roy Orbison, but originally struck out on a career as a visual artist and light sculptor, making pieces out of electronic debris. Seeing Iggy Pop fronting the Stooges at the New York State Pavilion in 1969 was an epiphany for him: "It showed me you didn't have to do static artworks, you could create situations. That show was the first time in my life when the audience and the stage m…
Jessica Ekomane's debut LP, Multivocal, is brilliantly original, and will appeal to fans of Caterina Barbieri, Alessandro Cortini, Shasta Cults, ELEH, and the strand of minimal electronic music that runs through the Important catalog. Multivocal is a polyphonic maze that unfolds to both the body and the mind. A generative take on rhythm and spatial perception, it presents the same events in different configurations. The two pieces of the album, "Solid of Revolution" and "Never Odd or Even", mirr…
** Last copies... ** Previously unreleased studio material from 1970 recorded a few months after the legendary Wired session. Hardboard linen CD box contains 2 CDs and a 28 page booklet with biography, text and notes (in Dutch, German and English) from Michael Ranta.The only time this ensemble got together before was for the singular and legendary Wired session recorded in 1970 and published on the Deutsche Grammophon box set Free Improvisation in 1974. The Wired session also included Karl-Heinz…
Vivien Le Fay is a multi-disciplinary artist who mixes her sociology studies, her classes with Alejandro Jodorowski, dance and photography classes until the traces of the different expressive styles are lost in her personal path. Her interest in music started with orthodox new wave, passing through the physicality of hardcore until the discovery of the latest generation of electronic sound designers. She started working as a guitar technician for noise bands while deepening her knowledge of the …
**500 copies** Grischa Lichtenberger’s music stands for broken rhythms, for high-density manipulations that emphasize the digital and fractal nature of its working process. a mindset that grew closer to contemporary jazz in recent years. since free jazz, this genre also sought to overcome musical standards and looked for possibilities of an individual artistic expression. within this context, the collaboration between Lichtenberger and jazz saxophonist Philipp Gropper as well as the resulting al…
Four remixes of four tracks taken from the latest albums on Morphine Records, by Erika, Zoë Mc Pherson, Sugai Ken and Thomas Brinkmann. Hand-crafted cover by M-L-XL.A1 Original version on doser035Lp AMA by MA.Reworked by Sugai Ken.A2 Original version on doser033LP Euganea by Upperground Orchestra.Reworked by Erika Sherman.B1 Original versions from on doser036LP Contagious by Contagious.Remixed by Zoë Mc PhersonB2 Original version on doser034LP Quellgeister3 by Stefan Fraunberger.Reworked by Tho…
"Originally released by Side Effects in 1986, Zamia Lehmanni was the third (and final) core SPK album and was Graeme Revell’s first truly solo project. He was in a period of transition, somewhere between the industrial noise of the early years and his later award-winning soundtrack work. On the day before this was first released, this style of music, now ubiquitous (especially in soundtracks), did not exist.After Information Overload Unit cleared a space for subsequent explorations, and the envi…
**2019 stock** "Sugai Ken follows in the vein of RVNG Intl’s Visible Cloaks release with an exquisite meditation on traditional Japanese percussion and 4th world electronics ruptured by unpredictable runs into more abstract terrain.UkabazUmorezU works like a stage set or a variegated series of sonic scenarios, at once smartly demonstrating his compositional versatility as well as a dilated vision of the connections between Japanese tradition and western-rooted electro-acoustic practice. In a way…
Ernest Hood’s Neighborhoods was released some two decades after the Portland, Oregon born and raised musician’s first forays into field recordings. These very recordings, and those captured over intervening years, define the universal sound and aural images of childhood, a theme memorialized by Hood’s privately-pressed opus of 1975.Sprawling through a haze of zither, synthesizer melodies, and foraged pedestrian sound, Neighborhoods is both a score and documentary composed and directed by Hood to…
**150 copies** "In 2013 my wife Gaia was pregnant. We were then waiting for our first born to come, expected for November of that year. A few little obstacles and troubles occurred during the nine months, so my anxious nature at the time generated in me the need to somehow express the feelings in a record, where I conveyed the worries that a father, especially a musician that needs his own moments for playing, may have in terms of an expected potential future lack of time and energies.I also dec…
Limited edition of 200 copies. Native Instrument is the collaborative project of field recordist Felicity Mangan and abstract vocalist Stine Janvin Joh. Often referred to as insect techno, Native Instrument’s music is constructed using electronic and vocal adaptations of wildlife audio recordings originating mainly from the Australian and North European fauna; mixing the natural rhythms of animal calls with digital effects and vocal imitations, Native Instrument enlightens a sonic ambiguity betw…
Deathprod, a.k.a. Helge Sten, has been deeply embedded in the Oslo music community for decades, but his brooding soundscapes and deliberate process make him seem sometimes like a phantom. Sten is a founding member of Supersilent, adding his sounds and treatments to the avant jazz leanings of that powerful collective, and he has collaborated with artists as diverse as Biosphere, and Led Zeppelin’s John Paul Jones. But Occulting Disk is the first new Deathprod album in 15 years; his attention to d…
Akuphone presents a compilation of Wladyslaw Komendarek, the Polish genius of synthesizers. This selection comes from tree albums released between 1987 and 1990, a very important political and social period in Poland, marked by the last convulsions of communism. Komendarek’s music offers a unique patchwork of synthesizer sounds, “art of noise” and cosmic flights far beyond the realm of conventions that dominated the Polish electronic music scene at the time. It brings a weird mixture of electron…
**CD included** Kranky veteran Benoît Pioulard (né Thomas Meluch) has created his first full-length for Morr Music, complemented by a linen book of Polaroid SX70 photographs from more than two years of environmental explorations. The music on Sylva and its 84-page visual companion bear the beauty and strange shapes of nature: desert rock formations and colorful leaves, restless waters and peculiar plants. Meluch’s dreamy ambient drones and saturated lo-fi pop embody the impressionist sensation o…
**300 copies, 2019 stock** "Orbit titles the intersection of bassist / composer Scott Worthington and Italian photographer Renato D’Agostin. Worthington’s minimal approach to sound, like D’Agostin’s to image, reveals the hidden complexities of interaction between bodies and the contexts of their transit. With an atmosphere that recalls the self-refractions of Stephan Micus, A Time That Is Also a Place fleshes out the flute of Rachel Beetz like vanes to a feather’s shaft, funneling into a quill h…
**Strictly limited yellow vinyl edition of 300 copies** Beautiful, highly unusual arrangements for synthetic bass & traditional Chinese strings on this spellbinding second volume of Iona Fortune’s ’Tao Of I’ series, the first volume of which was one of the standout albums of 2017 and still on heavy rotation here. Fortune once again re-frames three-thousand year old Chinese text and instrumentation within the context of hyper-modern bass music, stripped bare. There’s really nothing else quite lik…
**300 copies** Experimental solo cellist Oliver Coates (Rvng Intl., Prah) and techno-dub minimalist Spatial (Infrasonics) coalesce with the new installment for the Decouple ][ Series by subverting -through subliminal interventions and refined focus changes - pre-packaged music forms and textures in favor of new self-organizing tendencies. Surprisingly enough, two producers of such different DNAs converge to a similar systemic approach, delivering a set of music that flows with solid and endearin…
Following his critically acclaimed collections Electronic Music from the Seventies and Eighties and Electronic Music from the Eighties and Nineties, Carl Stone quickly follows-up Baroo with a double-LP album of recent works, including the final section of Fujiken, his epic journey through southeast Asian field recordings and street cassette culture.On all six tracks, composed between 2013 and 2019, Stone’s pan-global playground of looping synths and Asian pop culture remains as fertile as ever, …
"I have always been searching for a way to articulate the intangible area between the recognizable and the unfathomable, a feeling perhaps informed by some long-abandoned experiments with psychedelics. This has been a continued pursuit starting with my tape experiments in the 1970’s until the present, with technological evolution driving new ways of expression.With the exception of Xé May, which is performed on an Elektron Octatrack, these pieces were constructed for live performance using a lap…
Love Waves Ecstatic Charge uses visual material to construct sonic architecture. The visuals are one hundred and six still images taken from an experimental video which was initially shot when Rob Mazurek was in residency at Abbaye Royal de Fontevraud, France, 2005. Upon his return from the residency he discovered the camera broken and barely operational other than the fact of being able to extract frame by frame 106 distorted still images and fragmented skipping sound that would on occasion bur…
Faitiche welcomes two young artists from Canada. Jonathan Scherk and Daniel Majer hail from the post-rock and experimental scene in Vancouver, where they shared a studio for several years. In artistic terms, too, there is a surprising coherence: on It's Counterpart, their solo work naturally blends to create a joint album, making it hard to distinguish between their contributions. Majer describes his part as a shadow-like reflection to Scherk’s brightly meandering collages. The album’s title ref…
**50 copies** Starting off Otomatik Muziek in 2016 as a means to release music and working together with friends, S.U.V. aka Franz Joseph Kaputt went on a long journey since then. After the brutal no-input-noise of New Dark Age and excursions in the realms of dark, psychedelic folk on 2018’s Sterben / Shifting, he began working with synthesizers, mostly because they... synthesize. With the pragmatic approach to replace a merzbau of pedals by using synths as multi-faceted tools for live shows, Ka…
**280 copies, 2026 stock** A publication for the exhibition Schleifen – November 10-24, 2016 – at «Kassette.für projekte» in Zurich, Switzerland. Book has 52 pages, 30 drawings, size A5 (148 x 210 mm), includes Audio CD. Cover: digital printing on black paper (Outside: white, Inside: varnish). Content: offset printing (silver mixed with black).
**300 copies** G.A.M.S. are Andi Stecher (drums / percussion) and Guido Möbius (feedback). Released at the same time of their self-titled album, the Dadaist no wave track Lalaland Symbiose - featuring Felix Kubin on vocals - is available as a 7" single that includes a remix by the Berlin based Italian producer Unprofessional.
Konstruktivists is the Industrial project of Glenn Michael Wallis from Kent, England. In the late ’70s Wallis was a “control agent” for Throbbing Gristle and the Industrial Records crew. Influenced by Krautrock bands like Can, Neu!, Cluster/Harmonia as well as Tuxedomoon, Yello, Chrome, and SPK, Glenn began to record his own material. After several cassette releases, Konstruktivists’ first LP ‘A Dissembly’ was released in 1982 followed by ‘Psykho Genetika’ in 1983 and ‘Black December’ in 1984. T…
Harmograph is a project by and with Matteo Scaioli. He summarized his latest research on sound by building various electromechanical instruments, one of which he called the "Harmograph", which gives the name to his whole project. Harmograph is basically a gong remodeled with a unique sound. Scaioli blends the sound of the Harmograph with other self-made instruments including Melodon's Voice, Phonograph Tape, Dhin "Tan" Pathè, and finally his favorite synth: the Prophet 5. Matteo Scaioli - being …
With a sonic arsenal as comprehensive as Joakim Blattmann’s on Bird Helmet, it’s no surprise that a very particular - and abstract - atmosphere can be conjured so well. The prolific artist, whose body of work mostly consists of live performances and installations with physical music releases seeming to be a rarity, constructs a lush sound environment of avian-adjacent sonorities, from actual field recordings of birdsong to spectral electronics and manipulations that evoke wings and flight in a m…
Jerzy Mazzoll is a key figure of polish music over last twenty years. He is a bass clarinet virtuoso that goes deep into the tradition of Polish improvisers and contemporary music composers of the mid-twentieth century. He played in many bands such as Arhythmic Perfection, Pieces of Brain, Mazzoll & Arhythmic Memory. He cooperated, among others with musicians such as Roscoe Mitchell, Greg Fox, Django Bates, Peter Brotzmann, Jon Dobie, Alfred Harth, Peter Kowald, Vytutas Labutis, Jeffrrey Morgan,…
**100 copies** Here comes the newest work by Fabio Orsi and his first ever 10" vinyl release, limited to only 100 copies. 25 minutes equally split in two tracks entitled Forse arrivi prima and Forse arrivi dopo that tell a story with sound in a peculiar way which is uniquely Fabio's own. A journey by train told by those waiting at the station. The wait. The amazement. The joy of meeting. Maybe you'll get there sooner... Maybe you'll get there later. Between Ambient and Berlin-style electronics, …
**100 copies** 25th anniversary reprint on 10" golden vinyl of the 3" MiniCD originally released by Amplexus in 1994. Personally remastered in 2019 by Dirk Serries, this tiny Tribal Ambient jewel is finally available again as an ultra limited vinyl edition. The Transcending Quest perfectly represent the sound of Vidna Obmana, and in its 20 minutes it concentrates all the atmospheres and moods that were later developed on a fundamental album like The River of Appearance or on his nearly-mythical …
**300 copies** Tarab explores re-contextualised collected sounds and tactile gestures formed into dynamic, psycho-geographical compositions inspired by discarded things, found things, crawling around in the dirt, junk, the ground, rocks, dust, wind, walking aimlessly, scratchy things, decay and most if not all the things he hears and sees. More than simply documenting a given site, tarab is interested in a direct engagement with our surrounds, teasing out half narratives, visceral sensation, fal…
**300 copies** French artist / activist Yvan Etienne, is engaged in research in the field of sound art (specific site installations, concerts). As a musician, he composes and plays pieces using electronic, phonography, analog synthesizers and the hurdy-gurdy. His sound art research questions the perception and physicality of sound spaces.He has collaborated with Phill Niblock, Yann Gourdon, Richard Glover, Brice Jeannin, Patrice Grente, Robert Poss, Paul Panhuysen, Marie Verry, Perinne Bourel...…
**500 copies, 2019 stock** "Approaching the forest as if it were a city, a construct, an ensemble of strata and vertical heights where signals answer, contrast and ignore each other. Variations occur, fullness and emptiness are created according to the weather and the peak and off-preak hours. This density that language can't define presents a challenge for the ear, and from this density surfaces, from time to time, certain analogies to a modern sound environment. Cultural leads fraw our experie…
Aspiring to connect with a world beyond our consciousness and our planet, nimiia vibié sounds the interactions between a neural network, audio recordings of early Martian language, and microscopic footage of extremophilic space bacteria. Here, the computer is a medium, channeling messages from entities that usually cannot speak. However, it is also an alien of our creation. Drawing on nimiia cétiï, Jenna Sutela's project on machine learning and interspecies communication, the record manifests a …
As with the first SchleiBen series, Emotional Response follows the
success of the second set of split releases with a stand-alone album by
one of the highlights, in Neil Tolliday. Recorded over a 17-year period,
the ambient, drone and noise pieces collected here offer a glimpse in
to the depth of a supremely talented, thoughtful and at times, troubled
musical mind. As his love for house music and the success of his Nail
moniker grew and waned during the ascent 90s boom, there followed his …
Unreleased synth based ambient creations from mid-'80s by "After the break-up of seminal punk-funkers Liquid Liquid, band member Dennis Young found himself at a bit of a loose end. He busied himself by making funny little new age/ambient creations in his bedroom on some synths and a Tascam tape recorder. Many of these curios have never seen light of day, so it’s a real treat that Inner Mood have managed to lock down a trio of tracks for the Portastudio Ambient Tapes. These are gorgeous, often be…