New Arrivals
1–16
When I started to be curious about producing cassette tapes around 2016, everyone I met said that I should talk to Wilfred Wagner. Not only did he have a lot of printing equipment and knowledge about cover design, he also have one of Copenhagen’s only functioning tape duplicators. I think it’s safe to say that Wilfred is a legend in the Copenhagen underground. He has helped everyone to make covers, underground books etc. He also ran an exhibition platform making art books and been involved in th…
Die On Me
Originally released on CD in 2002, this LP features archival recordings dating back to 1959 alongside recordings made by Hal Willner in January 2001 (Jan 7th - 10th). For the fi rst time ever on vinyl, `Die On Me' has been re-mastered & newly edited by Kramer. Within this historic collection are the last voice recordings of the legendary Beat poet Gregory Corso. Intimate and raw, he muses on his life in conversation with friends Allen Ginsberg, Marianne Faithfull, and the legendary Chicago write…
Dou Dou Doudo: Ao Vivo Na Cooperativa Árvore
*300 copies limited edition* Audio taken from a live performance by Anar Band (Jorge Lima Barreto and Rui Reininho) with E.M. de Melo e Castro in November of 1978 at Cooperativa Árvore, Porto. The performance was filmed. A segment was included in »Obrigatório Não Ver«, a weekly programme presented by Ana Hatherly on Public Television’s Second Channel. It was not possible to determine the exact date of the event, and no documentation seems to be available in the relevant archives. »Encontro que T…
Studies On A River
»Ka ora te awa. Ka ora te iwi. The river is well, so the people are well«, says artist and writer Hana Pera Aoake. »In a Māori worldview, everything is connected and contains mauri, the life spark or essence inherent in all things, as they contain the residue of ancestors through whakapapa, or genealogy. Within Western environmental histories, there is a gap in knowledge around what we can learn through an act of listening.«
Hana Pera Aoake’s words resonated with Hinako Omori when they were invi…
Quinteplus
This first-time reissue of Quinteplus’ 1971 album revives a key moment in Argentine jazz, featuring crisp trumpet and tenor sax, electric piano-driven funk and modal grooves, and a tight, spacious rhythm section. It showcases prominent figures like Jorge Anders and “Pocho” Lapouble.
Quinteplus was born in Buenos Aires at the end of the 1960s, emerging directly from the ideas and experiments of the legendary Agrupación Nuevo Jazz. Founded in the early ’60s, this collective brought together some o…
On Beheading the Thalassocratic Vipers
Snapshots of an empire downfall black helixes elongated insectile forms a projection over the desert burning surface scimitar smiles through pillars of black smoke emerald shards lit night eyes that see all crosshairs obsidian steel ghosts haunting the night geography in flames born under treason's ulcerous mouth.To behead the vipers one by one.
4 Ways To Maul Your Face
Rasga is proud to unleash 4 Ways To Maul Your Face, a limited cassette compilation that gathers four of Portugal’s most uncompromising noise and experimental acts: CAB, Portuguese Funeral, Mijo Preto, and Hypomania. This tape is a visceral journey through dissociative frequencies, absurd conceptualism, and punishing sonic violence, capturing the raw energy of the Portuguese underground in 2025.
4 Ways To Maul Your Face is structured as a double-sided ritual of noise, each side curated to build…
Muslimlahore
A powerful new archival release from the legendary experimental project Muslimgauze, titled Muslimlahore, is now available worldwide via Bandcamp. This album continues the ongoing posthumous excavation of Bryn Jones’ vast and politically charged body of work, offering listeners a fresh immersion into his unique blend of ethnic electronica, dub, and tape-based soundscapes.
Muslimlahore presents a suite of tracks that reflect Muslimgauze’s enduring fascination with South Asian and Islamic themes, …
Unity
** Special Time-Limited Offer ** Unity is one of the great organ records precisely because it refuses to behave like one. Larry Youngbrings the Hammond into a post‑bop, modal context alongside Woody Shaw on trumpet, Joe Henderson on tenor saxophone, and Elvin Jones on drums. The tunes – including originals by Young and his bandmates – are harmonically rich and structurally intriguing, offering the soloists wide latitude. Young’s playing is astonishing: he voices chords in unexpected clusters, sp…
Further Explorations
** Special Time-Limited Offer ** Further Explorations pairs Horace Silver’s piano with Art Farmer on trumpet and Clifford Jordan on tenor sax, plus Teddy Kotick on bass and Louis Hayes on drums. Silver’s blend of blues, gospel, and hard‑bop sophistication is very much in evidence, but the writing nudges things into slightly more intricate territory. Catchy themes, smart modulations, and rhythmic hooks abound, yet everything feels natural and unforced. Farmer and Jordan bring contrasting horn col…
My Point Of View
** Special Time-Limited Offer ** My Point of View shows Herbie Hancock widening his palette with a larger band: Donald Byrd on trumpet, Garnett Brown on trombone, Hank Mobley on tenor, Grant Green on guitar, Chuck Israels on bass, Tony Williams on drums, and Patricia “Patty” T. on vocals on one track. The writing is richer and more layered, from soulful vamps to waltz‑like lyricism, yet unified by Hancock’s sense of structure and colour. The horns are given space to develop ideas; Green’s guitar…
Volume 2
** Special Time-Limited Offer ** On Volume 2, Miles Davis again fronts shifting line‑ups – including Sonny Rollins, Art Blakey, and Horace Silver – in a programme that continues the exploration begun on its companion. The arrangements juxtapose brisk, tightly coiled numbers with more relaxed pieces that give Davis room to stretch his lyrical side. His phrasing shows a growing command of silence and attack; a single, slightly bent note can carry as much weight as a flurry of scales. The band’s in…
Collusion And Collaboration
Avant-garde multi-woodwind maestro Vinny Golia and innovative bassist-vocalist-composer Kelsey Mines unite in a dynamic duo recording. Stripping back to just their voices and instruments, this collaboration delivers finely nuanced interplay where Golia’s rich spectrum of woodwinds weaves organically with Mines' deep rhythmic foundation and expressive vocal textures.
Holy Trinity
Rooted in Altman's exploratory practice, she weaves clarinet alongside a sparse palette of preparations, objects, tapes, and feedback. She crafts a series of pieces that are at once delicate and textural yet bold and expressive that reflect both the unique acoustics of the space and her subtle, inquisitive approach to sound, offering a contemplative and tactile listening experience that blurs the line between instrument, environment, and intervention.
Un Biglietto del Tram
On Un biglietto del tram, Stormy Six turn the Italian Resistance into living song, nine pieces where folk‑rock, progressive detail, and militant clarity fuse into one of the sharpest, most moving political albums of the 1970s.
The Stooges
The Stooges turn three chords and a bad mood into a new language, eight songs of slack‑jawed menace and bored fury that quietly redraw the limits of late‑60s rock and sketch punk’s silhouette in acid‑scarred pencil.
Cliphop
*300 copies limited edition* "The Glitch hype was a rather short one. But it brought together different scenes; minimal techno, sound art and electronic minimalism. Then it hit a dead end and dissolved. In the centre of Glitch we found labels like Mille Plateaux (who released the formative ”Clicks + Cuts”) and raster-noton who especially with their static series formed a sound.
The first release (2000) was by a young Andreas Tilliander who under his new moniker Mokira released the ”Cliphop” alb…
Desaparecido
On Desaparecido, Litfiba ignite their “trilogia del potere” with eight songs where British‑tinged new wave collides with Mediterranean melody and political allegory, turning Italian rock into something at once cosmopolitan, urgent, and obstinately local.
Copenhagen, Bordeaux 1966 & Newport 1967 Live First Release
"These powerful performances from Copenhagen and Bordeaux, released officially here for the first time, and the Newport Festival in the U.S., provide further evidence of the music’s collective necessity – the true ensemble coordination which Ayler adopted, elaborated and romanticized, from his awareness of historic New Orleans precedents." - Art Lange