New Arrivals

All sounds in this record were collected in solitary afternoons or sleepless nights, while studying electric guitar and effect boxes, an FM synth and a sampler, and were taken care of as if they were plants that you would move around the house to see where they like it best. Occasionally they met other sounds from far back in time, and they got along well. All these sounds talk to me of fragility and effort; to me they taste like gratitude and affection and joy. - FIlippo Mazzei

Simon Balestrazzi: analog and digital synthesizers, treatments, crotalesPaolo Monti: synthesizer, guitar, live electronicsNicola Quiriconi: synthesizers, electronics, magnetic tapes, contact microphones, voice recorded between 2020 - 2024

Tip! Beggars Arkive have announced the release of Seefeel - Quique (Redux), a remaster and first ever vinyl pressing of the redux edition of the groundbreaking 1993 album, originally released on Too Pure. Releasing on 28 March, the product is available on 2xCD and 4x vinyl, with the latter housed in a special slipcase with newly imaged artwork. A remastered reissue of the standard version of Quique will be available everywhere on vinyl. Seefeel's Quique emerged in 1993 on the Too Pure label, ble…

At the crossroad of different worlds, Hubbub comprises five musicians with activities in various fields. Together, they work on the sound matter to create a moving electro-acoustic space inhabited by layers, distensions, imbrications, pulsations, dots and lines. Thanks to the longevity of the group, Hubbub has developed its own universe, which is more than just the sum of its parts.

Jim Hobbs and Timo Shanko were founding members of the Fully Celebrated Orchestra in 1989. This is their first duo record. Their decades of playing together can be heard in these pieces.

Brandon Lopez leads his septet through an electrifying set recorded live at the Vision Festival. Mixed and mastered by David Torn and polished into a gem.

Exceptionally virtuosic and sensitive, South African harpist Jacqueline Kerrod is perfectly at home across multiple genres. This is her first recording with American guitar maverick Joe Morris. These are sublimely adventurous improvisations for pedal harp and guitar.

A reissue on CD of the 1972 sophomore album by Spontaneous Combustion a late British psych band with progressive tendencies. A reissue on vinyl of the 1972 sophomore album by a late British psych band with progressive tendencies. The LP is presented in a US pasted cardboard sleeve. - See more at: https://www.lpcdreissues.com/item/triad-3#sthash.jWSS6KcV.dpuf A reissue on vinyl of the 1972 sophomore album by a late British psych band with progressive tendencies. The LP is presented in a US pasted…

2025 stock The idea of Grains of Voices was born when Åke Parmerud was commissioned to write a work for the Swedish Radio. A journey around the world, recording the different inflections of the human voice then followed and the material was processed in the studio to make this electro-acoustic composition. Grains of Voices  is an electro-acoustic mix, a collage of voices from all over the world – singing, talking and shouting. The work was premiered in the Dag Hammarskjöld auditorium, in the UN…

2025 stock A composed improvisation, or possibly the other way around – this is one way of describing the music played by Mats Gustafsson and the Nu Ensemble, a multinational group of improvisational musicians. The saxophonist Mats Gustafsson, born in 1964, became interested in improvisational music at an early age, inspired by among others the German Peter Brötzmann and the Britt Evan Parker. The Nu Ensemble was a loosely structured, irregularly convened radio and concert project built around …

2025 stock Inspired by the tiniest building stones of nature, Quarks, Rolf Enström composed the piece Directions. He composed five more electro-acoustic pieces all with titles from the world of the quarks; Spin, Charm, Strange, Up! and Down, all included on this CD Rolf Enström has always nourished a keen interest for the natural sciences. After having read in Scientific American in 1979 about the theory of the smallest elements in nature, entities impossible to observe and possible to describe…

Quoting Lou Reed, “Angus MacLise was the Velvet Underground’s first drummer. He withdrew when he found out that at a paying job he had to start and stop playing when told to. No one told Angus to stop playing. So the job of a working musician was impossible for Angus, and he taught us all a lesson about purity of spirit.”  Angus MacLise was an American polyglot and foundational multi-media artist. Working in dream-like calligraphy, poetry, small press publishing, and musical composition, he was …

"Was Drosselbart a Krautrock band just because they came from Munich like Amon Düül, sang in German and released their first and only album on a major German record label in 1971? 'No,' says Monika Vincent-Gunia aka Jemima, Drosselbart's singer. 'We were the first punk band in Germany. The guys in the band could only play three chords, maybe four, but they were burning with enthusiasm'. However, Drosselbart's music on the album of the same name has very little to do with the punk of the mid-seve…

After nearly two years, Okonski returns with Entrance Music — an album that finds the trio at the height of their improvisational prowess and celebrating the spontaneous and meditative. On the heels of 2023’s debut Magnolia, pianist and leader Steve Okonski has reconvened long-time musical collaborators (Durand Jones and the Indications bandmate Aaron Frazer on drums and bassist Michael Isvara “Ish” Montgomery) for another session in the spirit of artists like the Bad Plus, Gerald Clayton, and T…

*2025 stock* While she was waiting for her last album 'Pripyat' to be released, Catalan composer and producer Marina Herlop was restless. She was concerned about her (by then) uncertain music career, and felt emotionally unmoored. "Some days I used to sit on the balcony of my flat to catch some sun,” she explains, "I would close my eyes and start visualizing myself as a gardener, pulling out purple weeds from the soil, every bad memory or emotion I wanted to expulse being one of the plants." As …

If you face a „Jesus“ look-alike in a white robe with an acoustic guitar and a beard in full blossom on the cover of a record you know you’re on the trail of a real oddity, in whatever way it might be. Then you check the name and it says D.R. Hooker on the cover. Is it his name or is he a doctor who cures prostitutes, so called “hookers” ? What is this all about? With a bit of effort you may find out that this is the name of a musician from the Connecticut scene of the early 70s and that he gath…

'Sexy Tears' is a bold departure from Tristanne's (fka Tristan) critically acclaimed pop-jazz debut Wellif and lets you veer into uncharted territory, from the first tone, the bittersweet and haunting violin tones fade in on opener 'Steady Mouth'. In a split second, Tristanne lets you vanish in a dazzling matrix deep down a rabbit hole, a place where Piero Umiliani's 70s sleazy giallo era sensually resonates with Oneothrix Point Never goldwave frequencies. With a whisper of panting tension, her …

The pipes that Miłosz Kędra used to craft his own organ emulator have lived many lives. They come from churches scattered across Greater Poland—some trimmed for a more presentable façade, others left to gather dust in parish houses until, stripped of purpose, they were cast away. Their first voices have faded, their inner resonance unsettled, yet with patience, one can teach them to sound again—to sing in their altered state, to be gently coaxed out of silence. Audiomancy—the conjuring of lost s…

Tip! Tip! Tip! Azzurro 80's new album—his first ever on LP—is a beautifully faded Polaroid that, like a true flashback, plunges listeners into the heart of the 1980s. It's a sonic journey that captures the essence of a decade, distant yet vividly etched in our collective memory. The Roman producer unleashes his sonic vision with even greater intensity than before, weaving through dreamy italo-disco, electric atmospheres, soundtrack-worthy synth-pop, and boogie-funk grooves. Each track opens a wi…

Julius Smack engages in a dialogue with a fictional AI assistant to create an album using the prompt, “Make an album that tells the story about the origins of Julius Smack.” Starlight emerges as the imagined response, envisioning a world where beauty and violence intertwine, and memories and dreams are excavated to craft stories. In a near-future Earth, where artists are among the planet’s last inhabitants, a symbiotic relationship has formed between humans and AI—each relying on the other for n…

While working a job that required frequent drives between Philadelphia and a remote warehouse to sort furniture, Brendan Principato, the artist behind the project Saapato, noticed a fox on the side of the highway that had been struck dead by a car. Its vibrant red coat stood out against the asphalt. Day after day, the fox remained there, gradually transitioning from serene lifelessness to an unrecognizable state, a haunting reminder of nature’s cyclical processes. This encounter sparked a year-l…

Portlander Paul Dickow, as Strategy, presents his latest album— A Cooler World. Fascinated by the unfamiliar limitations and inherent playability of a hand-me-down, 1989 model sampling keyboard, he played these pieces by hand, mostly abandoning the sequencer driven framework of sampling based music; he plays the sampler here the way a guitarist approaches the guitar. A Cooler World is a deep dive into glacial, pensive soundscapes that navigate the boundaries between experimental, ambient, and da…

Fraufraulein, the San Francisco duo of Billy Gomberg and Andy Guthrie, are master world builders. Their work is immersive — it wraps around you like a warm coat, guiding you deep into a trance-like state. Time moves in slow circles, folds in on itself, and unspools like caught fishing line. It’s tempting to say Guthrie and Gomberg construct a new reality with their work, but I think they’re revealing the contours of familiar territory, gluing together a complicated mirror more than constructing …

*Repress* “Great Doubt” is the third full length LP by Danish composer Astrid Sonne. Throughout her acclaimed discography, Astrid Sonne has been carefully crafting different moods through electronic and acoustic instrumental endeavours. On “Great Doubt” this skill is refined, now with the distinct addition of the composer's own vocal in front. The tone of each track is unmistakably Sonne’s, structured around contrasts through an impeccable sense of timing. Lyrics on the album are sparse, merely …

Nobody feels the sound fracturing as Masami Akita, nobody understands noise better than Merzbow. This Japanese artist is for more than forty years the maximum exponent of a style that has been catalogued and denominated with perhaps, the most descriptive word of modern music. Noise can have very diverse connotations, however, when we transfer this term to the pleasure and enjoyment that a piece of music generates in the listener, when we treat non-music as music, we understand that sound express…

Spite Cathedral returns with Unforgiven Thoughts, an album in which the artist delves into an experimental, dark, and deeply atmospheric sonic journey, fusing industrial, noise, drone, and post-apocalyptic textures to create a unique and disturbing soundscape. From the very first track, the album establishes an unsettling tone. Harsh, mechanical industrial sounds clash with ethereal and distorted melodies, creating a sense of controlled chaos. Spite Cathedral demonstrates a masterful command of …

Mutualism is the pure essence of collaboration, an exchange that not only projects but also guarantees the growth of two individuals. In this bond, there is no competition; instead, a natural equilibrium emerges where both parties strengthen and complement each other. It is not about losing one's identity, but about enhancing it, allowing individualities to shine even brighter when united. It is a reminder that when two forces ally, the result is always greater than the sum of their parts. Mutua…

Formed in the mid-1980s, Nostalgie Éternelle is a band that stands the test of time. This duo from Leer, a city in northwest Germany, has based their sound on post-punk, electronica, industrial-pop, minimal-wave, electro-punk and experimental, and although in their first stage they were only active from 1986 to 1992, in 2009 they came back with more strength, recording new material and touring again. Krummhörn is an album that is released in a limited cassette edition and also on cd, and the rel…

Beat Records Company is glad to present the expanded version of the original motion picture soundtrack of the movies L’Anticristo (Alberto De Martino, 1973), featuring the music by Ennio Morricone and Bruno Nicolai and Sepolta Viva (Aldo Lado, 1974) by Ennio Morricone, already available in the classic Collector Releases series, out of production since a while. This album, very popular among the two composer’s fans offers two OSTs realized for excellent movies, the first, on the Excorcist (Willia…

Beat Records is relaunching on the market the classic Western OST by Nora Orlandi and Robby Poitevin for the film La morte non conta i dollari (aka Death at Owell Rock), directed in 1967 by Riccardo Freda (under the pseudonym George Lincoln), with a screenplay by Giuseppe Masini and Riccardo Freda, photography by Gábor Pogány, editing by Anna Amidei, music by Nora Orlandi and Robby Poitevin, produced by Enrico Cogliati Dezza for Cinecidi, distributed by Warner Bros., and starring Mark Damon, Ste…

"Side A : percussive like an ongoing emergency. Side B : electrifying, from after the recomposition. A heavy atmosphere, a combative start. A fiery physicality emerges from each piece. Ripit progresses through a cluttered sky. Rough, thick raw material, a ceiling with pale lights passes at breakneck speed. A space roaring with sirens screaming. We are making good progress in the meanders of a troubled psyche, in the spiral of a bubbling world. Finally, the rhythms are reassuring; the noises and …

“Some of it sounds so pure and clear and I am picturing him huddled around all that gear, simply magical. In my memory he didn’t play ‘for’ the audience but was rather trying to perfect these various permutations of sound within himself…and a few of us just happened to be present.” – Tom Lee Open Vocal Phrases, Where Songs Come in And Out & Sketches For World of Echo offers two intimate unedited Arthur Russell solo live performances recorded at Phill Niblock’s Experimental Intermedia Foundation …

Long overdue, here is the fourth volume of the Mighty Mellow collection, from the editors of The Mood Mosaic series. Mushy funk, abstract jazz, with tracks by Pete Jolly, Annete Peacock, Dusty Springfield and many others.

Tip! Kuunatic’s hotly anticipated 2nd album “Wheels of Ömon,” takes another adventuresome deep dive into their self-made fantasy mythology, proposing whole new worlds of psychedelic drama and ritual. In addition to their core sonic palette of tribal drums, pulsing bass, atmospheric keyboards and grouped female vocals, the acclaimed Japanese psych-rock trio played an array of Japanese traditional instruments on "Wheels of Ömon." The result is a thrilling, kaleidoscopic album that brushes against …

Tip! "With « A Bright Sun Shining Down Through All The Opaque & Toxic Layers Of The Underground », Tzii attempts a breakthrough in opacity. Close to emotional ambient, sometimes with slight touches of medieval trad («muxu» means kisses in Basque) and close to raw and mineral materials, Tzii rubs on airy atmospheres, in warm colors, looking for an altered state, almost gaseous. Muffled harmonies, melodious drone, reverb melodies, modulated distorted voices from elsewhere sounding like liberating …

Mermaids Are Real is the collaborative project between Niki Dimitriadi & Selfish Limbs, based in Thessaloniki, GR. Their debut self-titled album explores themes like love, loneliness, and death, where the existential anguish alternates with a light-hearted playfulness. Spoken word, vocal live-looping, and drone soundscapes blend together with repetition and improvisation approaches. Somber fairy tales meet the dark ambient textures and together create a world where magic and reality can’t be dis…

Maciej Śledziecki and Marion Wörle show just how exciting the world of the pipe organ is today as the ensemble gamut inc. The retro-futuristic duo uses self-programmed software to dock onto the MIDI consoles of church organs, control their stops in a manually impossible way and perform sound synthesis with surprising results. Their annual AGGREGATE festival in Berlin is a meeting place for the international “New Organ Movement” scene: electronic musicians, composers and organists from different …

2025 stock  In 1985 György Ligeti created six piano studies. The exceptionally new of these studies is the possibility of having one player generate the vision of several different simultaneous tempo layers. The extremely high level of difficulty of these studies demands the pianist's utmost virtuosity. With Volker Banfield, Ligeti found the right pianist for his studies. The fourth study, 'Fanfares', is dedicated to Banfield. Olivier Messiaen's 'Vingt regards sur l'Enfant-Jésus', too, makes hug…

2025 stock When Pablo Casals rediscovered the cello suites of Bach at the beginning of the 20th century and firmly established them in the concert and record repertoire, the novel thing about it was that he played them "senza basso", i.e. without piano accompaniment - something that seemed quite unimaginable in the 19th century. In a time of music-historical over-maturity and experimentation, renowned composers soon came up with their own attempts, among them most famously Max Reger's "Solo Suit…

2025 stock. A portrait of the early work of Peter Ruzicka, the German composer and conductor who later directed the Salzburg Festival and the Munich Biennale. The five pieces collected here range from a large orchestra to string quartet, percussion and tape, and share a music built on tension, fracture and sudden release. Metastrofe, subtitled "attempt at an outbreak" for 87 instrumentalists, is performed by the Radio-Symphonie-Orchester Berlin under Michael Gielen. ...fragment... is a set of fi…