New Arrivals

Thomas Rehnert lives and works in Berlin. He was deeply influenced by the European free jazz of the 1970s, and in West Berlin in the 1980s he played percussion in various punk bands. In the world of punk and experimental music of these years, he began to occupy himself with electro-acoustic music, machine music and automata. He builds sound machines from analogue modular synthesizer systems that are voltage- controlled and steer themselves.His formative principle of organization is variation by …

For this release Mathieu Ruhlmann uses a lot of sound sources and per track he lists them. We see listed a coffee grinder, ukelin, e-bow, moss, denture cleaner, bubble wrap, dried plant, cactus, speaker and gate (and that's just the opening track!)... The gain is very much alive here, so there is occasionally some feedback leaking through here. That adds a strange component to the highly acoustic music. Ruhlmann plays his stuff with great care. His music is open, spacious, but also intimate. The…

Rogelio Sosa was born in Mexico City in 1977. His work explores a wide range of aspects that deal with sound morphology, structures of auditory reference, intensification of the acoustic space and performativity. His projects include solo and collective improvisations, music compositions, sound actions and sound installations. All of these are produced using electronic media. He started studying musical composition with Julio Estrada and then electroacoustic music at the Ateliers UPIC and IRCAM …

Strøm are Gaudenz Badrutt, pianist and electronic musician (1972) and Christian Müller (1971), clarinettist and electronic musician. Under the name of strøm the two artists from Biel mix since 2001 various ingredients: free improvisation with conceptual music, contemporary music ideas with free jazz explosions, down to earth, drifty energy with spherical sound. The duo mixes electro-acoustic chamber music skillfully with allusions to contemporary pop-aesthetics. Both musicians studied at …

Recording of the sound sculpture in the Polish Pavilion at 13th International Architecture Exhibition in Venice. Sound sculpture by Katarzyna Krakowiak. Sound design by Ralf Meinz. Voices by Ulrike Helmholz and Sabina Meyer. Recorded, edited, mixed and mastered by by Ralf Meinz. 32-page booklet.'Architectural Biennale sound sculpture amplifying the entire building of the Polish Pavilion turned into a flat CD ? Will you say it completely misses the point? Brings the real space into a stereo syst…

"This latest in the ever-popular Latitudes series comes from Drag City avant-folkists White Magic, who have turned in a single ten-minute piece based on Eastern harmonies, delay loops and a tranced out approach to jamming that verges on Sunburned Hand Of The Man territory. For the vast majority of its duration 'New Egypt' relies upon a central three-note piano riff, which soon accumulates layer after layer of various other instrumental sources while seemingly improvised lyrics haunt the song thr…

The Preservation label presents Burnt Offerings, the fourth album from Brooklyn's Padna. As Padna, Nat Hawks initially made his name in the cassette underground on the revered Stunned label with two works of pop experimentalism displaying a bustling -- often boggling -- and vivid imagination. Veritable joyrides in sound and style, these releases were in line with the DIY aesthetic, primitive songcraft and eclectic sonic stew pioneered by the likes of Tall Dwarfs and forwarded by Olivia Tremo…

Post is the solo guise for James Wilkinson, who has gleefully cracked the ground between free jazz and punk in Bucketrider and made sonic cinema with the electro-dub-hip-hop fusion of High Pass Filter. He’s also provided innovative sound design as director for the internationally acclaimed Snuff Puppets, and his adventurous spirit runs free through Post’s pop persona. It’s the same ecstatic abandon shared by the likes of Mouse on Mars, Plaid and Caribou. Post’s playful but stirring sense of comp…

"Resume the Cosmos" finds the unclassifiable Virginian band Rake performing some of their most diverting and accessible work to date. The five nameless tracks that make up the disc were culled from many hours of studio improvisation, not only on a range of atmospheric instrumentation, but also with studio space and "silence" itself. The elusive membership of Rake play out like reconstructed indie rock fans with fistfuls of Sun Ra/Coltrane/70s Miles/Art Ensemble of Chicago/Henry Cow scattered thr…

'Japanese percussionist Seijiro Murayama has been working in France since 1999. His musical approach is based on extreme attention to the performance space, the energy of the audience and the quality of silence. He is interested in how continuous sounds and microscopic events can delicately revitalize the environment. Now established in Beirut (Lebanon), french saxophonist Stéphane Rives has spent over last ten years developing new sonic array of extended techniques on the soprano. On thi…

Some bands produce a CD every week; by now it seems 'normal' to have three year gaps in releasing records for Beequeen, which is a fresh antidote to the music business of more = more. For Beequeen, like good wine, things mature given more time. Whereas 'Sandancing' (2008) featured Olga Wallis a guest singer, on this new album she's a fully fledged bandmember, adding her beautiful voice to Beequeen's off beat songs. 'Port Out Starboard Home' features surreal dream-pop, but always with that unique…

Roro Perrot is acoustic improvised songs by Romain Perrot, aka French master of Harsh Noise Wall Vomir. CD released by French label Premier Sang

At some point all great explorers, from Amundsen to Kishan Singh Rawat, come to an opening up and cast their minds across a big space. A clearing, a promontory, a look out from a place no one's been before. Jakob Olausson ventured deep on Moonlight Farm, his debut for De Stijl in the winter of 2005. His singular expression returns on Morning and Sunrise, an explorer's codex, a gaze through to what's more important and less seen. The path yet traveled and the sun arcing over it. Morning and Sunri…

Michel Bertier : prepared mellotron, doublebass. Sylvain Bélot : visuals and projections. Rodolphe Blois : tape recorders, editing and mixing of tapes. Guillaume Loizillon : synthesizers, vocoder, tapes. Claude Micheli : synthesizers, sequencer, G.S.S.A (semi-random sound generator, electronic device built by Claude Micheli). A French group who existed from 1979 to 1983 in the field of electroacoustic, audiovisual and improvised musics. the group worked with a multichannel system of 10 loud spe…

I love the Tadpoles, a quintessential American psych band, so chances are I was going to be all over David Max’s solo platter when I heard about it. And I am. I don’t want to go on and on with endless comparisons with his work with the Tadpoles because much of that is obvious. Let me just say that maybe its sort of another tentacle from the body of the Tadpoles; sprung from it, indebted to it, but operating with a mind of its own. And name-checking all of David’s influences, though tempting and …

"Somnambulance" is a reworking of an album of odd and obscure tracks that was released in a microscopic edition on CD-R before. For this CD, Mr. Liles has provided his funniest and possibly most controversial artwork as of yet. You get an hour of music of many different styles: Andrew Liles' trademark of eerie and spooky sounds is there; also electronics and a whole range of instruments are placed in between sketches and longer tracks. And if all this weren't enough, you get three bonus tracks t…

Debut disc from the new collaborative project between Nathan Bowles (Black Twig Pickers/Spiral Joy Band) and Lisa Cameron (Venison Whirled). A real odd one this, lots of rattling and scraping of percussive objects creating 3 tracks of abstract improvised surreal sonic explorations. The sound is matched by what I can only describe as the weirdest sleeves I have every had the joy of releasing (and we've had some weird ones), but this one is far out, the guy at my local print shop looked baffled wh…

Oltrelanebbiailmare presents a double CD that collects the particular proposal of the never forgotten Engel Der Vernichtung from Rieti, Central Italy. Born in 1985 as a project by Federico Festuccia and Roberto Feliciangeli - soon joined by Daniele Arisi and Paolo Campanelli - the group took its disturbing name of "Angel of Destruction" from an Einstürzende Neubauten song. After several performances in deconsecrated churches and abandoned factories, Engel Vernichtung Der debut in 1986 with the c…

Limited to 300 copies. Field recordings, sine waves, computer data, lloopp, electric guitar, tremolo pedal, condenser microphone, contact microphone, mixing board. Recorded and mixed: 2006-2009. Mastered by Valerio Tricoli. Photography by Fotini Lazaridou-Hatzigoga. Package design by Pafsanias Ioannidis.' label info

RESTOCKED! 10/10 on Foxy Digitalis, writing "best psych album of the year! Maybe even best psych album ever?! “Stone Circle” deserves much more than a measly ten stars!”. Wood-land have released a few bits and bobs on the Install label but i'm totally unfamiliar with their work. 'Stone circle' is the duo's first full length release, limited to a super small run of 100 copies. On first listen i reckon it's total winner. Twenty tracks of brooding lo-fi instrumentation that sounds like it was recor…

Over the course of a 12", cassette, and a stream of ace youtube vids, Maria Minerva has emerged as one of the most interesting artistes to come into leftfield-pop focus over the last 12 months. 'Cabaret Cixous' is her debut album, a coruscating water-bed of mottled '90s dance-pop memes writhing under blankets of slyly sexy new age synths while her dreamy vocals whisper and croon seductively suggestive lyrics. It's not quite aural soft porn, but there's an inescapably lascivious element to …

Massimo Pupillo, Terrie Ex & Paal Nilssen-Love recorded this gem live in concert at Kongsberg International Jazzfestival in July 2007. With the two tracks, Slap & Tickle on 32 & 16 minutes, they attack all senses with an exploding riot of free rock. If possible to describe, the music is in the midst of Black Flag, DNA, Pere Ubu, Last Exit, James Blood Ulmer, early Sonic Youth & of course Terrie's very own legendary band The Ex. All free improvised. Total freedom, total rock!

Just arrived! The research-performance group kiva was created in 1975 by the American trombonist John Silber and the French percussionist Jean-Charles François as part of a research project at the Center for Music Experiment at the University of California San Diego. During the period of its existence (1975-91) various members (often graduate students from UCSD) joined the two permanent musicians, John Silber and Jean-Charles François, to contribute to the groups artistic production. Two persona…

2012 release ** The most recent solo incarnation of pioneer Campbell Kneale (Birchville Cat Motel, Black Boned Angel, et al.), this is the definitive OLWDTW release spanning two discs. Crowning achievement in a prolific and highly collectable catalog. Solo project of Campbell Kneale, formerly Birchville Cat Motel, and one-half of Black Boned Angel. Packaged in an oversized 5.5" square folder with two art inserts and music spanning two discs, each in an envelope.

This amazing CD contains some of the great works for solo percussion by the authorities in the field of contemporary music. The performances and recording quality are both superb! Clearly all care and effort went into the recording and text however, the dual layered dvd /cd is in PAL format, and will require said player or a media transfer to see the studio footage and interview with Xenikas. Considering we spend much time searching for the "right music" to add to our collection, this disc…

The Modern Sound Quintet were formed in Stockholm by Trinidadian steel drum master Rudy Smith. On Otinku, Smith wails out on his set of 'pans' (as I believe the vernacular goes) in an improbably slick bebop mode, accompanied by a rhythm section capable of keeping it free and swinging one moment, and then within an instant locking down a groove. While pieces like the title track and 'Bye Bye Blackbird' flow effortlessly, 'Mercy, Mercy, Mercy' and 'Memphis Underground' lay down a solid bedrock of …

Catalan musician Ferran Fages, known for his guitar work as much as his work with turntables and electronics, delivers here a striking album of evocative, nocturnal electric guitar explorations. Bracketed by two intricate pieces of feedback, the centerpiece of this work maps out a carefully constructed arc of a story, bringing this album closer to that often misunderstood soundtrack-for-a-movie-yet-to-be-filmed genre. Ferran Fages: electric guitar and walkie-talkie. Composed, recorded and mixed …

A revelatory debut album by a 64 year old pianist/composer may beg the question: where has Carei Thomas been all this time? Born in a culturally diverse neighborhood of Pittsburgh, Thomas cut his musical teeth in Chicago during a particularly fertile period for that city: gigging with Sun Ra as an improvising vocalist in 1959-60, joining up with the AACM for one hot minute in 1966, co-founding a group called The L…

Para Pacem Para Bellum” is the first CD release with the great music of Svyatoslav Lunyov's. That serious, highly emotional and spiritual work is the result of two general methods of creating music: academic tradition (scores, acoustic instruments and playing of the real musicians) and the contemporary/experimental way (generating, synthesis, editing with computer tools). Needs to say that this electro-acoustic work combines the well-known traditional elements of the Requiem, Passions and the Ma…

Marcus Schmickler's new release following his acclaimed Altars Of Science (EMEGO 082CD) is a must-have for those interested in the rising field of contemporary computer music. It reconfirms Schmickler's interest in the liaison of sound, phenomenology and cognitive sciences. Schmickler, therefore, utilizes a new interpretation of 1960's discovery, the Shepardtone, discovered by Roger Shepard, which creates the auditory illusion of a tone that continually rises or descends in pitch yet ultimately …

The piece “Radio-Imitat (Radio Imitation)” by the German artists and musicians collective Insitut fuer Feinmotorik was produced in 2009 for the monthly radio show “Radio Arthur” on Radio LoRa. In addition to its reconstruction of advertising, music and jingles, imaginative room is also made available for talk and discussion. A facsimile of radio is thus painstakingly manufactured, as if by someone who for cared very much less for sense and signification than they did for the weird flow of sound …

Sound and video artist MPLD works in a world of sentiment and detachment, creating a Lost & Found aesthetic uniquely his own. Lost are the old Kodachrome slides which make up the foundation of his work. Found are the feelings of misplaced memories the slides conjure, as well as the sounds — processed and amplified — of the projectors that bring those images back to life. What’s seen on lacunae is a straight shot of the screen during a rehearsal for a concert, although that might not be clear to …

A dark, choking, psychotropic immersion into abstract isolationist electronics, floating among rumbles, drones, bleeps, glitches...like a trip into the deepest corners of an obscure unknown galaxy, lost forever and glad of it! Everything is made with exclusive use of vintage equipment, no computers, no midi, no emulators…nothing can beat the sound of an unleashed vintage analogue synthesizer

RESTOCKED!! Limited to 300 copies only "We haven't heard from New Zealand dronescaper Peter Wright in about a year. Well, it's been at least that long since we've reviewed one of his discs. Somehow two other Wright discs slipped through the cracks in that time though, which is a shame, since pretty much everything we've heard from Wright is fantastic. This latest double disc is no different Nine looooooong tracks spread out over two discs, most in the 15-20 minute range, which is ideal for Wrigh…

Since the very first notes, this music appears to be about memory, decay and subversion. It is a deep investigation on the ability of sounds to freely attract or reject each other, in accordance with their own nature and disposition, and still maintain their meaning. Combining dense, multilayered sheets of synthetic sounds, treated bass, electronic percussion, the six tracks reveal their non-architectural principle as the music develops through warm textural details, reverberations, underlying m…

Surface Tension Supplément N°4. 'Organized as a temporary working group, the Manual project set out to explore sound and auditory experience as platforms for social meeting, urban intervention and environmental investigation. Developed in collaboration with Atelier Nord and the Ultima festival and staged in Oslo in 2009, the project brought together six artists from around Europe engaged in experimental media practices. The project functioned as a series of process-oriented field studies of the …