*150 copies limited edition* When and how does a gesture leave the domain of the ordinary for that of the extraordinary, and is perceived as such by all ? Where, within each space, is the threshold of the extraordinary, and therefore of the musical ?

Whether playing percussion or recording, when do our gestures become musical ? (...) Where, within each space, is the threshold of the extraordinary, and therefore of the musical ? Isn't this what making an event consists of ? Deliberately interrupting the continuity of the ordinary. What is sure is that our small, simple, repeated gestures do produce a series of frictions with this ordinariness, gradually leading to slight discontinuities that significantly alter the course of daily life.