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Reissues

Dragon King
Osamu Kitajima continuously experimented with various music genres that include Japanese traditional music, Ethno Jazz and Progressive Rock elements. “Dragon King” is a very well recorded album that contains Funky tunes and mellow Soul songs, as well as Jazzy elements. It’s his last album that would end a certain chapter in Mr. Kitajima’s career. After “Dragon King” he stopped working in Progressive / Funk / Soul / Jazz / Fusion and started his second career with Electronic / Ethno / New Age mus…
Raks Raks Raks
Compilation Concept Licensed from Grey Past Records. Finally back on Vinyl! This is one of the most anticipated as well as unexpected compilations from the global depths of 60s and 70s rock’n’roll: The Persian scene. Let alone coming across with a representative compilation, even solid evidences of such a scene has not been seen until now and has been largely suspected, maybe save for a select few of eager garage and psychedelic record collectors and enthusiasts of worldwide rock, who have been …
The "Bayan Mongol" Variety Group (Эстрадын “Баян Монгол” Чуулга)
The Bayan Mongol Variety Group existed from the early ’70s to the late ’80s. After the collapse of the USSR, the ensemble began to experience serious difficulties with funding and booking concerts, and finally disintegrated, after which the participants lost contact with each other. Fortunately, thanks to efforts from the fans, some old contacts were reestablished, key records and sound sources were dug up, and now this historical record is released again. File under funk, jazz rock, prog rock, …
Soyol Erdene
Now this might be exotic for ears used to Western pop and rock music but probably not for too long if these ears have a fondness for deep and haunting melodies. Formed in 1971 as the first ever Mongolian rock band at the behest of the ministry of culture, that wanted to establish Mongolia’s very own Beatles, it took about ten years to get an album out, which is their sole record up to today and fetches prices up to 500 € and more for a copy in great condition. Here we finally have a reissue on t…
Gunesh (Гунеш)
**High class ethno jazzrock with Central Asian and Turkmen elements**Unique 1980 album, progressive, yet traditional style, lyrics in Turkmen language.The Gunesh Ensemble was founded in 1970 in Ashkhabad, Turkmen Soviet Socialist Republic, then part of the Soviet Union. They started out as a vocal group with supporting musicians from Turkmenistan State Radio and TV. Later several young musicians came to play with them and the band’s music became much more modern. The group began to play jazz-roc…
Musa
A passionate and personal album, more or less a piano only instrumental work that will attract all kinds of music lovers from jazz, classical music, avantgarde and progressive rock. Excellent performance with a great flow in the composition and breathtaking improvisations. Some kind of jazz version of Keith Emerson. Stanley Cowell, born in 1941, is a living legend as jazz pianist and his skills can be witnessed on his 1974 solo effort “Musa: Ancestral streams”. This record already fetches high p…
A Safe Return
Everland Jazz have picked a real gem for a reissue here! Originally released in 1980, “A Safe Return” is the second album by the Surinam jazz flutist Ronald Snijders. It is a strong alloy of soul, funk, jazz and smooth disco sounds! Mersmerizing musical craftsmanship! “Lenox” the opening track, has a playful haze escaping from every groove,with a solid hypnotical rhythmical base and haunting flute melodies that have the character of the lead vocals. Despite the slower pace, the jazzy approach of…
Vocal Studies #6
Volume 6 in Econore’s Vocal Studies series.  Edition of 50 numbered copies. Milan Sandbleistift also known as Licht-ung is a noise / anti-sound artist from Burscheid
Vocal Studies #5
Volume 5 in Econore’s Vocal Studies series.  Edition of 50 numbered copies. Darcy Spidle has long used the moniker chik white for various art projects. His latest efforts centre around the jaw harp, a pancultural, ancient instrument steeped in mystical allure. Inspired by sound poetry, noise, free improvisation, Dada, nature, and the human voice, chik white harp explorations aim to conjure visceral experiences.
Vocal Studies #3
Volume 3 in Econore’s Vocal Studies series.  Edition of 50 numbered copies. Natalia Kamia is a musician and sound artist born in Russia in 1961. She lives and work in Gothenburg, Sweden.
Vocal Studies #4
Edition of 50. Killer! Sigtryggur Berg Sigmarsson (b. 1977) is an Icelandic musician and sound artist, founding member of Stilluppsteypa. Sigmarsson was born in Akureyri, Iceland and studied sound art at the Fachhochschule in Hannover, Germany from 1998 to 2003. "Here are two men who are working very often together; in fact, I was thinking they could have chosen a band name by now. I am a big fan of their work, either in collaboration or solo. Playing drone-based music is what they do, perhaps, …
Zero Kama
**Deluxe collectors edition box-set, 500 copies** Zero Kama was an experimental music project founded by Zoe DeWitt in 1983. The first release of Zero Kama was the title V.V.V.V.V., recorded for the Nekrophile Rekords cassette compilation The Beast 666. In 1984 followed the cassette release of the album The Secret Eye of L.A.Y.L.A.H., which is commonly regarded as one of the key albums of the industrial-subgenre 'ritual'. The fact that all instruments used for this recording were exclusively mad…
California Infernal: Anton LaVey & Jayne Mansfield
Satanism and the silver screen: the bizarre friendship of Anton LaVey and Jayne Mansfield  Movie star Jayne Mansfield and notorious Satanist Anton LaVey met in 1966. Both were publicity conscious and made the most of the meetings, which evolved into a friendship. Almost always present was German paparazzo Walter Fischer, stationed in Hollywood and catering to image- and scandal-hungry photo magazines all over the world.  Fischer’s unique collection of photos takes us straight into the ritual cha…
Return of the Repressed: Destroy All Monsters 1974–1977
**2020 stock** The influential Detroit “anti-rock” group Destroy All Monsters (Mike Kelley, Cary Loren, Niagara, Jim Shaw) made raucous music, irreverent art and legendary zines, performing and disseminating their activities through an elaborate self-mythology. The Destroy All Monsters zines have been reprinted in facsimile editions, but the art objects made by the members have never been examined as independent works. Return of the Repressed: Destroy All Monsters 1974–1977 is the first retrospe…
Methods & Processes
**12 pages, leporello, offset, 27 x 126 cm (unfolded) ** The reprint of the publication pioneer in the artistic experimentations of the 1960s, published by the artist in 1962. incinPerforming and visual artist Ben Patterson (born 1934) was a founding member of Fluxus' participatory, do-it-yourself, anticommercialist avant-garde network. While many Fluxus artists, influenced by John Cage's precedent, employed conceptual techniques borrowed from music (e.g., the event score), Patterson's fusion of…
Tacet #04: The Sounds of Utopia
**2020 stock. 560 pages!** The sound arts and experimental music annual review's 4th issue, on the theme of utopias.  Utopia belongs to those concepts that haunt both the history of ideas and the history of artistic practice. In this fourth issue,Tacetsets off to listen to the sounds of utopia emerging from sound art and experimental music, but also from sound design and our everyday use of sound technology. Mixing science-fiction short stories, theoretical analysis and artists' writings, this i…
A-sides – A cosmology of audio editions by Artists
Art & vinyl: an analytic anthology of artist's records in Switzerland. Since the beginning of its existence, the record has always been used by visual artists as a form of distribution for their sound practice. First experimented with by the early avant-garde movements, the role of these sound supports was later redefined in the context of the proliferation and hybridization of forms between sound and language.  While recording media such as discs or cassettes were used to document happenings, r…
Common Time
Renowned as both choreographer and dancer, Merce Cunningham (1919–2009) also revolutionized dance through his partnerships with the many artists who created costumes, lighting, films and videos, and décor and sound for his choreographic works. Cunningham, together with partner John Cage, invited those artists to help him rethink what dance could mean, both on the stage and in site-responsive contexts. His notion that movement, sound and visual art could share a “common time” remains one of the m…
Selected Works From 1982 To 2011 (Zine)
Nieves is proud to bring us a much deserved reprint of Raymond Pettibon's anthology of drawings which was first published in 2014. Raymond Pettibon (born 1957 in Tucson, lives and works in Venice Beach) is mostly known for his comic-book-like drawings to which he appends disconcerting and sarcastic texts. His work embraces a wide spectrum of American “high” and “low” culture, from the deviations of marginal youth to art history, literature, sports, religion, politics, and sexuality. Taking their…
Selected Works From 2001 To 2009 (Zine)
**Reprint of the near-mythical book first published in 2014.** This Zine contains a selection of Dash Snow's critical Dada-esque collages, which range from cum-glittered tabloid covers starring Saddam Hussein to straight text pieces to sculptural works composed of items like books and skeletal fragments; and a smattering of the photographs and Polaroids that originally made Snow famous outside of street art culture, where he began writing graffiti. This Zine contains a selection of his critical …