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Piano Music 1963-1998. Piano Plus is a collection of six piano pieces written by Richard Teitelbaum (b. 1939), a pioneer of interactive electronic and computer music, between 1963 and 1998. Piano Plus illustrates the use of cutting-edge technology to…
Kate Soper's (b. 1981) Ipsa Dixit (2010 - 16) is an
evening-length work of chamber music theatre for voice, flute, violin,
and percussion that explores music, language, and meaning through
blistering ensemble virtuosity and extended vocal techniqu…
An insatiable listener, learner, and reader, Stuart Saunders Smith (b. 1948) has taken into his mind and spirit myriad styles of musical performance spanning centuries, methods of compositional practice of all sorts, and innumerable close personal re…
Ezra Sims (1928-2015) was known mainly as a composer of microtonal music. Surrounded by world-class performers who championed his music, he produced a large number of chamber and solo, choral, and two orchestral works. With his unwavering commitment …
David Rosenboom (b. 1947) is a composer/performer known as a pioneer in American experimental music. This series of eight works, created between 1978 and 1981 and presented on these discs in chronological order of their composition, demonstrates a re…
Larry Polansky (1954–2024) was a visionary American composer, guitarist, theorist, and educator whose work forged deep connections across mathematics, computer science, intonation theory, and experimental music. His compositions-performed here by col…
This album exemplifies the depth to which Larry Polansky (b. 1954) explores and connects different musical ideas: In Three Pieces for Two Pianos and Old Paint, mathematical models and algorithmic processes are used to set folk songs; in k-toods, simp…
Larry Polansky, though known primarily for his work in the field of computer music, has produced a major addition to the keyboard literature, this massive theme-and-variations on Ruth Crawford Seeger’s arrangement of the folk song "Lonesome Road." In…
The title of this recording has multiple meanings for its composer, Larry Polansky (b 1954). These are the generations... is a translation of the Hebrew title for the second work on the program, Eleh Tol'd'ot, the first words of the thirty-fifth vers…
Ocean/Shore 2 (2003) is one of a series that are studies on the use of diverse materials and on the coexistence, within a piece of music, of various instruments. As in the meeting and interaction of water and land, these instruments can have fundamen…
Robert Palmer (1915-2010) produced more than ninety symphonic, choral, chamber, and solo works throughout his career, earning a reputation in the mid-twentieth century as one of the country's leading, most daring, and -- at the same time -- appealing…
Schlingen Blängen is an invaluable addition to the slender but precious discography of Charlemagne Palestine, one of the legendary figures of the amazingly fertile New York and West Coast experimental music/art scene of the sixties and seventies. He …
Performed by Daan Vandewalle, piano. Gordon Mumma (b. 1935) is best known for his pioneering role in the development and evolution of electronic and live-electronic music. The piano has played a significant if underestimated role in his career. With …
Michael Pisaro (b. 1961) is a member of the Wandelweiser collective, an international organization of musicians which he has defined as 'a particular group of people who have been committed, over the long term, to sharing their work and working to…
"James Moore (b. 1979) is a composer with an eye toward the world of games and experimental theater. He’s an electric guitarist who’s willing and eager to treat his instrument as a playground, not a reverent, static tradition. He’s a tinkerer, a char…
Glorious Ravage is a panoramic free jazz song cycle by San Francisco Bay Area bassist and composer Lisa Mezzacappa, that features a large ensemble of stellar California improvisers performing with films created by Bay Area moving image artists Janis …
O,O,O,O, That Shakespeherian Rag collects six of the most important compositions from his relatively small body of work. By the late 50s Martirano had begun to freely incorporate elements of jazz and popular music. O,O,O,O, That Shakespeherian Rag(19…
This collection of two tonal works by composers known for their non-tonal compositional style is a fine example of contemporary approaches to sacred choral music. Salvatore Martirano’s Mass is a setting of a traditional Latin Mass whilst Donald Marti…
"This collection of songs represents one hundred years of music produced by American composers and poets of color—the best of us. Some identify(ied) as Negro, some African-American, some Black, some men, some women, and some insisted they were beyond…
George Lewis (b 1952) combines an astonishing level of creativity with trenchant critiques of many traditional conceptions about experimental music. The four compositions on this album reference a wide range of ideas, from rhetoric in Ancient Rome to…