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This 7" unveils rare Muslimgauze tracks from unlabelled DATs, featuring vibrant, rhythmic experiments—Side A with upbeat synths, Side B embracing dub textures—showcasing Bryn Jones’ relentless innovation.
Fan Club Orchestra, led by Laurent Baudoux, blends DIY spirit with experimental soundscapes. After a long hiatus, their return features a remastered 2013 album, ‘An Insane Portrait,’ now reissued with bonus material, showcasing tender, melodic electronics and bass.
“Silent Factories” is a sonic journey through abandoned industrial spaces, blending analogue photography with improvised electronic sounds and field recordings. The project explores the quiet reclamation of nature, inviting deep sensory and perceptual immersion.
Portuguese Funeral returns after a demo last year with 6 tracks of insane, experimental oddities. Highly original amalgamation of sounds from the fringes, conveyed in absolute mania, these tracks traverse from Dark/Synthwave music, to deconstructed Noise Rock, to infantile Industrial music and a lot of things in between. A tongue-in-cheek collage of demential philosophical madness.
CAB returns also following up to 2024’s “Roadkill” demo out on Rasga. Another release of transgressive Power Elect…
Numero is proud to present the audio companion piece to Psychic Meditation: As Taught By Master Wilburn Burchette. After three albums of reverberated guitar wandering that established him as one of experimental music's most enigmatic figures, Master Wilburn Burchette takes a radical sonic turn with Psychic Meditation Music, a transcendental journey into the kosmische realms that stands as the audio companion piece to Psychic Meditation: As Taught By Master Wilburn Burchette. This remarkable coll…
Dais reissues Coil's seminal Black Antlers, the group's final studio masterpiece completed by Peter "Sleazy" Christopherson after Jhonn Balance's passing. A vital document of the group's final creative surge - where live energy, poetic mysticism and digital experimentation reached their apex.
Cosey Fanni Tutti returns with 2T2, a deeply personal nine-track electronic album that transforms recent upheavals into transcendent sonic exploration. Moving between propulsive beats and expansive meditations, this limited white vinyl release channels personal bereavements and global turbulence into a work centered on inner strength and creative resilience.
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**Belgian artist Elisabeth Klinck’s “Chronotopia” marks a new artistic phase, blending violin and voice in song-based, intimate soundscapes. Recorded in the Pyrenees, it playfully explores time, duality, and transformation, balancing improvisation with melody-led structure.**
Deux Filles, the elusive French duo, captivated audiences with ambient, melancholic music and a tragic myth—until revealed as a fictional project by Simon Fisher Turner and Colin Lloyd Tucker. Their two albums, “Silence & Wisdom” and “Double Happiness,” remain haunting, genre-defying gems.
Laetitia Sonami's Dangerous Women: Early Works 1985-2005 traces twenty years of fearless electronic innovation. From her studies with Eliane Radigue in France to mentorship under Robert Ashley and David Behrman at Mills College, this 2CD collection captures her evolution from analog experimentation to pioneering digital performance with her legendary "lady's glove" interface.
1991 release ** "A great deal of the newest music is found only on cassettes or computer discs that are freely exchanged through the mail or available through word-of-mouth contacts and small publications soliciting contributions. (One might be reminded of Frankie Mann's remark that some of the best music in the country is made by "12 year olds in their attics with cassettes.") This is a collection with some of the most inspired, sometimes gawd-awful, but always unique samplings of the cassette …
de’ Lamperi is the alias of Florence-based interdisciplinary artist Francesco Toninelli. Conceived as a sound-focused multidisciplinary performance, "Addio esseri di polvere" (“Farewell, dust creatures”) is a haunting soundscape that unfolds against a 17th-century fantasy-like backdrop. A succession of gestures and environments conjures a dense symbolism, triggering a semantic upheaval: in keeping with his interdisciplinary practice of reappropriation and re-imagination of the past, Toninelli bu…
Heimat der Katastrophe is pleased to present - for the first time on physical media - the soundtrack of the cult Polish videogame called "Doman: Grzechy Ardana" for Commodore Amiga, produced in 1994 by Mirage Software. A must-have for all the heroic-fantasy brutality fans!
Few albums like this one have made us jump out of our seats and giggle: "OH YES!". Graham Simpson, the author of the beautiful "Electrical Storm at the Micro-Station" published by HDK in 2024, returns with an epic, powerful, and terribly evocative concept. "Mythology" - as its author states - manifests his devotion to the history of soundtracks for fantasy cinema: from the colossal films of the 50s with the music of Miklos Rozsa, to the Italian Sword & Sandal films of the 60s, from the soundtrac…
2025 Vinyl Repress. ONE DAY ALL WILL BLACKEN AND BURN. Just as the two-headed basilisks predicted. Lies, Truth, Denial and Envy embodied. Their riddling yet oddly accurate prophecies were put in ink by Anuk Schleger the monk, in the scrolls that now hold many names - The Nameless Scriptures, The Unwritten, The Dirt Pages. And so far, every promise therein has been realized, hence why both kings and beggars now cry and wail. Everything will blacken and burn. The stormy, Endless Sea will boil and …
‘redrum’ (with a lowercase r) is the original music for the dance performance of the same name by the group nanou (with lowercase g and n). Composed in 2023 and staged in 2024, it won the Ubu Prize for best dance show of the year. The collaboration between Bruno Dorella and gruppo nanou has been going on for many years now, and for this show the music is almost entirely electronic, with rare inserts of guitar, bass and vocals. Bruno Dorella plays, produces and mixes the entire work, in a process…
"Disguise In Love" released in 1978, is the debut album of British punk poet John Cooper Clarke. Renowned for his quick-witted delivery and sharp humor, Clarke fuses punk rock with spoken word, resulting in a one-of-a-kind sonic experience. The album includes tracks such as "I Don't Want To Be Nice," "Valley of the Lost Women," and "(I Married a) Monster from Outer Space," highlighting Clarke's talent for social commentary and dark comedy.
Produced by Martin Hannett, known as (one of) the creat…