We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
Minor Gestures' ~ 'Mion-phuingean' by Susannah Star & Band an extended folk session in mystical locations around the Govan stones, river Clyde & underground streamlets.
“tha mise gad fhaicinn,tha mise gad fhaicinn”arsa an caochan
“I see you,I see you”said the blind one
Multi-rhythmic harmonies from the backyard! Alive and free improvisations with percussion, synthetic, woodwind and string instruments. Comes with handmade cover! Recorded by GUU, Berlin 2024. Mastered by CGN Wizard. Co-produced by Tax Free Records, TRjj Compiler, iRiAi Verlag, El Muelle 1931 and All Night Flight.
Deeply tied to the composer’s own life, the narrative of Lacrimosa invites reflection in the face of loss. This sonic work draws inspiration from Alice Coltrane’s spiritual Eternity (1976) as well as the traditional structure of the Requiem, a mass for the dead. One of its sections, the Dies Irae, evokes Judgment Day and concludes with the Lacrimosa (literally, “full of tears”), depicting the weeping of souls in search of salvation.
In Lacrimosa, Low Jack transforms autobiographical elements int…
Tracks 1, 3 & 7 Solo live action recorded at Vastavirta-klubi Tampere, during the tour with Paavi, Mark Boombastik and Jack The Rapper. Track 2 inside a rock underneath an orthodox cathedral in Helsinki. Tracks 4 & 6 with Reverend Washington, real time tape manipulations by A.D. Track 5 epic 4-track piece recorded in the sauna department of the Avarus practice space in Turku. CDr and folded paper cover packaged in a plastic envelope.
"Your Purple Breath" by Stefan Kushima is a psychedelic journey through twisted guitars, raw noise, and hypnotic loops. This lo-fi, experimental album blends acoustic ballads with acid-warped vocals, creating a hypnotic, shamanic atmosphere that captivates listeners looking for a unique, immersive sound experience.
Ø+yn offers a compelling sonic journey with "La canción del ciempiés / Quise ser búho," blending intricate rhythms and evocative melodies. This release showcases innovative experimental sounds that captivate and inspire. A must-listen for fans of boundary-pushing music and rich auditory experiences.
Canyon's album 'Fever,' released on the Ikuisuus label in 2008, is an obscure freak folk record characterized by its enigmatic and experimental soundscapes. The album merges traditional folk elements with unconventional textures and moods, offering a captivating auditory experience for listeners who appreciate rare and avant-garde folk music.
Six Minute War Madness were born in January 1992: Federico Ciappini on vocals, Paolo Cantù (former member of Tasaday and Afterhours) and Xabier Iriondo (also in Afterhours) on guitars, Massimo Marini on bass and Daniele Misirliyan on drums.
In September 1993 they put out their first 7” Holy Joe/Evensong on the punk label Blu Bus and during the same year another song, Truck Fucker, appeared on the compilation Faces Vol.2.A year later they contributed four tracks to the album Lubricant for Your Mi…
Portland Oregon's Rollerball are the very definition of a cult band. Their image is shrouded by aliases & self sustained mystique and their discography packed with hidden gems and genre warping artistry. In the decade plus since Rollerball first formed, this highly prolific family of musicians have conjured up staggering amount of recorded material; 12 full lengths albums, another dozen eps and singles and countless compilation appearances. Whether slipping between vampy cabaret numbers, horn dr…
Jealousy Party rapes the suggestions of the free music, avant-rock, the disturbed and unsociable electronics, squirts of songs, saxs, laptop and cds in flames and histrionic vocal manipulations. The mutant project expresses with delirium and destructured transparency the synthesis among creative abstractism, expressive urgency, tragic avant-gardism, theatricality and punk attitude.
The experimental combo Illusion Of Safety's RVE is a boundary-pushing release that fuses unsettling soundscapes with raw electronic textures. Reissued on the esteemed independent cassette label Tribe Tapes, RVE stands as a bold statement in noise and experimental music.
Fun House Mirrors is the 4th album by Almagest!, the 2nd under the Almagest! moniker being the first 2 releases credited to founding members Palumbo/Tomasini. After four years the band comes back with a new sound far from the piano driven pieces of the previous Messier Objects (Tourette Records 2013) and manifesting itself into 5 long electric richly textured and arranged, as the title suggests conceptually and sonically distorted cinematic compositions made of the fabric of sensual and disturbi…
*100 copies limited edition* « In 2025, can we still be interested in and write about the music of a band of French musicians, very “underground” who were very young at the time in the early 1970s? » writes Xavier Béal at the opening of his review of Ian Thompson's brand new book "Synths, Sax & Situationists (The French Musical Underground 1968-1978)" in the webzine Rythmes Croisés (published on October 24, 2025).
The answer is certainly yes! And although the name of Pascal Chassin is still almo…
"I have been fascinated by the sound and potential of gongs since I first heard Stockhausen's Mikrophonie 1 in the late 1960s. When I moved to Oakland in 1999 I discovered the work of Karen Stackpole, one of the few percussionists in the world specializing entirely in gongs, and attended several of her performances. I always tried to imagine how I could combine my own sonic vocabulary with her incredibly rich array, and we enthusiastically agreed to a musical meeting which somehow kept being pos…
Weaving a transient web, a dreamatorium with its own agenda thoroughly concerned about space—in—between, From island to island is a subtle sonification of deep musicality, real and surreal journeys, and a giant Maelström hiding the unknown multiverse. Invitation for the descent is open, but whether those journeys are imaginary or not, one thing is certain—both Anja Lauvdal and Manja Ristić must take the ferry home.
„Though separated by the sea between Croatia and Norway, the two artists have dev…
Alexandra Cihanská Machová is a composer, electronic musician and sound artist from Slovakia. She has strong and persistent interest in rigorous listening to the world as a fundamental outlet for understanding and connection, leaning towards sonic ecology and politics, non-technocentric field recording, and exploring emotion in a post-digital environment.
Los Angeles-based sound artist, composer and Line imprint curator Richard Chartier returns to 901 Editions with “Eventual”, his first solo album for the label. This work follows two collaborations with fellow American artist Yann Novak (“Undefined”, 2013), and Dutch harpist Gwyneth Wentink as Pinkcourtesyphone (“Elision”, 2016). “Eventual” probes the nuanced interrelations between sound and silence, engaging audiences in attentive listening and a heightened sense of spatial and temporal percepti…
First ever vinyl issue for the 1993 Death Industrial underground classic. Schloss Tegal's The Grand Guignol threads horror’s darkest rituals into a tapestry of sinister atmospheres and forensic sound design. With a palette favoring unease over spectacle, this album excavates the uncanny from the archives of fear, offering a study in slow-burning psychological disturbance that never settles for easy resolution.
After decades of working at the margins of experimental electronic music, French composer Manon Anne Gillis returns with Eyry, her ninth solo album and a stunning testament to her unique approach to sound as a tactile, sensory experience. Released on Art Into Life as a limited edition of 300 vinyl copies (with download code), Eyry weaves together voice, breathing, words, and sounds using ingenious methodologies that have defined Gillis' practice since the 1980s.
Since her earliest works in the 1…