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New Arrivals

The Cauldron of Flesh and Copper
*2025 stock. 35 copies limited edition*ย For the first time on a physical format, No Holiday brings you two releases from Pawtucket, RI's Crusher Conveyor. True electronic dissections and recombinations of all things dark and horrible, these two span drone, harsh noise and good old-fashioned industrial in a package that sounds distinctly out of time.
Rebuild, Purify
*2025 stock. 35 copies limited edition* For the first time on a physical format, No Holiday brings you two releases from Pawtucket, RI's Crusher Conveyor. True electronic dissections and recombinations of all things dark and horrible, these two span drone, harsh noise and good old-fashioned industrial in a package that sounds distinctly out of time.
The Twitching Clot
*2025 stock. 250 copies limited edition* Brooklyn's Mouths Agape offers 23 minutes of suffocating power electronics exploring dreams, child abuse and the possibility of violence. An outpouring of contempt in the spirit of the contemptible.
Msanthology Volume One & Two
*2025 stock* Since January 2024, New Jersey's Chvrch Street has released 14 digital releases and counting. With stark titles composed of sinister compound words, these releases span dark ambient, death industrial and pure noise with a surprising degree of emotional complexity. Here, No Holiday is releasing the first ten EPs in two packages, showcasing the evolution of the project while allowing each one to tell its own story. Best listened in one marathon session, Misanthology Vol. 1 & 2 is readโ€ฆ
Mysterious Guy Hardcore Junglist
*65 copies limited edition* New York's Chronowerx serves up a slab of jungle as refracted through Americanoise and Jerkbooth arguments on 'Mysterious Guy Hardcore Junglist,' No Holiday's first cassette release. Breaks are chopped into chthonic new forms beyond easy classifiers like "power noise." Jungle's form is exploded and reassembled over and over again on each of these four tracks, familiar and unrecognizable at once.
Hometown Girl
Groggy, engrossing new work from Ulla under their newly minted U.e. tag, riffing to the sublime on a set of (mostly) acoustic reveries that tap into the kind of smokey vapours favoured by the likes of Vincent Gallo, Voice Actor, Jonnine. Oh aye, itโ€™s a special one. A new year, label, album and handle for Ulla, a multifaceted artist who has draped our pages with wonder, under numerous aliases and collabs, for almost a decade. On โ€˜Hometown Girlโ€™ they distill transience and flux into a quiet set ofโ€ฆ
Forma
CEM has gained international notoriety over the past years for bewitching club and festival audiences alike with his feverish, polymorphic and richly referential DJ sets. For his debut full-length album, FORMA, the Berlin-based Herrensauna founder momentarily departs the dancefl oor, instead contributing a refl ective and at times menacing compositional study on terror and temporal anachronism for our perplexing times. All six pieces were originally commissioned to accompany Portuguese artist Maโ€ฆ
Montreux II โ€“ Recorded Live At The Montreux Festival, 1970
Recorded at the 1970 Montreux Jazz Festival in Switzerland and produced by Helen Keane, Montreux II (originally issued on the CTI label) was the second of Bill Evansโ€™ Montreux concert recordings to be released, following the Grammy Award-winning Bill Evans at the Montreux Jazz Festival (1968). It features the leader accompanied by Eddie Gomez on bass, and Marty Morell on drums. According to AllMusic writer Ken Dryden, the concert finds โ€œthe pianist in peak formโ€ presenting โ€œa terrific live perfoโ€ฆ
Further Conversations With Myself
Further Conversations with Myself, released on the Verve label in 1967, was Bill Evansโ€™ sequel to his 1963 Grammy Award LP Conversations with Myself. ย As on that initial album, here all the pieces are unaccompanied solos with piano overdubs. On Further, however, he plays just two pianos instead of the three he had previously employed. According to AllMusic reviewer Scott Yanow, โ€œThe program is brief, but Evans plays quite well throughout. In particular, his versions of Johnny Mandel's โ€˜Emilyโ€™ anโ€ฆ
Planetarium
An aural exploration of the solar system by Sonologyst, using data from NASA's probes.
Neither Here Nor There
Kevin Drumm's "Neither Here Nor There" transforms 2+ hours of liminal drone into revelatory ritual. Dense, meditative compositions from 2018-19 explore existential boundaries between presence/absence. Vaknar's triple cassette edition captures minimalism as focused intensityโ€”endurance test meets religious experience.
Off The Grid
The German guitarist, bandleader and soundscape architect JJ Whitefield has been an innovative force of the contemporary scene of Neo-Jazz-Kraut, and adjacent sub-genres within the world of organic grooves, ever since the early 1990s. The work with his group Poets of Rhythm drew the blueprint for whatโ€™s now known as retro-soul, and his creative canvas has never been blank since with numerous solo projects and collaborations across diverse constellations. 'O๏ฌ€ The Grid' is yet another testament toโ€ฆ
Parasol
The Natural Yogurt Band, a mysterious and surprising music project arising from English countryside, has beautifully constructed a musical Parasol with this new albumโ€”not just a traditional sunshade, but a metaphorical shield (โ€œparaโ€ in Latin) against visual dischord, noise, the ultra sonic spectrum, and generally all things unwanted. Parasol, composed by Miles Newboldโ€”one of the most unique and fascinating figures in the contemporary neo-library psychedelic jazz fusion sceneโ€”was recorded in rurโ€ฆ
Somewhere
Somewhere is a place we have been waiting years to experience: a climate of sounds and spirits that gathers quietly and disperses with hazy grace, the result of a chance connection and long term correspondence. Over the past decade, ambient drone composer zakรจ (aka Zach Frizzell) has established his identity with numerous solo works, and his open-minded approach to peers has resulted in a complement of communal efforts; Pallette (who chooses to be known only by that moniker) has crafted no fewerโ€ฆ
HDK Adventurers Magazine 5
Dungeon-crawling aficionados and devotees of gloomy synth-music, HDK Adventurers Magazine is for you! Each issue features a bunch of expert dungeon synth musicians who score the soundtracks for four "one-page dungeons", short adventure modules for fantasy RPGs. Mysterious places inaccessible to humanity, cruel magical dungeons, a noble lineage of guardian warriors and a terrible gang of ruthless bugbears... These are the settings you will experience in this new sparkling episode of HDK Adventureโ€ฆ
Limolith
๐•ท๐–Ž๐–’๐–”๐–‘๐–Ž๐–™๐– ๐–™๐–๐–Š ๐–•๐–”๐–œ๐–Š๐–—๐–‹๐–š๐–‘ ๐–˜๐–™๐–”๐–“๐–Š ๐•พ๐–‘๐–Š๐–Š๐–•๐–˜ ๐–Ž๐–“ ๐–™๐–๐–Š ๐–‰๐–†๐–—๐– ๐–’๐–Ž๐–“๐–Š๐–˜ ๐–”๐–‹ ๐•ฝ๐–†๐–‰๐–’๐–š๐–˜๐–ˆ๐–. ๐–€๐–˜๐–Š ๐–™๐–๐–Š ๐–œ๐–”๐–—๐–‰๐–˜ ๐–‹๐–—๐–”๐–’ ๐–™๐–๐–Š ๐–†๐–“๐–ˆ๐–Ž๐–Š๐–“๐–™ ๐–˜๐–ˆ๐–—๐–”๐–‘๐–‘๐–˜ ๐–†๐–“๐–‰ ๐–ž๐–”๐–š ๐–œ๐–Ž๐–‘๐–‘ ๐–‡๐–Š ๐–’๐–Ž๐–Œ๐–๐–™๐–ž ๐–†๐–˜ ๐–† ๐–Œ๐–”๐–‰. ๐•น๐–†๐–” ๐–๐–“๐–”๐–œ๐–˜ ๐–๐–”๐–œ ๐–™๐–” ๐–š๐–˜๐–Š ๐–™๐–๐–Š ๐–œ๐–”๐–—๐–‰๐–˜. ๐•ฌ๐–“๐–‰ ๐–๐–š๐–—๐–š๐–™๐– ๐–๐–“๐–”๐–œ๐–˜ ๐–Ž๐–™ ๐–™๐–”๐–”. ๐•น๐–†๐–” ๐–Ž๐–˜ ๐–†๐–‰๐–‰๐–Ž๐–ˆ๐–™๐–Š๐–‰ ๐–™๐–” ๐–™๐–๐–Š ๐–•๐–”๐–œ๐–Š๐–— ๐–”๐–‹ ๐–™๐–๐–Š ๐–˜๐–™๐–”๐–“๐–Š๐–˜. ๐–๐–š๐–—๐–š๐–™๐– ๐–œ๐–†๐–“๐–™๐–˜ ๐–™๐–” ๐–‡๐–—๐–Ž๐–“๐–Œ ๐–†๐–‡๐–”๐–š๐–™ ๐–™๐–๐–Š ๐–†๐–•๐–”๐–ˆ๐–†๐–‘๐–ž๐–•โ€ฆ
A Tribute To Wendy Carlos (...and Of Course Bach)
Finally, HDK has a J.S. Bach cover album in its catalog! ๐ŸŽ‰โ€‹
Chronicles Of The Dreadful Moonlight Curse
" โ„‘๐”ซ ๐”ž๐”ซ ๐”ž๐”ซ๐” ๐”ฆ๐”ข๐”ซ๐”ฑ ๐”จ๐”ฆ๐”ซ๐”ค๐”ก๐”ฌ๐”ช, ๐”ž ๐”ก๐”ถ๐”ฆ๐”ซ๐”ค ๐”ฐ๐”ฌ๐”ฏ๐” ๐”ข๐”ฏ๐”ข๐”ฏ'๐”ฐ ๐” ๐”ฒ๐”ฏ๐”ฐ๐”ข ๐”ฐ๐”ฅ๐”ฏ๐”ฌ๐”ฒ๐”ก๐”ข๐”ก ๐”ฑ๐”ฅ๐”ข ๐”ฉ๐”ž๐”ซ๐”ก ๐”ฆ๐”ซ ๐”ข๐”ฑ๐”ข๐”ฏ๐”ซ๐”ž๐”ฉ ๐”ฑ๐”ด๐”ฆ๐”ฉ๐”ฆ๐”ค๐”ฅ๐”ฑ. ๐”„ ๐”ก๐”ž๐”ฏ๐”จ ๐”ช๐”ฆ๐”ฐ๐”ฑ ๐”ฐ๐”ญ๐”ฏ๐”ข๐”ž๐”ก, ๐”ž๐”ด๐”ž๐”จ๐”ข๐”ซ๐”ฆ๐”ซ๐”ค ๐”ฑ๐”ฅ๐”ข ๐”ฒ๐”ซ๐”ก๐”ข๐”ž๐”ก ๐”ฃ๐”ฏ๐”ฌ๐”ช ๐”ฃ๐”ฌ๐”ฏ๐”ค๐”ฌ๐”ฑ๐”ฑ๐”ข๐”ซ ๐” ๐”ฏ๐”ถ๐”ญ๐”ฑ๐”ฐ. ๐”…๐”ข๐”ซ๐”ข๐”ž๐”ฑ๐”ฅ ๐”ฑ๐”ฅ๐”ข ๐”Ÿ๐”ฉ๐”ฌ๐”ฌ๐”ก-๐”ฏ๐”ข๐”ก ๐”ช๐”ฌ๐”ฌ๐”ซ, ๐” ๐”ž๐”ฏ๐”ซ๐”ž๐”ค๐”ข ๐”ฒ๐”ซ๐”ฃ๐”ฌ๐”ฉ๐”ก๐”ข๐”ก ๐”ž๐”ฐ ๐”ฑ๐”ฅ๐”ข ๐”ฉ๐”ฆ๐”ณ๐”ฆ๐”ซ๐”ค ๐” ๐”ฉ๐”ž๐”ฐ๐”ฅ๐”ข๐”ก ๐”ด๐”ฆ๐”ฑ๐”ฅ ๐”ฑ๐”ฅ๐”ข ๐”ฏ๐”ข๐”ฉ๐”ข๐”ซ๐”ฑ๐”ฉ๐”ข๐”ฐ๐”ฐ ๐”ก๐”ข๐”ž๐”ก. ๐”„๐”ช๐”ฆ๐”ก ๐”ฑ๐”ฅ๐”ข ๐” ๐”ฅ๐”ž๐”ฌ๐”ฐ, ๐”ž ๐”ฅ๐”ข๐”ฏ๐”ฌ ๐”ฐ๐”ฌ๐”ฒ๐”ค๐”ฅ๐”ฑ ๐”ฑ๐”ฅโ€ฆ
For Those Left Behind
Recorded in situ in the highlands of Lesothoโ€”one of the worldโ€™s most elevated and perilous nationsโ€”the group Famo Mountain crafts raw, topical music driven by visceral vocals, accordion and percussion. This sound not only echoes the rugged beauty and harsh realities of its environment but also rises above them, creating something timeless and transcendent. โ€œFor Those Left Behindโ€ is an unforgettable audio snapshot capturing the soul of a remote music and culture. Recorded and produced by Grammy-โ€ฆ
Sunwise
After the remarkable success and acclaim that greeted her second album Carry Them With Us (tak:til / Glitterbeat, 2023), Scottish composer and small pipes player Brรฌghde Chaimbeul returns with a magic(k)al third album, Sunwise, which sees her push forward experimentally but also immerse her music more deeply in tradition, folklore and mystery. Chaimbeul has travelled in a short time from her roots as a teenage piping contest winner into a fearless, widescreen artistry. She appeared on avant-pop โ€ฆ