*65 copies limited edition* New York's Chronowerx serves up a slab of jungle as refracted through Americanoise and Jerkbooth arguments on 'Mysterious Guy Hardcore Junglist,' No Holiday's first cassette release. Breaks are chopped into chthonic new forms beyond easy classifiers like "power noise." Jungle's form is exploded and reassembled over and over again on each of these four tracks, familiar and unrecognizable at once.
Groggy, engrossing new work from Ulla under their newly minted U.e. tag, riffing to the sublime on a set of (mostly) acoustic reveries that tap into the kind of smokey vapours favoured by the likes of Vincent Gallo, Voice Actor, Jonnine. Oh aye, itโs a special one.
A new year, label, album and handle for Ulla, a multifaceted artist who has draped our pages with wonder, under numerous aliases and collabs, for almost a decade. On โHometown Girlโ they distill transience and flux into a quiet set ofโฆ
CEM has gained international notoriety over the past years for bewitching club and festival audiences alike with his feverish, polymorphic and richly referential DJ sets. For his debut full-length album, FORMA, the Berlin-based Herrensauna founder momentarily departs the dancefl oor, instead contributing a refl ective and at times menacing compositional study on terror and temporal anachronism for our perplexing times. All six pieces were originally commissioned to accompany Portuguese artist Maโฆ
Recorded at the 1970 Montreux Jazz Festival in Switzerland and produced by Helen Keane, Montreux II (originally issued on the CTI label) was the second of Bill Evansโ Montreux concert recordings to be released, following the Grammy Award-winning Bill Evans at the Montreux Jazz Festival (1968). It features the leader accompanied by Eddie Gomez on bass, and Marty Morell on drums. According to AllMusic writer Ken Dryden, the concert finds โthe pianist in peak formโ presenting โa terrific live perfoโฆ
Further Conversations with Myself, released on the Verve label in 1967, was Bill Evansโ sequel to his 1963 Grammy Award LP Conversations with Myself. ย As on that initial album, here all the pieces are unaccompanied solos with piano overdubs. On Further, however, he plays just two pianos instead of the three he had previously employed. According to AllMusic reviewer Scott Yanow, โThe program is brief, but Evans plays quite well throughout. In particular, his versions of Johnny Mandel's โEmilyโ anโฆ
Kevin Drumm's "Neither Here Nor There" transforms 2+ hours of liminal drone into revelatory ritual. Dense, meditative compositions from 2018-19 explore existential boundaries between presence/absence. Vaknar's triple cassette edition captures minimalism as focused intensityโendurance test meets religious experience.
The German guitarist, bandleader and soundscape architect JJ Whitefield has been an innovative force of the contemporary scene of Neo-Jazz-Kraut, and adjacent sub-genres within the world of organic grooves, ever since the early 1990s. The work with his group Poets of Rhythm drew the blueprint for whatโs now known as retro-soul, and his creative canvas has never been blank since with numerous solo projects and collaborations across diverse constellations.
'O๏ฌ The Grid' is yet another testament toโฆ
The Natural Yogurt Band, a mysterious and surprising music project arising from English countryside, has beautifully constructed a musical Parasol with this new albumโnot just a traditional sunshade, but a metaphorical shield (โparaโ in Latin) against visual dischord, noise, the ultra sonic spectrum, and generally all things unwanted.
Parasol, composed by Miles Newboldโone of the most unique and fascinating figures in the contemporary neo-library psychedelic jazz fusion sceneโwas recorded in rurโฆ
Somewhere is a place we have been waiting years to experience: a climate of sounds and spirits that gathers quietly and disperses with hazy grace, the result of a chance connection and long term correspondence. Over the past decade, ambient drone composer zakรจ (aka Zach Frizzell) has established his identity with numerous solo works, and his open-minded approach to peers has resulted in a complement of communal efforts; Pallette (who chooses to be known only by that moniker) has crafted no fewerโฆ
Dungeon-crawling aficionados and devotees of gloomy synth-music, HDK Adventurers Magazine is for you! Each issue features a bunch of expert dungeon synth musicians who score the soundtracks for four "one-page dungeons", short adventure modules for fantasy RPGs.
Mysterious places inaccessible to humanity, cruel magical dungeons, a noble lineage of guardian warriors and a terrible gang of ruthless bugbears... These are the settings you will experience in this new sparkling episode of HDK Adventureโฆ
Recorded in situ in the highlands of Lesothoโone of the worldโs most elevated and perilous nationsโthe group Famo Mountain crafts raw, topical music driven by visceral vocals, accordion and percussion. This sound not only echoes the rugged beauty and harsh realities of its environment but also rises above them, creating something timeless and transcendent.
โFor Those Left Behindโ is an unforgettable audio snapshot capturing the soul of a remote music and culture. Recorded and produced by Grammy-โฆ
After the remarkable success and acclaim that greeted her second album Carry Them With Us (tak:til / Glitterbeat, 2023), Scottish composer and small pipes player Brรฌghde Chaimbeul returns with a magic(k)al third album, Sunwise, which sees her push forward experimentally but also immerse her music more deeply in tradition, folklore and mystery. Chaimbeul has travelled in a short time from her roots as a teenage piping contest winner into a fearless, widescreen artistry. She appeared on avant-pop โฆ
Since the release of Ammar 808's debut ยปMaghreb Unitedยซ(2018) โ a rumbling pan-North African electronic classic โ the Tunisian producer has been in the vanguard of artists navigating the intersection of traditional and contemporary sonics.
His deep-rooted, room-shaking 3rd album ยปClub Tounsiยซ isnโt just a powerful statement of his Tunisian identity. Itโs also a joyous celebration of the dancefloor, blending Mezoued rhythms and instrumentation with an impossibly infectious blast of bass-heavy futโฆ
A veritable supergroup consisting of Eblis Alvarez (Meridian Brothers), Mario Galeano (Frente Cumbiero) and Pedro Ojeda (Romperayo), Los Piraรฑas, the Colombian Avant-Latin experimentalists, return with their most formidable and forward-looking album yet.
Improvised live in the studio, with each member contributing ideas and interpretive strategies, the result is a masterclass in spontaneous, collective composition.ย Daring, imaginative, eclectic and always deeply groovy, Una Oportunidad mรกs de trโฆ
Huayno has its roots in the Andes during the colonial era, when indigenous peoples began to blend their music with influences brought by European settlers. During this process the Spanish guitar naturally became very prevalent, incorporating the tunings, finger-style and rhythms of the traditional Andean harp along with it.ย The late Alberto Juscamaita Gastelรบ, known as Raktako, was a renowned guitarist, composer and mentor to generations of guitarists from his home in Ayacucho, southern Peruvianโฆ
*60 copies limited edition* Melma_Mire is Joe Rehmerโs solo project where he uses field recordings and samples recorded on, and manipulates through 1/8โ magnetic tape via cassette tape loops. Performed with a 4 track tape recorder and various Walkmans, they are layered with live electric bass to create hypnotic drone music, strange atmospheric moods and complex, mysterious soundscapes.