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Heavenly new age ambient synthesis and 4th world navigations by two leading lights of their field, flocking to a mutual spirit at the behest of Australia’s eternally reliable Good Morning Tapes. Riyl Asa-Chang & Junray, Jon Hassell, Nueen, Enya, David Toop.
Meeting for the first time on record - although it sounds like they’ve been making music together forever - GRM alum Ariel Kalma brings some half a century of experience accrued deep in synth music’s most esoteric realms, to Leaving Records’ …
Buenos Aires or any city in the world. Daniel Melingo is in a rehearsal room. The musicians accompanying him have left, exhausted. The instrumentalist musician has been playing all the instruments, which for him are extensions of his body, for hours. The piano, the drums, the guitar, the bass, the xylophone, the saxophone, the bouzouki. He conducts an orchestra made up of himself. As if he was looking for the secret formula in his laboratory where every sound - even if it is not instrumental - i…
*200 copies limited edition* Makt is a Swedish supergroup by "Henrik Nordvargr Björk" (Folkstrom / Bøltron / MZ.412) and "Anon" (Apex Parasite). Makt 2xCD contains the two previous limited and instantly sold out tapes (on Freak Animal and Ominous Recordings) as well as a complete unreleased album ("Dead Nations").
Makt is truly Harsh Power-Electronics analyzing "Power" in all its ugly forms; the eternal Male/Female Conflicts, Religious and Political Abuse, Power and Control. Unfiltered, raw and …
*300 copies limited edition* "Brand new TCU album! Uncompromising Power-Electronics from Oakland / USA. Those guys are real practitioners of cultural terrorism: "You better find God before God finds you..."
"Now fully ensnared in these times of Artificial Intelligence and fabricated facts supporting self-serving confirmation bias, the concepts first illuminated in 2019's Data Industrial Complex seem even more prescient and applicable today. Hence the emergence of The Data Industrial Complex II, …
*300 copies limited edition* "I hate covers. I have never heard a cover version that outshines the original recording. Thus, it is a mystery why I did this. Being me it makes no sense. I have always enjoyed Marco Corbelli´s work and while all of it is not to my liking there is always something unmistakably special about it. I really got sucked in by his Mörder Machine project, but the last few years I have been listening a lot more to Atrax Morgue.
Sometimes when I was a bit out of ideas in the …
"Don't be scared by death," Alice Kundalini (aka She Spread Sorrow) calmly instructs at the beginning of her collaborative Grimorian Tapes with partner Luca Sigurta. Her words slithers from her lips with a subtle, sinister unease, compounded by the unsettling quality of her whisper. The fear of death, this most profound condition, has long been a subject of philosophical, spiritual, and existential inquiry. To fear death is undeniably human; to transcend that fear is often seen as reaching a hig…
Assembled and recorded to tape in 2011 by Oli Heffernan.
''A full-stop on my 20's in mixed media.''
Remastered for vinyl in 2024
Sleeve by Ack! Ack! Ack! Design
Cover Photo by C-Dyer
Released by Industrial Coast 2025
Recorded live at The Waiting Room, Stoke Newington, London on friday 13th Sept 2024 - between 8pm - 8:37pm
Oli Heffernan - bass guitar, synths, kalimba, drones, arps
Dedicated to the memory of Stan Brakhage: 1933 - 2003
Design by Ack! Ack! Ack! Design
Reissue of 1994 cassette originally on Art Konkret. A notable deviation from the earliest Macro tapes yet still building up to the sonic form of the '95 era. Last track features voice samples from Keith Brewer.
*2025 stock*
Written, produced, engineered and mixed by Marco GiambroneRecorded and mixed at Casa 53 - Cammarata (Italy)Additional Recordings: b.a.d Instruments Studio - Alessandria, Nocino's Studio - AlessandriaMastered by Giovanni Versari at La Maestà - Tredozio
Marco Giambrone: Vocals, guitars, percussions, balalaika, vibes, noises, samples, synth, violinCaterina Fede: Vocals, organ, harmonium, synth, autoharp, cymbals, percussions, noisesAlfonso De Marco: Bass guitar, percussions, backing vo…
During a 50+ year career across the spectrum of music saxophonist Larry Stabbins has worked with most of the important figures at the cutting edge of European Jazz and Improvisation from Mike Westbrook to Keith Tippett and Tony Oxley and Germany’s Peter Brotzmann, as well as with Robert Wyatt and Jerry Dammers Spatial AKA. Alongside this he played in the seminal pop group Weekend and formed Working Week with guitarist Simon Booth, a project that took a melange of latin, soul and jazz into the wo…
Originally issued on cassette in limited runs between 1989 and 1990, At That Time is a long-overdue excavation of Nostalgie Éternelle – one of the most quietly crucial names in the European DIY underground. The compilation brings together tracks from three early self-released tapes – Damned Forever Those Who Listen To This Tape (split with Due), Art Is The Tool (split with From Nursery to Misery), and Virtual Reality (split with PN 4632402) – issued on the band’s own One Last Dream label and cir…
After previous under-the-radar releases on the fabled Low Comapny and The Trilogy Tapes, Zaheer now appears under his own name on Thomas Bush's Men Scryfa. The sixth Screfys release, an image of wingless flight through flowing darkness. Focused Buchla studies exploring the process of unbelieving and realisation of the ultimate heretic as the self.
Zaheer Gulamhusein is a Leicester-based musician and lifelong student of esotericism, with previous releases appearing under the aliases XVARR, WASWA…
Infant Tree is excited to present a new solo release by Crystabel Efemena Riley, recorded In July 2024 at Ormside Projects, as part of Susu Laroche’s Seraph FM series. Crystabel performs on a kit constructed of recycled skins of drums and shells, specifically centered in the space. This performance inter-connected with an exploration of metal smelting and sculpting that was happening in tandem in her work as a make-up artist uniquely preoccupied with the the infinitely recyclable and ritualistic…
Two legendary titans of the extreme metal scene - Iggor Cavalera (Cavalera Conspiracy / Petbrick / founding member of Sepultura) and Shane Embury (Napalm Death / Dark Sky Burial) - join forces for this unique split of brooding dark ambient, industrial strength noise, and heavy synth-laden electronics, creating what feels like the lost soundtrack to some dystopian fever dream.
Setting the tone for this double-headed behemoth with creeping, cinematic dark ambience, Iggor Cavalera's side-long 'Neon…
Right out of the gate one feels the energy and excitement between Japanese trumpeter Natsuki Tamura and NY drummer Jim Black, each pushing the other through strong instrumental character and outrageous technique over nine Tamura compositions recorded in the studio in Switzerland, their first recording in 25 years since their 1999 Buzz Records album White and Blue.
SUDA Seishu (1947–) is a master of the Satsuma-biwa and Heike-biwa, traditional Japanese instruments. He was born in Tokyo and studied Satsuma-biwa with Tsuji Seigo and Heike-biwa with Kindaichi Haruhiko. In 1970, he won the Biwa Music Competition and has been a leading performer in the biwa world for over 50 years.
The biwa is a Japanese string instrument with a long history. It came to Japan during the Nara period (710–784 AD) and is thought to have originated in Iran. It is related to instrum…
Monooto represents a genuine encounter with objects. The whispers of countless items draw us into an unfamiliar realm, directing our ears toward the shadows where they reside. This is the emerging music genre known as “monooto”. Interestingly, the Japanese term “mono” (もの), meaning “thing” or “object,” carries a subtle eeriness. According to the Nihon Kokugo Daijiten, “mono” can also denote deities, spirits, or objects of fear and reverence, including ghosts and vengeful spirits. Terms like "mon…
Yengo is an artist recognized for creating experimental sound pieces, including live performances that arrange sound in an installation-like fashion and compositions that heavily feature the repetition of a single motif. Yengo's debut release on ato.archives, titled Unaesthetic Harmony, is accompanied by the artist's own commentary included with the tape for those seeking a deeper understanding. This work, influenced by Vaporwave, internet culture, and similar methodologies and aesthetics, explo…
a0n0 is an electronic musician and a member of the fluid collective "時の崖_tokinogake". His music blends sharp, provocative noise that pushes the limits of audio equipment and hearing, with sequences of sound that are both mellow and lyrical, creating a fresh and stimulating auditory experience. This latest piece is rooted in an improvised performance on a modular synthesizer. It stands out as a unique work, featuring a simple yet multi-layered soundscape where different moments of improvisation i…