Reissues

* 400 copies, black vinyl * Iconoclastic Afghan-American street music project Naujawanan Baidar makes its long-anticipated return with Khedmat Be Khalq, its third album and first new release in three years. Originally planned as a "studio debut" in the classic sense, a veritable avalanche of setbacks tangled and delayed the recording process over a span of several years as compounded tragedies -- both international and personal -- disrupted the project's intended transition from simply being a r…

Obscure yet outstanding '80s Italian outfit Implosion released one album in 1988, combining space rock, prog, psychedelia, and proto-electronics. This limited edition, double-LP set contains 16 previously unreleased tracks originally recorded between 1983 and 1989. Digitally remixed and remastered in 2020 from the master analog tapes. Limited super-deluxe, double-LP; gatefold sleeve with lyrics and detailed liner notes.

** Limited repress in standard black vinyl edition ** Meitei considers himself an old soul, often preoccupied with the customs and rituals of the past. Recently Meitei lost his beloved 99-year-old grandmother, a woman who he considered to be one of the last remaining people to have experience and understanding of traditional Japanese ambience. His music and art is driven by a desire to cast light on an era and aesthetic that he believes is drifting out of the collective Japanese consciousness wi…

"In this album, Akira Umeda mixes 42 recordings, dated between 1988 and 2018, which, in a sense, reflect the incredible range of his creative work: from songs, to ambient music; from field recordings to prank calls. The cassette tapes, whose contents make up this double-LP, had been stored in Umeda’s house in São José dos Campos, in São Paulo, Brazil.  Restless, and easily bored, Akira moved seamlessly from one activity to another – he was a little bit of everything (and nothing at all). Such pe…

New Future City Radio is the first duo collaboration of longtime creative partners Damon Locks & Rob Mazurek. In a hyperactive 40-minute, 18-track suite that runs like a boombox mixtape, the two prolific multi-media artists contemplate community, transformation, and the future through the programmatic format of a pirate radio station for the people. These two artists have worked together from the peak days of the late 90s / early 00s Chicago music scene up through the present day, which has seen…

*Official reissue with same original packaging of 1973* The neapolitan singer Gigi Pascal (real name Giancarlo D'Auria) had a long career as soloist in the melodic pop field, with some singles dating from the end of the sixties.
 As many others he was attracted by the newly born rock groups of the early 70's, and assembled one with the odd name Pop Compagnia Meccanica. This group had a similar story to Fabio Celi & gli Infermieri, also from Naples, as they released an album in 1973 that sounds l…

Giuliano Sorgini (Raskovich) and Alessandro Alessandroni (Braen) together on a 1975 cult library LP: eleven easy-listening jazz and lounge cues, exotic and carefree, with a touch of melancholy.

This special bundle collects the recent reissues on Superior Viaduct of two seminal albums originally released on Vortex records: Byard Lancaster "It's Not Up To Us" (LP, 1968)Sonny Sharrock "Black Woman" (LP, 1969)"Warren 'Sonny' Sharrock died of a heart attack at the age of 53 in 1994. At the time of his death, many writers noted that he had recently landed a contract with a major label (RCA) and was perhaps 'destined for big things.' In my opinion, these writers missed the point. Although Mr.…

One of the most respected British bands in the mid-80s post punk era. Sad Lovers and Giants played highly atmospheric music made of melancholic melodies and epic guitar riffs. An overtly romantic attitude that slowly developed towards an even more open (pop) sound approach. Originally released on Midnight Records, The Mirror Test, the band's third studio effort, arrived as the fruit of an updated line-up and a clear step in such direction. A very harmonious collection of songs, some of which are…

Sad Lovers and Giants second album, a brilliant atmospheric post punk record with several elements akin to Joy Division and The Chameleons. We can definitely apply the term’ ethereal’ to these composition, certainly the sound is very oceanic and otherwordly melancholic, typical trademarks of the new wave renaissance. Recorded in 1983 – and released on their own label Midnight Music - Feeding the Flame showcases the original line up at its very best.

“The waiting is hell but heaven is waiting...it seeemed like an age to complete this record, we had demo’d it in a couple of days in swanyard studios and it sounded fresh and powerful, just like we wanted. Signing to Arista had given us the means and funds to take us to the next level and we were itching to get started. We had new equipment, the status of being a ‘signed band’ and we hoped the backing & Finances of a record company that believed as we did, that we could be big. Not ‘pop star big…

This set of Al Brown dub mixes by Paolo ‘DubFiles’ Baldini was a project that Pressure Sounds had been itching to tackle for some time. They finally got around to starting on the mixes during the lockdown period, when everyone had a little more time and headspace!! Thirteen tracks on the CD and eight tracks on the single vinyl LP. Al Brown is a fine Jamaican singer who came closest to troubling the UK charts with his Al Green cover version ‘Here I Am Baby.’ In the early 1980’s he recorded a beau…

** CD Edition ** This previously unreleased album by the Horace Tapscott Quintet was unearthed from master tapes in the Flying Dutchman archives. Recorded in 1969 and was intended to be a follow-up album to the classic "The Giant Is Awakened" which was released that year.The iconic pianist and composer Horace Tapscott was one of the most unique and important figures in LA’s jazz world. This lost recording was produced by one of the pivotal figures in jazz, Bob Thiele, a leading behind-the-scenes…

Absolutely essential. Deluxe 2LP edition of this impeccable album from 1988. The spot glossed Gatefold jacket features artwork including archival photos & drawings from Woo’s archives as well as liner notes by Clive Ives (one half of the band). Issued for the first time in its entirety on vinyl, spread over two LPs, and remastered from newly discovered hi-quality DAT sources, we’re thrilled to present the definitive version of Woo’s most fully-formed album. A cosmic testament to the healing powe…

Big Tip! Basil Kirchin, a forgotten genius of post-war British music, was an influential jazz drummer, creative free-spirit and pioneer of Musique Concrète. He spent most of his life living and working in Hull, the 2017 UK City of Culture, which is honouring him as part of their celebrations. Kirchin wrote a number of albums for the de Wolfe Music library, working with fellow composers John Coleman & Jack Nathan to create some of the most sought-after and cult recordings.

Latin music, with all its spirit, all its intensity, and all its magic, expresses itself in the decade of the seventies as a cultural revelation. Europe recognizes, listens, and dances to our music, the United States jumps to the sound of it. Latin America is letting its roots be felt. Elegua is a part of this happening. It originated in Boston as a result of the collective efforts of musicians concerned about the direction to be taken by the Latin American musical forms. Elegua essentially deal…

Huge Tip! *15 CD-R Box Set + 100-page Artist’s Book. Edition of 199 copies*  “Spiritual Noise___Rinascimento” (renaissance) took an entire year of self-isolation in My Cat is An Alien's secret HQ called Alien Zone up in the Western Alps to be conceived and created -- between 2021 and 2022, in the midst of a reality still plagued by pandemic, we spent our lives discovering new existential meanings projected into the deepest core of still-unknown space-time dimensions -- flowing through the spiral…

*2023 reissue* *MCIAA 25th anniversary limited edition of 200 copies*  This new 2023 special reissue of My Cat Is An Alien’s landmark album "RE-SI-STEN-ZA!" is intended to open the brotherly duo’s 25th anniversary celebrations. Originally released in 2016, the work well represents the summa of MCIAA's music activity, from their early space toys-era to the latest self-made electronics and string instruments outputs. Featuring two long compositions, the album reaches 50 minutes of pure “Spiritual …

Jimmy Smith on organ with Stanley Turrentine, Kenny Burrell and Donald Bailey, recorded for Blue Note on 25 April 1960 and released in 1963. Japanese UHQCD reissue, UCCQ-9717.

"Back in 2011 when I was tentatively looking for a second release for my fledging record label Clay Pipe Music, I stumbled upon a mysterious MySpace page by a group called ‘Tyneham House’, the page was decorated with artwork by Rena Gardiner (who was unknown to me at that time) and the music was an otherworldly mix of field recordings, Mellotron and acoustic guitar. It turned out that Tyneham was promised to Glen Johnson’s Second Language label, so I offered to do the artwork, and in January 201…

Temporary Super Offer! When Charlie Parker and Dizzy Gillespie went into the recording studio together on 28 February 1945, they had already served a shared apprenticeship in the big bands of Earl Hines and Billy Eckstine, had jammed informally exploring their common interest in adventurous extensions of swing harmonies and reconfigured rhythms, and were, individually and collaboratively, prepared to redirect the course of modern jazz. That session shouldn’t in any way be considered the public “…

Temporary Super Offer!  "This one was working. This one always had been working. This one was always having something that was coming out of this one that was a solid thing, a charming thing, a lovely thing, a perplexing thing, a disconcerting thing, a simple thing, a clear thing, a complicated thing, an interesting thing, a disturbing thing, a repellant thing, a very pretty thing. This one was one whom some were follow-ing. This one was the one who was working.” Gertrude Stein’s 1910–11 descrip…

Cinedelic returns on the back of some pretty incredible releases over the last year with one of their most exciting and unexpected records to date, the first ever release of the legendary composer Egisto Macchi's soundtrack for Mino Guerrini’s 1968 film, “Gangsters '70”. Created in collaboration with his Gruppo di Improvvisazione Nuova Consonanza associate, Walter Branchi, it's among the most strikingly experimental of all his soundtrack work and remains startlingly urgent more than half a centu…

100 copies, colored vinyl. This is pure gold for the electro-Miles Davis’s lovers.  The great saxophonist Gugliemo Pagnozzi directs his band in compositions built on improvisation flows that unfold starting from a minimally organized accompanying rhythmic cell in continuous transformation and in the making, which in turn is developed and modified during the executive-improvisation flow chasing instant dialling. Pressed at Optimal Media.

The Lo Yo Yo was founded in 1984 by Family Fodder’s John Pearce, aka Alig Fodder. They were active for two years and released one cassette, one split cassette with French band Look De Bouk and one full-length LP. The Lo Yo Yo’s line-up went through changes over its whole lifetime, but with some constants – most notably singer Joey Stack and drummer Carrie Brooks. Charles Bullen of This Heat occasionally played drums with Family Fodder and produced The Lo Yo Yo’s LP Extra Weapons in 1985. Alig sa…

Svitlana Okhrimenko (artist name: Svitlana Nianio) is a Ukrainian artist, musician, and signer. She is one of the most prominent representatives of the independent music scene of Kyiv in the late 1980s — early 90s. She has repeatedly recorded and performed in collaboration with other musicians and bands, such as Oleksandr Yurchenko, Sugar White Death (Cukor Bila Smert’), Ivanov Down, GeeNerve & Taran, and Blemish. Svitlana still performs and publishes new recordings today. “Transilvania Smile” i…

Pentacle’s La Clef Des Songes unlocks a distinctly French prog dreamscape: lyrical vocals, flowing guitar work and subtle symphonic touches combining into songs that feel like folktales told in shifting, mist‑lit harmonies.

La Vieille Que L'On Brûla by Ripaille is a baroque‑tinged prog fable: harpsichord‑like keys, acoustic guitars and theatrical vocals recounting witch‑trial tales with a mix of pastoral charm, satirical bite and intricate arrangement.

Blå Vardag (“Blue Weekday”) by Atlas is a slice of Scandinavian jazz‑rock melancholy: Fender Rhodes, sax and supple grooves painting portraits of urban drift where fusion chops serve an atmosphere of cool restraint and pale‑sunlight introspection.

American indie label File 13 Records released what was already Martin Rev's sixth solo album in the autumn of 2003. The previous year, Rev and his musical partner Alan Vega had struck out in a new direction on their "American Supreme" album and Rev's solo works continued in a similar vein. If "Strangeworld" from the year 2000 actually felt more like a timeless abstract of Martin Rev's entire spectrum of musical influences, "To Live", three years later, introduces more contemporary elements, incl…

A Martin Rev album is always liable to spring a surprise. Think of the rough guitars which unexpectedly appeared on his 2003 release "To Live" instead of synthesizers. "Les Nymphes", which followed in 2008, saw Rev return to dream-laden melodic miniatures, but came from a resolutely more radical place than its predecessors.

*300 copies limited edition* Without a doubt, To Rococo Rot are an exception within the German music landscape. From 1995 until they broke up in 2014, the group around Robert Lippok, Ronald Lippok and Stefan Schneider researched a unique sound between electronic music, ambient, post-melancholy and the further development of a new, free music like krautrock. Pitchfork described their sound as "unmistakably digital, yet 100% human".  With releases on labels such as Kitty-Yo, City Slang and Mute Re…

The Berlin project Sprung Aus Den Wolken was part of the "Geniale Dilletanten" movement in the early 1980s, along with Einstürzende Neubauten and Mechanik Destrüktiw Komandöh. The band first released an EP on ZickZack in 1981, followed by further releases on the band's own record label Faux Pas in 1982 and 1983, then on the French outlet Les Disques Du Soleil Et De L'Acier until 1991. The track Pas Attendre was part of the soundtrack of Wim Wender’s movie Der Himmel über Berlin and thus becam…

On occasion of its 25th anniversary, the Staubgold label proudly presents Velvet Serenade. Sonic Youth’s Lee Ranaldo and French maverick Pascal Comelade relive The Velvet Underground - a non-nostalgic reinvention of a musical legacy that takes an influential past into the future.

Tip! A collection of unreleased themes and scores from 18 short animated films from the world famous Zagreb School Of Animated Film. Includes Oscar winning short cartoon Ersatz / Surogat by Dusan Vukotic (1961) and many other jazz, electronica and experimental scores by composer Tomislav Simovic. Coined by the famed film theorist Georges Sadoul at the 1959 Cannes Festival, The Zagreb School of Animated Film(s) or The Zagreb School of Animation, was defined as an artistic and philosophical world-…

Original soundtrack from the animated TV series 'Professor Balthazar' (1967 - 1978) by Tomislav Simovic. Gatefold LP, cut from the original master tapes, liner notes by Zeljko Luketic and exclusive graphics by Boris Stapic. Master tapes were considered lost; now found and restored for this unique release celebrating Yugoslavia's biggest cartoon export of the times. Professor Balthazar was filmed from 1967 to 1978 in Zagreb. It was a huge international success: from large fan base in Scandinavia …

She is beautiful. And in a world where so much can easily be possessed on a whim or for a promise, she is not comparable. She has a clear, pure ring, a trueness, like an arrow that has hit an inner mark and can’t be wedged loose. Her voice and her manner, that stretch farther into the past than perhaps she realizes, may set the new style: an existential pop style that is as earthy as Mary Travers (Peter, Paul & Mary) yet more elegant, more isolated. Her name is Nico. I don’t know where she was b…

After "Afro Exotique - Adventures In The Leftfield, Africa 1972-88" was enthusiastically embraced by heads, collectors and core Africa Seven enthusiasts alike, we dived back down into the vaults, and hope we've come up with another volume of listenable esoterica from roughly the same period. "The Quest", courtesy of fleeting 1978 leftfield supergroup Afro Cult Foundation (featuring Joni Haastrup, Remi Kabaka and friends) sets the tone-bar high and sideways, with 4.50 mins of atmospheric, effecte…

*2023 Restored Edition* In 1980, Genesis P-Orridge and Peter “Sleazy” Christopherson (then of Throbbing Gristle renown) travelled to New York City to meet up at the fortified apartment, known as The Bunker, of famed beat writer and cultural pioneer William S. Burroughs and his executor James Grauerholz to starting the daunting task to compile the experimental sounds works of Burroughs, which, up until that point, had never been heard. During those visits, Burroughs would play back his tape recor…

Violet Vinyl Edition. 40th-anniversary edition. Korpses Katatonik was a musical solo project of Zoe DeWitt during the years 1982 and 1983. Unlike DeWitt's later project Zero Kama, the work of Korpses Katatonik remains entirely within the realm of electronic music and shows an uncompromising experimental style comparable to that of other industrial bands like Coil, Throbbing Gristle, SPK, or Cabaret Voltaire. Like many other exponents of industrial culture Korpses Katatonik was inspired by dark p…