Reissues

Incredible flashback of early 80s Berlin subculture on an amazing DVD, Book and CD package featuring output by virtuosos of the city’s underground movie scene who rediscovered Super 8 as an adequate outlet for their creative endeavours. Accompanied by a compilation of music, covering a huge range of styles and currents - from punk to ingenious dilettantes, this lavish package recalls the walled in city’s unique feel and lifestyle. By no means a nostalgic review of times long gone, but r…

Restocked “A trance-tape piece, constituting the entirety of the genre called Illuminatory Sound Environment, composed in the 70s in response to Catherine Christer Hennix’s “Electric Harpsichord. ” John Berdnt’s enthralling liner notes explain ISE as “an unfurling sound field of overwhelming but far from gratuitous sensuality, a highly “tuned” texture where all of the aspects are coordinated to make a deeply unusual “whole”, a new kind of perceptual gestalt... The piece has a disorienting flow t…

RESTOCKED "We are proud to present the first complete release of a milestone of XX century music and a first piece to be called minimalist (by Michael Nyman). In a nearly 5-hour long recording of the piece one can hear Webern's punctualism, Reich's trance music, Ligeti's "clouds of sound" and echoes of Cage's conceptual provocations. The monumental music-theater mystery, on the one hand, evokes long lost spirit of archaic tribal rituals and, on the other, prophesies emancipated, experimental hom…

Originally released in 2006 on the Univive label, Phoenix Records presents this highly-collectable, numbered limited edition 4CD box set of three live gigs spanning 1974-1977 and one bonus disc of live material from a 1980 gig of legendary Japanese rock outfit Les Rallizes Dénudés. The group was formed in 1967 and incredibly, for a group that had only one official release (Oz Days Live, a double vinyl compilation release in 1973), played their last gig almost 30 years later in October 1996.…

2024 stock. Cornelius Cardew's music of the Sixties is arguably from his most creative and experimental period as a composer, beginning with Autumn 60 and ending with the last paragraphs of The Great Learning in 1970. This decade can be divided into two parts, where the first half focuses on indeterminate music and the latter sees a growing emphasis on improvisation. Treatise functions as a bridge between these two periods, as it contains elements of both. This recording is a document of this du…

Originally issued in a limited pressing in 2008, BEACH HEAD is a release of sunburnt affection for a place that has since submerged: a coastal constellation of friends and energies that still slosh and burn through dimensions just above our perceptual apparatus. These are the coordinates, should you want to go: THOUGHTS ARE BELLS opens in séance before easing back into full Florian blossom. HORSE STEPPIN’ is a love song to Neil Young’s six-string gateway: sunblushed and indulgent, persistently b…

"Her first classic album originally released in 1969 on John Peel's legendary Dandelion Records. A wholly acoustic, almost wholly solo folk affair like a female Nick Drake or Nico recording a folk album. A calm, beautiful and somewhat melancholic batch of songs sung in that sunny low register always associated with Bridget make up this beautiful but criminally forgotten debut album. John Martyn adds second guitar and backing vocals while John Peel serves as producer. A magnificent sound p…

Jim O'Rourke and Christoph Heeman have been collaborating since 1991; that's before MP3s, before witch house, and before the release of Arachnophobia. Hell, that's back when also-ran comedian Michael Keaton was still Batman. The two musicians have now seen sense to offer up a collection of rare, unreleased recordings from their probably massive archives and this Scott Walker-referencing disc is the result. Those familiar with Heeman's work, or O'Rourke's more experimental side will no doubt be u…

*In process of stocking. 2022 stock.* This is the long awaited release of one of Dreyblatt’s most personal and major extended works. Created in 1991, it combined documentary photographs, films, texts and sound materials selected from archives and private collections with original music and was a landmark in multimedia opera production, touring a dozen cities and winning the Philip Morris Art Prize in 1992.Featuring Dreyblatt’s Orchestra of Excited Strings, three speakers and the charismatic voca…

This is an exceptional collection of pieces by one of the pioneers of electronic and tape music. Halim El-Dabh began experimenting with wire recorders in Egypt even before Pierre Schaeffer inaugurated the practice of Musique Concrete in France - one piece here dates from that period ('Wire Recorder Piece', 1944) and is thus of great historical importance. Most of the other works were recorded in 1959 and evidence a remarkable body of work and experimentation. El-Dabh does not sound like his fell…

A Bureaucratic Desire for Extra-Capsular Extraction gathers all of the music drone metal progenitors Earth recorded in October 1990, during their earliest sessions at Portland's Smegma Studios. Earth, featuring soon-to-be Melvin Joe Preston in its second lineup, intended for those seven tracks to serve as its debut. Record label decisions interfered. Three of those tracks were released a year later via Sub Pop, on the out-of-print EP Extra-Capsular Extraction; four more were released…

"The beautiful debut album by Steve Tilston was originally released by The Village Thing in 1971. Housed in a beautiful sleeve, it contained ten wonderful songs, mostly played on just acoustic guitar (plus voice, of course), which showed the great talent of a young Tilston that must have been listening to a lot of stuff by Bert Jansch, Nick Drake, or Davy Graham. Occasionally he is also accompanied by Dave Evans (guitar & vocals), Keith Warmington (harmonica & vocal), John Turner (string …

"Ton Vlasman recorded this amazing piece of acid Euro folk back in 1970, making it sound like an outer space freaked out Bob Dylan with the help of Frans Schoonen (organ, flute and harmonica) and Leo van Vugt (chincha tumba and tambourine). The seven original compositions are stunning, drug inspired psychedelic pieces of acid folk that mix acid folk with Indian ragas and even add some Pink Floyd overtones, yet from an acoustic rather than electric point of view. And the album contains als…

"After our acclaimed reissues of the first two LPs by French electronic rock pioneers Heldon, we are proud to offer a lavish vinyl version of their third album (also known as It's Always Rock 'n' Roll), where Pinhas and Co. follow the same paths he created with Electronique Guérila under the strong influence of works by Robert Fripp and Brian Eno, and of course the contemporanean Krautrock movement. For those of you following our line of releases there will be no need to say that composer, …

"As K.J. Gustin wrote, Piece Of Mind is a work of 'exotic psychedelic free-jazz-meets-rock, East-meets-West, progressive and smoky moment in late Twentieth Century music history'. Add to that a spice of jazzy brassed R&B and a touch of minor-key popsike sensitivity and you get an accurate description of the sounds contained in Roger Bunn's astonishing 1969 LP, originally released in the UK on the Major Minor budget label, but issued in some European countries (Ohr label in Germany or Phil…

"Probably one of the weirdest discoveries in the field of collectable German albums in recent years, Staff Carpenborg's sole output was first brought to the spotlight by the compilers of the celebrated Kraut! Demons! Kraut! CD series in the mid-'90s. Since then, rumors and interest about the album have risen exponentially since this weird record (and we mean WEIRD) is one of the earliest known examples of Kraut rock. How such a demented collection of tunes found their way on the budget Ma…

"Experienced jazz avant gardists Joachim and Rolf Kühn joined forces with Volker Kriegel, Gunter Lenz and Stu Martin to release this superb mixture of Krautrock, psych, funk and free jazz. With all kind of sound effects coming from distorted clarinets, Hammond organ, groovy bass/drums section, breaks and hot guitar licks The Mad Rockers paved the way for many Krautrockers to follow. Reissued in vinyl for the first time since its 1969 debut on the Metronome label, this is a basic record to…

The first 2 Guru Guru releases, both from 1971. Musically, these 2 represent (along with their 3rd, Kanguru) the reigning moments of this acid-destroyed-jamming Krautrock outfit, and are essential artifacts of pure thunder.

Often described as one the oddities in the Ohr catalogue, Sturmischer Himmel supposed the vinyl debut of Anima, the radical free-music duo of sculptor Paul Fuchs and her wife Limpe Fuchs. Recorded at a "thousand year cottage on a windy hill" and opening with ambience recording of wind and sheeps, the album is an organic collection of improvised atonal pieces ranging from the atmospheric to the wild with much use use of screaming, horns, percussions, ambience recordings, wordless vocals and all k…

Another lost gem of French underground music, Delired Cameleon Family was originally conceived as the soundtrack to Pierre Clémenti's "Visa de censure nº X", and was originally released as an LP in 1975. It was a host of reputed experimentalists who took charge of producing this soundtrack. Under the direction of Cyrille Verdeaux we found the likes of Yvan Coaquette (Musica Elettronica Viva, Spacecraft...), Gilbert Artman (Lard Free, Urban Sax...), Christian Boulé, Tim Blake (Gong, solo recordin…

Centered around guitarist Richard Pinhas and featuring a floating cast of regular collaborators (Didier Batard, François Auger, Patrick Gauthier, Alain Renaud, Georges Grunblatt; Coco Roussel amongst others), Heldon will marry Pinhas personal obsessions -modern philosophy (Deleuze, Guattari), science-fiction (Norman Spinrad, Philip K.Dick), progressive rock (King Crimson, Fripp & Eno), american minimalism (Terry Riley, Steve Reich) and electronic music- into a diverse musical cocktail tha…

1st time ever readily available on vinyl - the rarest entry on the legendary Nurse With Wound list (which is saying something). Ltd. ed. of 300. "Fille Qui Mousse ("Girl With Froth"??) is one the most mythical albums to be released(?) from France. Recorded in 1972, it was issued in 73 (evidently only as a test pressing in an edition of maybe 50) by the legendary Futura label. Often referred to as the French Faust, FQMs album mixed collage, psychedelic rock, surreal poetry, and organically tapped…

"Outside of his native Pennsylvania-West Virginia stomping grounds, Todd Tamanend Clark remains one of the least known North American underground artists in the lost music DIY field of his era, considering he has collaborated with and shared time with many of his peers over the years (Cheetah Chrome, Allen Ravenstine, Stiv Bators), as well as progenitors (Dorothy Moskowitz of United States of America, Robert Moog, William Burroughs), his significant body of recorded (and printed) work was always…

"Dark Entries has tapped into their Gothic roots to unearth a 29-year old lost album now available for the first time on vinyl. Years Of Struggle Against The Lies, The Stupidity And The Cowardice was written, recorded and produced by a trio of Danish 18-year olds during a weekend in December 1981. Unable to pay for the recording session, the master tapes were confiscated and the album remained unreleased until the summer of 1985 where it was issued as a bonus cassette with the Danish art magazin…

Two releases in one, Otherways was a 2nd generation free improvising group from London performing in '73; and Free Space was a group assembled in '73 by John Stevens with Trevor Watts, John Russell, &c.  The bulk of this CD features Otherways, a 'second generation' London group that has not appeared on record before. This delayed publication, combined with the general lack of recognition of the musicians involved, does not prepare one for the excellent music they made together, distinctly differ…

An amazing live date from Sun Ra & The Arkestra – recorded in Cairo in 1971, with a very transcendent sound overall! Ra and the group are clearly inspired to be working in the shadow of the pyramids – and their music sometimes has Eastern overtones, a bit in the manner of Salah Ragab – their associate in Egypt – yet at other times, things get quite outside and noisy too! The keyboards are especially wonderful – as Ray plays "tiger organ" and moog, in addition to conventional piano – adding in th…

A CD containing the limited edition Recommended LP release that has been out of print for the last 12 years - though much in demand, since it comprehensively covers the diversity of the Arkestra's work - via Africa, through Ellington and all the way on to Pure Electronics. Given to us by Ra over a decade ago, we intend to apply the royalties of this re-release directly to the Arkestra. A Classic

Reissue of a February 1980 decomposition (M.B. skippin' up the film's original soundtrack) from the Italian industrial forereunner. Halting tape cut-ups of the classical score from Kubirick's film. One of the strangest M.B. recordings!

Rare private press Krautrock from Paul and Limpe Fuch's Anima Sound – featuring one long improvisational piece on each side – oddly haunting and strangely beautiful! Raw home made percussion, off kilter melodies and really effective vocals make this a genuinely fascinating set that's surprisingly effective. Made while the duo was touring Germany and performing on a wagon they used as a stage, pulled throughout the country by a tractor!

Issued on vinyl format for the first time ever, Unnamed is a collection of 1971/1972 Lard Free "lost" recordings that documents an interesting, primitive period of the band and shows Artman and Co. moving freely in different directions : jazz, noise and the most radical musical improvisation.

This one was their second album in 1975, featuring Richard Pinhas from Heldon and the most electronic effort of Lard Free. We can't hear bass guitar here anymore. The instruments on this item are mostly synths, in addition yet piano, drums, vibes, guitar - and clarinet as the first time guest on the recordings of LF. And the trips are longer (two LP-side-long trips here) than on earlier stuff. We can understand approaching to more meditative and athmospheric electronics with urbanis…

Lard Free's second LP, I'm Around About Midnight, was recorded in Paris in a three day session and released in 1975 also on Vamp. There is a totally different line-up from that of the first LP and it features long time friend Richard Pinhas, with whom Artman explores (in his own way) some sound passages of strong Heldon inspiration, although in a less immediate register, building an organic layered sound that emanates a certain shadowy formal beauty. The strong Artman-Pinhas connection is …

Lard Free is French psychedelic minimalism band, formed around drummer and keyboards player Gilbert Artman. He was the only constant member of the band on their few next albums. Music on their debut album is perfectly composed angular rhythm structures-based synth/rhythm compositions with free-jazz sax improvs over them. All this mix sounds heavy, spacey, psychedelic, minimalistic - and excellent. I am not sure if this music could be labelled as "krautrock" , or let say - it's a French krautroc…

A limited edition 10 CD boxed set of the remarkable radio documentary tracing the life and music of Douglas Lilburn. The set is made available through SOUNZ in collaboration with Radio NZ Concert and the producers Roger Smith and Gareth Watkins. Interviews with the composer, his family, friends, and colleagues both composers and performers make this a comprehensive and remarkable documentation of New Zealand’s most influential composer. The CDs are accompanied by a comprehensive booklet, which i…

Reissue of 'The Rise of Elklink' cassette (Polyamory) 1999 with one bonus track. "The Rise of Elklink originally appeared as a cassette on the storied Polyamory label in '1999. Behind the ambiguous moniker lurked core Shadow Ring member Graham Lambkin, aided by Adris Hoyos with a cameo from fellow Shadow Ring bandmate Tim Goss. Although The Rise of Elklink was produced in tandum with The Shadow Ring's Lindus LP, the two projects were different in intent. Song form and narration are replace…

arthur doyle- tenor sax, voice; vin paternostro- roland 505; ed wilcox- percussions; leslie q- bass ;rec. march 26 & 27, 2004 at springwater tavern & artswatch...the final available rec. i have left of Arthur, unfortunatly ?! i kept it for the last since i find it a really special goody: a more intimate 4et live dates from 2004

Lovely and obscure album of Bertoia/Rutman-lineage metal sound-sculptures from which G. T. Smits coaxes a bizarre array of squawks & resonant thumps...."for a while i thought i was completely lost in the maze that is the recorded archive of George "TOET" Smits, a few years back i got boxes full of cassettes that i have been sitting thru for a few years, a bunch unlabeled, and a lot of recordings from his ZBOLK NIGHT RADIO. George Toet Smits started out playing mouth organ and guitar in Ferre…

'First reedition. Recorded in 1981. Originally released in 1982. Lydia Lunch: vocals, piano. Dix Denney: guitar. Greg Williams: bass. Cliff Martinez: drums, percussion. Digipack.'

This 3cd boxset is a fantastical document of parapsychological research throughout the 20th Century, with recordings of purported demonic possession, glossolalia, precognition, poltergeists, and the already well documented Electric Voice Phenomenon. The latter had been the subject of research by noted parapsychologists Raymond Cass and Freidrich Jurgensen, whose work was collected on several cds released on the Touch label, one of which was the AQ perennial favorite The Ghost Orchid. The first d…

LP version, on 180 gram vinyl. This is the tenth solo album by German keyboardist Hans-Joachim Roedelius, originally released in 1984 on Editions EG. On Geschenk Des Augenblicks - Gift Of The Moment, Roedelius broke away unequivocally from purely electronic music. If Lustwandel (BB 055CD/LP) and Jardin Au Fou (BB 023CD/LP) had seen the process set in motion, this was the album that completed the transition. Following the Selbstportraits, which had at least been created through the use of electr…