Corpusty
Norwich trio Germ Lattice - Joe Barton, Micky Donnelly & Louie Rice - follow 2024’s Gipping Through the Ages LP with Corpusty, written in a new studio, poised to watch the demolition of their old space from across the street. Each track unfolds in real time, combining bass, drums, voice and synthesiser with live tape manipulation, performance and playback is blurred into one shifting surface. Corpusty moves slowly through collapse and renewal, ending with the thirteen-minute drift of Old Glory f…
A Guidance
*300 copies limited edition* "Full focus. Recorded in one day on the Element Studio in Gothenburg. For some reason, I had decided to play the grand piano through effects. Leif had brought only texts for some vocal action. Linus had a sound in mind. Daniel had chosen a cover image already. I remember it so well, that it all sort of just happened. We did not talk about what kind of energy or tension we were after. Sometimes it is just like the music is just there and you don’t have to do anything …
Swimming Pool Reflections
Mona Steinwidder (Museum of No Art) and Mitko Mitkov have spent years exchanging sounds and words across Hamburg's creative landscape - Swimming Pool Reflections is where those exchanges accumulated in Steinwidder's studio beneath the slanted roof of a former barracks. Premiered in November 2024 for Gesa Troch's exhibition "you say water is sweet", the work intertwines Mitkov’s texts (originally composed as emails to members of a swimming club, as imaginary as they are real) with Steinwidder’s c…
Bug Poems
*200 copies limited edition* FOQL, aka Justyna Banaszczyk, returns to Pointless Geometry with a new album after 10 years. It was her record that opened the label’s catalog, and now, symbolically, we close a decade and open a new one with her release. Bug Poems leans towards sound poetry, exploring the voice, touching on strange emotions—the fear of the alien-insect, but also the fascination with it. It is an attempt to capture a feeling. The new album by FOQL is the result of months of research …
You Can't See Speed
You Can’t See Speed is a limited-edition vinyl accompanying the artist’s major solo exhibition at the Australian Centre for Contemporary Art. Attending to the interconnected and multisensory experience of film beyond vision, You Can’t See Speed features vocal resonances and spoken descriptions written and recorded in collaboration with participants from Stefanou’s film works, alongside music composed by the artist. A cacophony of lived experience, oral storytelling, and vocality.
The B-side cent…
Tulpa
Tulpa by Charmaine Lee transforms voice, electronics, and feedback into a vivid organism of noise, song, and silence. Produced by Randall Dunn and released on her label Kou Records, the album bends improvised vocal gestures into sculptural form—an intimate encounter between body and circuitry that questions where identity begins and resonance ends.
The Acid Test
2025 stock Ken Kesey's ultra rare 1966 studio recording of the Acid Test with The Grateful Dead. Legendary documentation of the 1965-66 Bay Area Acid Test scene from 14 hours of the actual trip (recorded in a studio). Lots of amazing mind games and word play with Ken Kesey and Ken Babbs in good form, ad libbed poetry, fractured harmonica solos, tape loops and the Grateful Dead lurking in the background. Originally released in March 1966. Originally released in 1966.
Les Mortes
*2025 stock* The project is a musical composition that employs the technique of deriving and expanding upon the fragmentary. It is an investigation that is, in advance, lost in the midst of stories that come back again and again, told in disorder, illuminated from other angles or revealed by new links. Les Mortes is a sonic saga that brings together three musical ensembles with different aesthetics navigating among these bits and pieces of a whole of which we have only the echo.
Stories of a fun…
Reports of Debris
This is the first-ever compilation bringing together Nigel Ayersʼ solo work and his long-running project Nocturnal Emissions. Covering recordings from the early 1980s up to 2024, it spans more than four decades of experimental sound. Nocturnal Emissions is recognized as one of the earliest and most uncompromising industrial/noise groups, standing alongside Throbbing Gristle, SPK, and Cabaret Voltaire. Their sound sits at the intersection of raw industrial electronics, noise, and electronic Dada,…
Sensational Conversations
Bruno Tonisi's debut full-length, Sensational Conversations, presents itself as an artifact of impossible communication - a spectral dialogue between the Italian artist and legendary New York rapper Sensational that unfolds like an intercepted transmission from some parallel dimension. Released on lugar Alto, this singular work transforms what began as a gesture of contact into something far more enigmatic: a deconstructed hip-hop meditation that feels equal parts cosmic and street-level.
The al…
Fronte Violeta
"Toku & Boregas release ‘Fronte Violeta’, blending sound, scent, and performance in a dynamic, ever-shifting sonic tapestry."
Seven Hats For John Cage
2012 release ** Featuring Bernard Clarke, Stella Luncke & Josef Maria Schäfers, Chris Mann, Goran Vejvoda, Armeno Alberts, Laurent Estoppey & Anne Gillot, Peter Graham.
Monastir
*250 copies limited edition*
- SynopsisA cosmic operator (Edward Ka-Spel), tasked with cleansing the Universe, stumbles upon the remains of a mysterious monastery scattered in Jupiter’s skies during his work shift. The monastery once housed a community of cloistered nuns devoted to cosmic solitude. Among the ruins, he discovers the diary of Suona Menfrem (Dorothy Moskowitz). Through her words, he uncovers the secrets of her soul—her love for a woman millions of light years away—and learns why t…
À Chacun Son Dépanneur Cigares Cubain
2002 release ** Andrea Martignoni offers us a work that can be listened to like a film somewhere between documentary and fiction, whose hero is the repairman.
Rain Flowers
Sorry For Laughing is a project by Gordon H. Whitlow who is also a member of legendary US avantgarde collective Biota, formerly Mnemonists or Mnemonist Orchestra. Their music is a mixture of modern classical, experimental sounds, noise, industrial, avangarde, songwriting and free jazz. In 1986 Gordon H. Whitlow released a cassette under the name Sorry For Laughing: "The compositions stem from my beginning days with the avant-garde recording ensemble Biota, shortly after completion of the Bellowi…
Mermaids Are Real
Mermaids Are Real is the collaborative project between Niki Dimitriadi & Selfish Limbs, based in Thessaloniki, GR. Their debut self-titled album explores themes like love, loneliness, and death, where the existential anguish alternates with a light-hearted playfulness. Spoken word, vocal live-looping, and drone soundscapes blend together with repetition and improvisation approaches. Somber fairy tales meet the dark ambient textures and together create a world where magic and reality can’t be dis…
Diary: How To Improve The World (You Will Only Make Matters Worse)
2025 stock The acoustic publication of this "Diary" by and with John Cage represents an impressive document, spoken by an extraordinary voice, produced by one of the great artists of the 20th century. The new design of the 8-CD set includes a 64-page booklet in a presentation box (digi-box, carton). The booklet contains several photographs taken in John Cage's loft and during the recording in 1991.
“I began the Diary optimistically in 1965 to celebrate the work of R. Buckminster Fuller, his con…
Café In The Sublime Void (Part 2)
Not only the longest one sided record you ever heard, possibly the longest 45 minutes you sat through in general!Café In The Sublime Void (Part 2) is a reference pool of sorts, a document against forgetting. 'Café In the Sublime Void' is a memory based series of artworks and editions Tyfus started working on a year ago to combine the endless stream of stories -both true and untrue - he came across in the past 45 years with whatever is happening today and tomorrow. The indication of this series c…
Vual/Sin Thé
*60 copies limited edition* "Why do people experience grief and suffering?How do grief and pain manifest as physical ailments in the body?How does the body remember emotions?How is the body formed?I wondered.Listening to the body,in language, wind, soil, fields, water, rice, yeast, wine, electronic circuits.Shaping the form,grow forth hair, head, forehead, eyebrows, eyes, nose, ears, mouth, feet.Body, come alive.Soul, awaken." - Cia Himiân Lí
The Wind That Had Not Touched Land
Annie A, the one-off collaborative project between Félicia Atkinson, Time is Away, Christina Petrie and Maxine Funke, arrives on A Colourful Storm with an inquisitive, exploratory composition evoking questions of inconstancy and reconciliation, vastness and finitude and the sometimes cruel deception of human perception. Who will conduct our dreams if we never wake?
It is a geographically diverse yet like-minded ensemble whose seeds were sown during an A Colourful Storm show in London, where tim…