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Take Me With You is a revelatory voyage through the captivating universe of voice artist and poet MJ Lallo. The works on this 2LP compilation were all recorded in her home studio between 1982 and 1997, primarily using drum computer, synth and her own voice processed through a Yamaha SPX 90 digital effects unit. They range from wordless harmonizer mantras and primitive drum computer meditations, to psychedelic latin dance-floor anthems and synth-drenched end-of-the-nighters.Lallo has created her …

** Edition of 220. It comes with 20-page insert with scores and texts, introduction sheet by Charlie Morrow. ** All Of The Time is the first comprehensive album of Jean Dupuy's sound works, collecting recordings from 1969 to 2017. Dupuy started his artistic career as a painter but shifted his practice when he moved from France to New York in 1967. Dupuy experimented with new technologies, and soon became a prominent figure in the Art and Technology movement. In 1968 he participated with an inven…

Gerald Biggs developed Filthy Grin as a living sound journal to document explorations in the sonification of sculpture and body movement. Currently located in Montreal, over the past decade he has self-released a series of cassettes, performed as a member of Pigeon Religion, collaborated with various artists (J.S. Aurelius, James Fella, etc.) as a sound engineer, in live performances, and through sound design. Saturn In The Mirror collects two long appreciated pieces from many, many years ago, c…

** Edition of 200 copies in full-colour sleeve ** Matt Middleton (Crude, The Aesthetics, Dirtlove): "The Futurians are a band that have soul. Their music, a pulsating, minimalist, primitivist, machinistic monster of a thing is at once fiction and fantasy, at once politics and hyper-reality. Theirs is an approach synthesizing elements of no-wave, new-wave, synth-rock, drone rock, doom rock, kraut-rock, Dunedin dirge, robot rock, riot grrllism, and calculator punk." Brad Rose: "Clayton Noone and h…

On Sido Not Dead, CJA unleashes a torrent of lo-fi improvisation and fractured song forms, channeling the wild spirit of New Zealand’s underground into a raw, unpredictable listening experience.

The work of LA based music-maker John Krausbauer has so much to do with minimalism as with trance music as with soundart experimentation and "performance based" sound forms. And where, as he himself states, the "Trance-Psychedelia is the aim and goal". Firmly rooted in the 60s/70s Minimalist movement of LaMonte Young and The Theater of Eternal Music, as well as the trajectory out of that...(with the likes of Conrad, Flynt, Wada, Palestine, Chatham; Oliveros, Radigue etc etc), "beats" also touch …

 Cuacochi in Nahuatl language means “to sleep in a tree”. As a wind player myself I have always been particularly fascinated by the sound of the air through my instruments. As a performer and improviser I have developed a big palette of wind sounds, mixing them with related sounds such as static radio noise and white noise. The „cuachochi“ series are pieces about air and noise.... and sleeping The Tree weights the nest The wind weights the tree and fate the rest (Burkhard Stangl) For 9 players o…

Beyond The End... Eternity was released in 1971 under the Nik Raicevik monicker as Narco NR102. According to www.twoheadeddog.com, "Raicevic is clearly still in the early learning-curve stages," which it a key LP to understand Nik's evolution and setting the path for more evolved works to follow. Besides his musical explorations, Nik was also an interesting painter. His paintings are auctioned from time to time, and are consciousness expanding works influenced by abstract cubism and surrealism, …

'Sunlight': Berlin duo Tyndall bathe their sequencers in warmth. Bright arpeggios and melodic synth lines glide through classic cosmic terrain, homemade German electronics of real charm, a cult reissue.

**2018 edition, this time as double CD (not CD-R) in a six panels digipack** Amuleto is Francesco Dillon and Riccardo Wanke. Amuleto takes its name from Roberto Bolaño’s novel. Our desire is to trace invisibile links among distant geographical and cultural spaces, words and sounds that influence our imagination. Good part of the inspiration for this record came from works by Manuel Scorza, Julio Ramón Ribeyro and Bolaño himself. More ideas from travelling together (or not) in various sides of th…

**  edition of 200 ** Sebastiano Carghini is a musician whose research is mainly focused on the use of modular synth and the recording of physical objects. After his recent releases for Second Sleep, New York Haunted and Hideous Replica, he’s now for the first time on wax with this miscellaneous composition out of several recordings dating from 2014 through 2015. The result is a powerful and complex, unconventional collage, just as if a bunch of tracks were squeezed on it. Found objects, DC…

To the so-called experimental music audience, Claudio Rocchetti is widely known as an incessantly active avant musician (apart from his main solo project he is also part of 3/4HadBeenEliminated, Olyvetty, power quartet In Zaire, and brand new duo Geodetic along with Jukka Reverberi — just to name few of his side projects and collaborations), though he’s ever increasingly expanding his investigation into the fields of writing (Il cuore delle formiche) and installation (The Promised Garden).…

Recorded in 1985, this long piece, unpublished until now, belongs to the Gamelan series, which Philip Corner has worked for years and counting dozens of pieces. In the word of the author, the piece, for two pianists "...represents one of the most “curious” manifestation in the Gamelan series. The increment-link, high-to-low, is maintained on the chromatic scale of the piano keyboard, giving durations from 1 to 88. However they are realized in both directions at the same time. And counted out lou…

New Giuseppe Ielasi full lenght album. Music for whistling, microphone and digital degradation. Recorded in november 2016 and august 2017. to be played at low volume.

Baltimore’s PJ Dorsey has traversed a lifelong journey delving into psychoactive music which can alter one’s cognitive and conscious state. He harnesses his experiences to create music as Tarotplane. Using guitar, effects and processing he produces time suspending soundscapes - immersive music for merging the mind and body. 358 Oblique is the follow up to First which was released on Aguirre Records in 2015. Find yourself adrift in the lapping waters of a slow unraveling sea of sound, a sp…

Istruttiva serie is a non-linear path progressing by attempts. A limited number of non consequential exercises about re-elaboration and evocation. The sound material comes from field recordings (recorded in Italy in 2014) and folk guitar. The main purpose is to investigate the constant encounter and collision between field sounds and melody by developing an acoustic stream which aims a perceptual redefinition. As “not completed” doesn’t mean “lacking” every track is here a personal exercise chal…

Body Music is music for Ellen Fullman's unique Long String Instrument, an eighty-foot long instrument with approximately eighty strings. Fullman has been developing this instrument for longitudinally vibrating long strings over the past thirteen years. Having received a BFA in sculpture, her interest in music began with the resonance of materials used in making sculpture. When she started making the Long String Instrument, she saw it as "sculpture as music;" now she has come full circle in conce…

Forrest James Ackerman was the ultimate American science fiction expert. He was a magazine editor (the man behind Famous Monsters Of Filmland), a science fiction writer, a literary agent (he represented authors such as Isaac Asimov, Ray Bradbury or L. Ron Hubbard, a.o.) and an avid collector of genre books and movie memorabilia. Frank Allison Coe was a famed sound effects editor in Hollywood. Films having benefited of his experience include Monsters Crash The Pajama Party, The Girl With The Hung…

Babils are an atypical Brussels underground band, mixing rock, new wave, psych, kraut, experimental, and repetitive music. Ji Ameeto is the fourth album from Babils. From the duet formed in the late '90s by Gabriel Séverin and Michel Duyck, opening out over the years, the five current members of Babils meet monthly at the Central Laboratory to improvise freely, without any restraint. All the sessions are recorded and archived. The very first album by Babils, The Joint Between, made of a sele…

Unreleased recordings of future members of Aktuala and I.P. Son Group! The history takes us back in the alternative Milan of the early 70’s, to the flavour of the first jam-blues of that era when musicians from different parts of the world (India, Africa or South-America), of disparate background and culture were used to gather to experiment just with an authentic sense of stay together.  Here, the devotion to the blues roots remains strong but leaks in the compositions an aerial and wandering c…

Spirits Dogroll by Teen-X-Ray is a frenetic outpouring of DIY punk, lo-fi noise, and playful absurdity, capturing the irrepressible energy of New Zealand’s underground.

Composed Nature / Yokomono Pro documents the collaboration between Dutch collective Staalplaat Sound System and Lola Landscape Architects, merging site-specific sound art and environmental composition in the lineage of Christina Kubisch and Bill Fontana.

Michel Vogel explores the resonant possibilities of metallic percussion, sculpting shimmering, meditative soundscapes that blur the line between music and pure sound: alpha-wave improvisations for "prepared" gongs and self-built metal instruments

5 haiku is the latest development of Glauco Salvo’s former solo project Of Rivers And Trains, in which the acoustic textures provided by banjo, e-bowed zither and playback devices are shaped by the metrical patterns of haiku poetry. Recorded by Attila Faravelli in a natural set such as the woods of Romagna Apennines, these five unique pieces explore the acoustic properties of space in a constant dialogue between composition and soundscape, folk and experimental music, acoustic and electroacousti…

CD comes with a 90-page catalogue released on occasion of the exhibition Sound-shifting by Möslang/Guhl at the Chiesa San Stae as part of the Swiss contribution to the 49th Venice Biennal 2001. During the preparations for their installation on the occasion of the 49th Venice Biennal in the Church San Stae in Venice, the Swiss artists Norbert Möslang and Andy Guhl, also known as the band Voicecrack, the artists did a series of video takes. This painterly series constitutes the main bulk of this a…

The freaky merge of Psycho, Italo and Disco beats, drawn by synthesizers and drum machines dated 1980, driving you into a fancy trip of shady scenario.Lamusa is an Italian producer who loves create melancholy mirages; there is a warm quality to his sounds, it’s warped, glossy stuff that is innocuous for just long enough to make you feel uneasy, like glimpsing an alternate pop universe.Recently selected for Red Bull Music Academy Paris 2015.Acid, darkness, overnight mermaids swimming at 100b…

Pequod are an acoustic quartet (Antonio Bertoni – double bass, Federico Robol – bass flute and soprano sax, Luca Santini – cornet, Massimo Valentinotti – prepared guitar) formed in 2010, conceiving their music on a continuous tension between writing and improvisation and focusing their research on the sonic interaction between objects and spaces. After five years spent performing and collaborating with some of the major figures of acoustic improvisation like Seijiro Murayama, Enrico Malatesta, B…

Until now, Sir Ashleigh Grove has been shrouded in mystery, having only appeared on a handful of legendary compilations on labels such as Broken Flag in the early-mid 80's and having briefly collaborated with The New Blockaders before inexplicably disappearing without trace around 1984. Sir Ashleigh's work has been compared to other Power Electronics artists of that era, in particular Whitehouse, Sutcliffe Jugend and Ramleh (Sir Ashleigh, in a live collaboration with TNB, supported Whiteh…

**shipping the next week** Metzengerstein is a Tuscany-based trio including members of art collective Ambient-Noise Session who had their debut tape Albero Specchio released by Expo 70 Justin Wright’s Sonic Meditations back in 2013 (and recently on wax by Harsh). Alchemy To Our Days is a brand new sixtrack album where the band explores hallucinating sounds and ritual, mythological abstractions even deeper. Featuring field recordings from the Temple in Jerusalem collected by Giovanni Lami, sax in…

A lo-fi odyssey through fractured pop, noise, and experimental songcraft, Poise Etc by Pumice showcases the singular vision of New Zealand’s Stefan Neville and Sugar Jon Arcus.

Witcyst returns with Screuma / Chilli Song, a surreal blend of tape manipulation, noise, and outsider pop sensibilities, further cementing his status as a true original.

Presented in tri-fold digipak sleeve. Alga Marghen presents the "sixSIXsix"th installment of its Golden Research Charlemagne Palestine archive series: CharleBelllzzz at Saint Thomas. These previously unreleased recordings of Palestine's "Bells Studies" are both some of his earliest recordings and some of his darkest and most accomplished works. In 1963, while attending The High School of Music & Art in New York, the 15-year-old Palestine was asked if he'd be interested in playing a 26-bell caril…

Pale Dawn Creeps by Kyle Eyre Clyd is a haunting excursion into drone, minimalism, and environmental sound, merging introspective textures with the spectral legacy of the American experimental underground.

** Edition of 300 ** This is the second release from the Halatern, Etc. label, run by Keith Connolly (of NNCK/No Neck Blues Band fame). Tom Carter requires no introduction (those who are curious are encouraged to visit the historically rich wholly-other.com). Of late, his Kazuyuki K. Null meets Franco Falsini excursionary instrumentalism has taken on an increased luminosity, due in no small part to some unexpected time spent at a certain house on the borderland. In his own words: "Information-in…

Over the past several years, Vienna-based composer / producer Peter Kutin has been working intensely at the little-explored junction between sound art and journalism / documentation. Focusing on sonic experiences in extreme or exceptional conditions, Kutin explores both the physical and psychological impacts of such extremes on how we hear. Later translating or orchestrating these experiences into sound. Despite his age, Kutin has already seen (and heard) many lost corners of the world, having r…

200 copies Figures Without Ground is the third in a series of three releases, across three labels and three formats, representing a total of six compositions. The first two releases in this series were Music for Cinema (cassette, YDLMIER), and Mild Disappearances (CD-R, Songs From Under the Floorboards, a sub-label of Intransitive Recordings). The two sides of Figures Without Ground represent a major transition from one mode of composition to another. The cover of the album is a porcelain piece…

Bruxelles unites GOL, Mik Quantius (of Embryo), and Dave Nuss (No-Neck Blues Band) for a wild, improvisational journey blending art rock, krautrock, and avant-garde experimentation.

Alpes is a visionary collaboration between French ensemble GOL and the legendary Ghedalia Tazartes, merging ritualistic chants, electronics, and improvisation in the spirit of Nurse With Wound and Brigitte Fontaine.

German composer Michael Reudenbach's works and studies from 1991-2009 are presented in a six-panel digipack with a 22-page booklet of notes, images and photos

Solo project by member of the Decimus 4 is a hypnotic journey into analog electronics, where Decimus (Pat Murano, No-Neck Blues Band) channels ritual drones and psychedelic abstraction, echoing the spirit of Coil and early Tangerine Dream.