New Arrivals

With Random Constraint Satisfaction Problems, the ever elusive and shape-shifting Thomas Bush offers up a new album of category scrambling song craft. Since earlier solo efforts like Old And Red (2018), Preludes (2022) and The Next 60 Years (2024), Bush—currently based in Malmö—has traced a digressive path that has proven him capable of everything from murky wobbling dirges to uptight head-bopping laments to crystalline synth chords that hang precariously in the air over your new favourite bass …

*300 copies limited edition* Stone Music returns with Into the Cosmic Forest, a deep and patient journey into open-air improvisation. The group was founded in 2022 by Tokio Hasegawa, a core member of the legendary Taj Mahal Travellers, and brings together a wide circle of musicians from Japan’s ambient and experimental scenes. While the name is new, the spirit continues. Stone Music extends the free-form, site-responsive approach that defined Taj Mahal Travellers — music shaped by environment, d…

Edition of 400 copies with hand-assembled letterpress sleeves and insert. Musique Domestique marks the debut full-length from French duo Adiciatz, a project that emerges from the shared musical curiosity of Manon Nogier and Guillaume Lespinasse. Living near Lyon and making music together since before the pandemic, the pair developed their sound during lockdown improvisations at home -- a creative process that quickly revealed a unique musical chemistry rooted as much in folk tradition as in expe…

In Gianfranco Rosi’s portrait of Naples, Sotto le Nuvole (Pompei: Below The Clouds), the ground shakes periodically. Between Mount Vesuvius and theTyrrhenian Sea, the fumaroles of the Phlegraean Fields hiss volcanic gas and steam. Below the sleeping volcano, modern day Naples emerges in black and white and fills with voices, with lives. From the traces of history and the concerns of the present, Rosi documents a city immersed in its continuous past, with Daniel Blumberg’s minimal soundscape hove…

On Sweet Love, Bitter, Mal Waldron turns a fictional portrait of Charlie Parker’s final years into a darkly luminous suite of cinematic jazz. His lyricism, tension and blues‑stained restraint guide a formidable 1967 ensemble through music that moves beyond soundtrack function, making New York feel bruised, nocturnal and fiercely alive.

Big Tip! Sukegawa's environmental music was heard by thousands of people, none of whom were listening. For more than a decade from the late 1980s he wrote music that played in the offices and research buildings of a large Japanese construction firm, composed by calculating backward from the response of the ceiling speakers it would emerge from, tested against questionnaires filled in by three thousand employees. It was never released, never performed in concert, never reviewed. It filled a space…

* Edition of 100 copies * Two kits, facing each other, one night. On 10 April 2025 Lily Finnegan put a quintet on stage at Elastic Arts in Chicago with a second drummer sitting opposite her, and Bill Harris ran tape on it. Forty minutes, released here as three continuous parts, nothing reshaped after the fact. The second drummer is Vincent Davis, and the choice tells you a good deal. Davis is an AACM member with a Chicago pedigree that runs back through Roscoe Mitchell and Jodie Christian, along…

* Edition of 100 copies * Chant is the starting point. Not chant as decoration or as a mood, but late medieval chant as a compositional problem, taken up by someone working alone with a bass clarinet, a piccolo, her own voice and a rack of analogue electronics. Emily Rach Beisel has described what drew her to it: music from before the rules hardened, with a wild freedom and density that later codification would take away. Multiple voices, as she puts it, "both intertwined and independent." Which…

* Edition of 100 copies * Two people in a room, and not one moment of merging. That is what makes All I Know In The City remarkable, and it is not a small thing. Potliquor is the duo of pianist Sharon Udoh and turntablist Allen Moore, caught live at Elastic Arts in Chicago on 18 January 2026 and issued by Amalgam, the artist-run Chicago collective and label founded in 2015 by drummer and engineer Bill Harris, who also recorded, mixed and mastered the session. Amalgam has spent a decade documenti…

* Edition of 100 copies * Two years of sessions went into this record, spread between 2023 and 2025 at Marmalade, the West Loop studio Ishmael Ali co-founded and works in as an engineer. Nobody was watching the clock. You can hear that in the shape of the thing: ten pieces that were never meant to add up to a single argument, solo cello miniatures wedged between full band tracks, a couple of them actual songs with words and a singer. The solo pieces may be the strangest part of it. Ali amplifies…

Albert Ayler did it once, and only once. On February 24, 1964, in New York, on the same day as the session that would become Spirits, he recorded a program of spirituals and standards with no screaming, no glossolalia, no demolition of form: "Goin' Home", "Ol' Man River", "Down By The Riverside", "Swing Low, Sweet Chariot", "Deep River", "When The Saints Go Marchin' In", "Nobody Knows The Trouble I've Seen". Songs of suffering and salvation, played with a devotional restraint that hits harder th…

*75 copies limited edition* The material suggests the idea. The idea emphasizes certain aspects of the material, and these could be physical and concrete, fully subjective, or something in between. For many years I've been drawn to the sound of urban and suburban spaces, and in particular I've been able to explore, in an empirical and non systematic way, the sonic environment of my street and neighborhood, with focus on the quiet moments in which one can almost hear the place breathing. Over tim…

*75 copies limited edition* I have chosen my workplace environment in Dublin as my area of sonic investigation over the last year or so. Where it is or the history of it is not important as my focus is purely on the sonic character of the spaces and materials I find there, and the potential they hold for articulating noise in imaginative and engaging ways. My tendency is to go in deep and make a thorough range of recordings that give me more than adequate scope to draw on to create atmospheric c…

First vinyl album by Tokyo duo la scène 裸身. Three unhurried songs moving between slowcore, acid folk and psychedelic drift, with Saya's voice, Eiji's guitar and guest playing from Hiroshi Kurosawa. Issued by An'archives in 290 copies with silkscreened jacket, obi, inserts and postcard.

Second An'archives album from Tokyo trio archeus - Keiko Higuchi, Shizuo Uchida and Tomo - recorded in a single day in Koenji, with guest Kiyotaka Moriuchi on two pieces. Free improvisation moving from dense noise to near-silence. Edition of 290 with silkscreened jacket and obi.

On Steve Gunn, Steve Gunn’s 2007 debut captures a formative solo voice in raw, spacious focus. Recorded on four‑track in a Brooklyn apartment, its instrumental pieces drift between American primitive guitar, meditative drone and free improvisation - unvarnished home recordings whose patience, tonal richness and exploratory nerve already point toward a singular guitar language.

"Utility Modern represents a kind of full creative circle for me. My musical journey began under the influence of Bill's work, and now we find ourselves collaborating, building something new together. In many ways, Utility Modern is an homage to the guitar and to the guitarists whose music shaped my artistic voice.My work is rooted more in process than in concept, and that process is deeply informed by an ongoing exploration of the instrument—its technique, physicality, and expressive possibilit…

Back at the end of 2023, Giotis Damianidis and Aleksandar Škorić, while finishing their tour with Entasis, began talking and dreaming about a tour of the Balkans—starting from Thessaloniki (Damianidis’s hometown) and heading north to Novi Sad (Škorić’s hometown). Next came deciding the lineup. John Dikeman on saxophone and Petros Damianidis on double bass were the obvious choices, as Škorić, Dikeman, and the Damianidis brothers have worked together for many years. On March 16th, 2024, the tour w…

*125 copies limited edition* Born and raised in Kanagawa (Japan) Iu Takahashi is a sound artist based in Tokyo. She produces her own musical worldview mainly using synthesizers, ambient sounds, and voices.Previously, Iu Takahashi pursued a career as a singer and since 2018, she has focused primarily on creating ambient music and provides her tracks to serve as background music for exhibitions or promotional videos.Inspired by Japanese ambient music such as Hiroshi Yoshimura and Satoshi Ashikawa,…

Mathias Villard is a French artist based in Düsseldorf, Germany. After years as a drummer in projects shaped by atmospheric music, he gradually moved toward slower, more introspective forms centered around ambient and drone composition. In autumn 2026, Affin will release his debut album, Past Radiance. Spanning seven immersive pieces, the synth based work unfolds through blurred melancholia, submerged low-end drones and decaying harmonies suspended in massive spatial depth. Fragments of melody e…

*50 copies limited edition* Leon Todd Johnson makes his Past Inside the Present debut with untitled, a three track collection of ambient adjacent instrumental pieces shaped by gentle guitar work, analog textures, and tactile instrumentation. Formerly recording as Airport People, the Indianapolis-based artist has spent years refining a patient, understated approach that feels both immediate and nostalgic. Each composition balances warmth, restraint, and subtle detail. The music evokes memories th…

Based in Montreal, and known as Freedom, Freedom of Choice (for the US release of their debut single on Wand) — and finally, Freedom North, the band had success with their first two singles, both released in 1970: ‘Doctor Tom’, which garnered radio airplay across Canada and attained the #2 spot on RPM’s Top 50 Canadian Chart; and 'Losing You’ which made it to #47 in the MAPL Top 50 Canadian Chart. Freedom North toured extensively, often with other Montreal bands such as Mashmakhan and April Wine…

Double CD Edition, comes with a 36-page booklet. Every national jazz history has its unrepeatable figure. Britain's is Tubby Hayes, and this is the deepest single drop into his archive that anyone has yet managed - thirty-six performances, every one of them previously unissued, drawn from ten different settings across fourteen years. He was called the Little Giant, and both halves of that name did real work. Barely taller than the tenor he carried, Hayes was a professional at fifteen, a member o…

Wewantsounds presents the first official release of a legendary 1977 concert, capturing Don Cherry, Collin Walcott and Leon Thomas in their only documented performance together, joined for part of the night by the rest of Oregon. Long circulating among a few Cherry fans, Sunrise is a hypnotic forerunner to Codona, newly remastered, with Moki Cherry artwork and new liner notes by Jason Weiss.

Fifteen years on, Lee Noble's cult bedroom classic No Becoming returns to vinyl in a 2026 remaster on Primordial Void: eight ghostly lo-fi hymns of analog synth, harmonium and tape, poised between hauntology and New Weird America. Remastered by A.F. Jones, limited to 200 copies.

After nearly a decade away, Black Forest collective Institut für Feinmotorik return on Faitiche with Öd: eight prepared turntables, no records, coaxing music from rubber bands, foil and junk. Dubby loops and howling static drift into a scrap-metal Dixieland haze, with word-molecule track titles by poet Dagmara Kraus.

Kyoto trio Kukangendai return on Marionette with Baquet Wheel, five tracks of purely acoustic minimalism recorded live through Taku Unami’s binaural microphone. Through collage-like repetition the band fold jazz, krautrock, blues and Tuareg into one unified, timeless rhythm – primitive, precise, and impossible to place in time.

On Testing the Waters, crys cole follows water through five electroacoustic chapters of drift, friction and slow transformation. Field recordings, instruments and electronics seep into one another, forming a 2023 WDR 3 commission where trickles, resonances and submerged textures continually retune the ear, making movement feel tactile, uncertain and quietly alive.

The "Gold Is The Metal With The Broadest Shoulders" LP by Coil is released on Mute. Originally issued in 1987, the album is not a conventional studio album but a collection of outtakes, demos, and interim versions from the sessions for "Scatology," "Horse Rotorvator," and the Hellraiser contributions, functioning as a documentary in-between space within the band’s body of work. Musically, the record operates in the tension between experimental electronics, dark ambient aesthetics, and industrial…

Across four decades, Andrew Chalk has built one of experimental music's most singular bodies of work. Mystical Obscurant gathers new recordings into a survey in miniature — drifting guitars, blurred keys, and loop-based vignettes sharing one unmistakable atmosphere: a subjunctive music of suggestion, where memory unfolds at its own pace.

Joanna Newsom's 2006 masterpiece returns on double LP: five sprawling songs where harp and voice meet Van Dyke Parks' orchestral grandeur, recorded by Steve Albini, mixed by Jim O'Rourke. Named for a drowned Breton city, Ys remains overwhelming

In September, 1967, three of the primary ensembles of free music in Northern Europe gathered for a mini-festival on Radio Bremen: the Manfred Schoof Quintet, the Peter Brötzmann Quartet, and the Irène Schweizer Trio. Pianist Alexander von Schlippenbach appeared as part of the Manfred Schoof Quintet, but in these sets, which mixed the dozen members of the ensembles, as well as presenting them on their own, Schlippenbach in fact either led or was at the center of several groupings, presenting two …

Bill Orcutt built The Four Louies by dropping Steve Reich's Four Organs onto "Louie Louie" - two of the most stubborn riffs in American music, high minimalism and dumb garage, forced into the same frame. This is what happened when he took it off the record and into a room. At Roulette last March the four organs became six, the rock trio swelled into a small army, and the plunderphonic stiffness of the studio version simply burned off. Six organists, twin drummers, William Winant on maracas, Chri…

Broken Flag was never only a noise label. Never Say When, the compilation Gary Mundy assembled in 1987 as the imprint neared its end, is the evidence: ten tracks mapping a network that ran from Croydon to Udine, almost none of them behaving the way the label's reputation would predict. Mundy founded Broken Flag in 1982, out of a bedroom in South London, alongside his own project Ramleh. Across the decade it issued early work by The New Blockaders, Consumer Electronics, Skullflower, Maurizio Bian…

“Iker Munduate is an artist and musician who brings a delicate sense of composition and design... Inspired in part by new age music, Its rippling melodies and frictionless glide recall the futuristic utopias of Detroit Escalator Company and the interior reverie of Nobukazu Takemura" - Derek Walmsley Continuing from where he left it 2 years ago after a sold out debut LP released on Hegoa, Iker is back with his follow up “Sinkronia”. A gripping take on Eastern and Western minimalist traditions inf…

A live album featuring the best tracks from the tour undertaken in April 2026 by the improvisational duo Tatsuya Yoshida and Ichiraku Yoshimitsu is set to be released. Tatsuya Yoshida, known for his overwhelming performance style that makes heavy use of odd time signatures and is powerful, polyrhythmic, and brimming with speed, teams up with Ichiraku Yoshimitsu－who deploys everything from his custom modular system to LEDs, lasers, and even drones to counter with ruthless, rule-breaking technique…

*24 copies limited edition* Lofi Experimental Cassette label focusing on reuse. Breathing new life into unwanted ephemera.

*28 copies limited edition* Lofi Experimental Cassette label focusing on reuse. Breathing new life into unwanted ephemera.    Jabe Ledoux: Percussionnd dentico: electric bass, magnetic tape, field recordings

Bundled together, Gentle Fire’s Explorations (1970–1973) 3‑CD box and Further Explorations CD form the most complete portrait yet of this seminal British experimental ensemble. Studio and festival recordings of Cage, Stockhausen, Wolff, Brown and Ichiyanagi sit alongside radical “Group Compositions” and newly unearthed German radio sessions, revealing a maverick collective equally at home interpreting graphic scores, building their own instruments and inventing new forms of electroacoustic group…

New issue of Audion, the magazine edited by Alan Freeman for Ultima Thule, printed in 60 copies. The cover article covers Magma from 1996 to 2026, thirty years since the band came back to activity, and runs alongside the second part of the beginner's guide to space-rock, this time on Europe: Belgium, Czechoslovakia, Denmark, Finland, France and Germany. The label sections look at Bacillus / Bellaphon, Soleil Zeuhl, Whitelabrecs, The Avant-Garde Sector and Rescued Relics, plus the final archive e…