Reissues

Issued privately in 1972 by Toronto's Carmen Lamanna Gallery following an Autumn 1970 exhibition, this "Sound Work" by Sculptor Robin MacKenzie is a wonder of simplicity. Presenting a series of unadorned Sound Events - the approaches & recessions of single vehicles on what sounds like a lonely stretch of the 403 at 3am, then the Composer's footsteps similarly walking toward & away from the microphone's singular vantage point - in a manner befitting both the storied "Sounds of the Junkyard" Folk…

2018 repress. Issued privately by Stockholm’s "Elektron Musik Studion” (EMS) between 1966 & 1973, the four “Dokumentation” LPs were something of a seasonal report card of the studio’s charter output, “internally” issuing key early works. Composers Ralph Lundsten & Leo Nilsen - whose side-length “Aloha Arita” & “Kalejdoskop” have only been issued in severely excerpted form in the interim, - Karl-Birger Blomdahl, Bengt Emil Johnson, Jan W. Morthenson, Arne Mellnäs, Lars-Gunnar Bodin, and Sv…

Lovely set of tape-music by composer Jack Tamul, issued in 1980 by Spectrum - not the Wergo sub-label, but the same Bear Mountain-area powerhouse that released William Hoskins’ “Galactic Fantasy” & William Strickland’s “An Electronic Visit to the Zoo” the year prior - “recorded at the Jacksonville Museum of Arts & Sciences."Starting with a series of pieces incorporating acoustic materials: “Genesis” is a choir piece peppered with synthesizer & tape-manipulation; “Lament for Gettysburg” is …

Handy, double-pack reproduction offering a pair of Compilations on the Greek Music Box label, the first comprised of key Magnetic Tape & Spectral Computer Music pieces by Iannis Xenakis, Dimitris Kamarotos, Xaris Xanthoudakis, & Vasilis Riziotis, the latter of, essentially, Dark Ambient & assorted "Wave" & "Age" fare by Vangelis Katsoulis, Lena Platonos, "Antitheseis" alum Michael Grigoriou, & Minas Alexiades, each on its own disc inside a "Gatefold" booklet. Released pretty much back-to-back - …

On the Creel Pone short-list for easily as long as #200's William S. Fischer title, this 1973 compilation of music, all composed at York University's Electronic Music Studio during the late 60s & early 70s has been a real white whale for ages & ages, until composer Martin Wesley-Smith's personal copy landed (literally) in the lap of the core C.P. cognoscenti earlier this year. Consisting of three sides (1, 3, 5, appearing here as disc one) of music by resident composers, staff, and hangers-on at…

Replica edition of this impossible-to-find, internal compilation of early-mid-80s Australian Tape Collage & Digital Assemblage, issued privately by Sydney Classical radio station 2MBS & consisting of five extended pieces; one each by Composers Peter Mumme, Peter Schaefer, Robert Douglas, Jon Rose, & Michael Hannan. There is a fair deal of the Fairlight's timbral & formal palette across the album's otherwise conceptually disparate offerings; understandable given the era & geographic associ…

Nicolae Brînduș was born in Bucharest in 1935 and swiftly matriculated through his studies in Piano & Composition at the National University of Music before embarking on the life-changing seminars at the Internationale Ferienkurse für Neue Musik, Darmstadt throughout the late 60s & early 70s; even working at Ircam for a spell in the mid-1980s. How this formative music, composed & recorded largely during his Darmstadt phase, has remained so relatively unknown is insane to me; it has all of…

The second title in Creel Pone's 23x survey of Romanian Early Electronic Music, offering both pieces from the lone Electrecord LP by Composer Dinu Petrescu, along with a composition from one of the many Corul Madrigal offerings, here conducted by Marin Constantin.  "Space Doina", or possibly "Doina Space (1978)", "music for symphony orchestra, mixed choir, children's choir, synthesizer, magnetic tape and electronic modulation" starts off with a gaseous drone of distant reverberance, seguei…

This is the last of the 199.x titles, a great diversion into those that were endlessly divisive amongst the C.P. cabal; so much so that common ground had to be carved out & explored... I'd heard legend of this internal-issue-only "White Label" GRM compilation, from trusted source "Ravi" Ben, of La Dame Blanche fame, but had never heard nor seen a copy until one literally landed in my lap at a soirée recently. Largely consisting of alternative & revised versions of prime 1973-era GRM pieces…

One thing I've learned as I've grown and progressed through music is that there is an incredible wealth of largely unheralded & seldom-heard music buried deep in the expansive Saravah catalogue, largely due to the street-level largesse of in-house engineer Daniel Vallencien, who aside from engineering a large portion of the canonic BYG catalogue - Don Cherry, Anthony Braxton, Musica Elettronica Viva, Sonny Sharrock, Sunny Murray, etc. - was crucial in the development of the label's sound …

Reproduction of this obscure 1977 Private Press stunner by Extradition, Company Caine, & Phyl Vinnecombe sideman & early 18th Century Quartet member Stephen Dunstan, a key part of Australia's Electronic Music history alongside Val Stephen, Bruce Clarke, Keith Humble, Felix Werder, & Ian Bonighton. Steve was a tragic figure; operating across multiple disciplines before disappearing under suspicious circumstances in the mid-80s while out retrieving a Moog Modular system, Dunstan was both a c…

**Edition of 500 copies. No represses** An astounding, epic journey into the more obscure areas of early electronic music, Phillip Werren’s Electronic Music is a wellspring of contemporary composition across four LPs. Originally released in 1971 in an edition of 100 copies, this impossibly rare piece of early Canadian electronic music has finally been reissued on vinyl in an exact replica box with a silk-screened cover.Electronic Music was recorded at Simon Fraser University (Vancouver), McGill …

Immersion. Everything and nothing, suspension is supreme. A visceral listening experience.

**few copies back in stock, very last around** It hardly needs to be said that the context of experimental music is defined by incredibly ambitious efforts. But there’s ambitious, and then there’s ambitious. The German composer and musician, Stephan Mathieu, might have taken the cake. Back in 2016, he began issuing his sprawling Radiance project, the culmination of a decade of work, in the end amounting to twelve thematically linked album length pieces, built around the concepts of stasis, unfol…

This solely album of Hamburg's six piece is a crossover of progressive- and jazz rock, notably with influences as wide-ranging as Blodwyn Pig and Curved Air. Long jammings by highly talented musicians, all blending into an unique sound with the distinct spirit of krautrock. Comes with insert including band story and rare photos.

This is Thirsty Moon's second album on the famous German label Brain, originally released in 1973. Despite the fact that their first album is accepted as a classic, many progressive rock fans consider You'll Never Come Back the band's best effort. On this album Thirsty Moon developed their unique sound. Not many other bands managed to capture the true character of acid-rock and placed it so effectively in a jazz-rock format. Thirsty Moon's sound is a mirror ball of images surrounding the listene…

Repress. From New York City, The Tea Company was one of the early birds from the US psychedelic underground scene, with an LP on the market, originally released on Smash Records, in '68. This album stands for the evolution of the 45 rpm psych-garage bands to the upcoming LP-generation with extended improvisation parts. Tea Company evolved from the Naturals, which were founded in 1963 and played the big ballroom supporting Mamas and the Papas, The Lovin Spoonful, Bob Dylan, Ritchie Havens, and ma…

Victor Peraino was the final keyboardist in Arthur Brown's great, unusual, drummerless band Kingdom Come. When that band fell apart, Victor took the name for his new band and the band put out one hopelessly rare album in the 70s which was recently reissued.Now, Victor is back, Kingdom Come is back and Arthur Brown is back and it's a excellent comeback album for both of them. There's some new material and some re-workings of old material and Victor plays a ton of his old, analog keyboards, which …

Sex Power was Vangelis' first solo album. It is the soundtrack for the same titled Henry Chapier movie. It was originally released by Philips in 1970 in Greece and France, and sold just a few copies. Nowadays however it is the holy grail for Vangelis collectors worldwide, with prices of mint copies reaching 1000+ euro. This frst ever reissue is an audiophile edition with sound taken from the original vinyl masters.

Remastered reissue of German prog rock band Grobschnitt's 1978 live masterpiece "Solar Music-Live" is without a doubt one of the most intense, and downright mindblowing German Acid Krautrock live album of the 70s. Ranging from blistering guitar solos to intricate jazz patterns weaved into subtle spacey keyboard dynamics coupled with vocals that range from beautiful melody to monstrous freak out vocals straight from the void, "Solar Music-Live" has everything acidhead/space rock fans, prog…

"This disc offers the only known recording of the first version of Gila, a group that gigged constantly to build a considerable reputation as a formidable live act. Taken from a live Cologne radio broadcast from February 26, 1972 (a few months before the group's demise), Night Works is all that one could hope for, long space rock acid jamming and much better fidelity than one would get from a recording by an audience member. Swirling organ tones and acid guitar burnouts surge out of the throbbin…

Limited and hand numbered edition of 1000 copies. With 20-page deluxe insert in LP size - Cologne, October 18, 1972. WDR is broadcasting live. The set lasts just under forty-seven minutes. Within a year, the band will be finished. Eiliff were formed in the late 1960s around pianist Rainer Brüninghaus - the same Brüninghaus who would spend the following three decades as one of ECM's most indispensable musicians, appearing on records by Jan Garbarek, Eberhard Weber (Colours), and Volker Kriegel. O…

**2018 repress, blue vinyl, edition of 200** Vinyl release in a faithful replica of the original 1974 edition!! Aged 22, Juri Camisasca, a reclusive and mysterious musician, with help of his producer Franco Battiato, put out La Finestra Dentro eally isn’t what you’d call mainstream RPI, but rather a twisted, mysterious offshoot from the generally more outgoing and flamboyant Italian scene.The collection of songs carries elements of folk with strong acid tendencies, all cast in the same eerie, s…

Staalplaat presents a double LP reissue of Muslimgauze's Ingaza, originally released in 1999 (the year of his death) as part of the Box Of Silk And Dogs set. Those not familiar with Bryn Jones's style will listen slack-jawed at the sheer anticipatory nature of his sound collages. He was a cult artist, politically motivated for the Arab-Palestinian cause and a seminal experimenter with ethnic samples' and minimal and electronic rhythms. The atmospheres retain their original charm, full and gloomy…

**Edition of 200 in gatefold PVC sleeve and booklet** LP reissue of the cassette edition "Solar Music Tent" documenting an installation and performance in Hagen, Germany, originally released by Joe Jones in 1982 in an edition of 10 copies. From the early 1980s onwards, Joe Jones released a handful of self-recorded music machine performances on tape under his own record label "Tone-Deaf Music". Most tapes came in a standard xeroxed sleeve with a handwritten title and instrument listing. A few, in…

Classic and sought after afro jazz. Essential and hard to find album with tons of true killer afro funk breaks: First reissue of original debut LP by African jazz band “Mombasa” led by Lou Blackburn and recorded 1975 at Cornet studio in a Cologne. One of the really shining recordings in the genre - deep spiritual jazz with pulsating african rhythms, funk bass and heavy brass, including nice DJ-spins “Nairobi”, “Kenia” and “Shango”, comes with original cover artwork. Some used to call it “a strip…

Few copies back in stock, reduced price **sold-out at source, few copies available** Double LP version. 140 gram vinyl. Gatefold sleeve. Includes liner notes (French and English). Wrwtfww Records announce the release of two never-released-before soundtracks by French award-winning composer, audio experimenter, electroacoustic, and musique concrète magician, and all-around sound visionary Bernard Parmegiani, sourced from the original reels, and with English and French liner notes. Les Soleils De …

We Release Jazz present the official reissue of Eric Demarsan's original soundtrack of Jean-Pierre Melville's 1970 film noir classic Le Cercle Rouge. The film stars Alain Delon, Bourvil, Gian Maria Volontè, and Yves Montand. This reissue includes four bonus tracks, not available on previous pressings of the album, Eric Demarsan's compositions for Le Cercle Rouge draw from the orchestral spirit of the Modern Jazz Quartet (as requested by Melville who loved John Lewis's work), abstraction, and min…

**Edition of 400 copies in silver vinyl, one-time pressing** Sub Rosa present a collection of Pauline Oliveros's early material, aptly titled Early Electronic Works 1959-66, released as a part of the label's Early Electronic series. Oliveros was an important American composer, born in Houston, Texas on May 30, 1932; the music she produced in the latter part of her life is akin to the breath of life, notably, through her pieces for accordion (particularly those which she herself performed). In ad…

Monstrance documents Mika Vainio & Joachim Nordwall reshaping guitars, drums and incendiary electronics at Einstürzende Neubauten’s Berlin studio back in 2010. The results were originally issued by Touch in 2013, with this new 2LP edition now arriving on Nordwall’s iDEAL label five years later as a posthumous tribute and reminder of his erstwhile collaborator. In our opinion, it’s one of Vainio’s most crucial and absorbing collaborations; moving away from ice-cold electronic precision and into a…

David Wojnarowicz (1954-1992) was a writer and artist active in New York's Downtown scene in the 1970's and 80's. In the 1980's Wojnarowicz become one of the central figures in the AIDS struggle, as well as the target of homophobic censorship efforts by the American Family Association. Wojnarowicz kept written and cassette tape journals throughout his adult life. This three-disc vinyl release publishes for the first time three of Wojnarowicz's tape journals, documenting his thoughts, dreams, fea…

First ever release of the text-sound pieces by French lettrist artists Gérard-Philippe Broutin (b. 1948). Broutin studied Art History at the University of Paris and the École du Louvre. Alongside other artists such as Maurice Lemaître, Roland Sabatier, Alain Satié, François Poyet or Jean-Pierre Gillard in particular, Broutin meets Isidore Isou in 1968 and from then on participates in most of the events and literary exhibitions of the lettrist movement. His first pictorial works were shown in Mar…

First recording of the grand scale "Traubenfleisch 2007-2017“ symphony by Hermann Nitsch. Performed at the Nitsch Museum, Mistelbach, September 2, 2017, by Orchestra "Klangvereinigung Wien“ and a new choir formed for the occasion. Directed by Andrea Cusumano

Self-taught composer Larry Chernicoff began writing music in the mid 1970's for a dance troupe in Woodstock New York, where he worked and taught at the legendary Creative Music Studio. On his 1983 debut album, Gallery of Air, he began blending improvisation with long-form compositions, minimalism, orchestral instruments, multi-layered counterpoint, the warm textures of synthesizers, and a diverse range of international sounds. Throughout Gallery of Air, his ensemble delivers both a high level of…

Emboldened by the success of the recent reissue of It's Cosy Inside, Mark and Clive had a listen to hundreds of previously unreleased tracks recorded in the 70s and 80s to assemble their first new record in two decades, When The Past Arrives, out in March from Drag City / Yoga Records. With comparisons to Penguin Cafe Orchestra, Animal Collective, Cluster, and Brian Eno, Woo's profile in the world of atemporal music has been growing for years. For the lucky few who know, like Fela, or Neu!, Woo …

FatherYod personal book. He wrote it in 1970 in 10 days and has been re-issued with a current update about The Source Family. The Source Family was a spiritual experiment which some call a cult, from the 1970's. They ran a popular health food restaurant on Sunset Blvd. in Hollywood and were a part of the West L.A. spiritual awakening of the time. This book contains an entire transcription of the original "bible" of the Source Family written by its leader, Father Yod, entitled "Liberation," …

Prismrose is a nearly wordless collection of six pieces for electric guitar, all given real time to breathe and mutate. It’s an album that documents what an electric guitar sounds like in David Grubbs’s hands — with Eli Keszler dropping by to pummel some drums — now that we’ve stumbled into the year 2016.

The triumphant return of the Red Krayola to record shops. Featuring members of Gastr del Sol, Slovenly, Tortoise. "Now working with such younger musicians as John McEntire (Tortoise), Jim O'Rourke, and David Grubbs, Mayo Thompson comfortably steers the Red Krayola into the mishmash of '90s post-punkdom here. For Thompson, it's not so much a return to the scene (he had always kept recording, after all) as a continuation of his themes of musical eclecticism. It's heavy on the angular guitar lines …

These legendary recordings were shelved in ’67 for being too freaked-out! Today, they are sweet freak-outs to our ears. As strange as the Red Krayola's debut album was, their proposed follow-up, Coconut Hotel, was far stranger. This all-instrumental recording was more appropriately classified as twentieth-century avant-garde music than rock, and was rejected by International Artists for release in 1967, finally seeing the light of day on Drag City in 1995. All power to the Krayola for doing thin…

The very notion of the Red Krayola putting out "singles" is a little surreal, since singles are by most definitions the most commercial face of the record industry. After all, if anything was consistent about the Red Krayola throughout their career, it was their uncompromising underground uncommerciality. Yet the band actually put out a good number of singles in the 1970s, 1980s, and 1990s, and 21 tracks from those releases -- some of them quite rare, and some them actually previously unissued -…