Originating from the 1960s’ French jazz scene, Jacques Thollot left a string of unclassifiable recordings ranging from free neo-expressionist explorations for keyboard and percussion to ornate, carefully arranged baroque jazz. But Thollot’s imagination was too rich to enclose him within jazz idiom. His instrumentals, proportional and highly inventive, are often fragile and elusive. His rich arrangements were as lofty as they were airy. Formally impeccable, they were never academic.
Were it not for his first LP, issued on a highly collectible Futura label, Thollot would have probably remained virtually unknown outside France. He deserves a much wider renown among adventurous listeners worldwide.