Skip to content
play
Out of stock

Stefano Pilia

Spiralis Aurea (2LP)

2LP

Sold out

Out of stock

Tracked express shipping from Italy, no customs or import VAT in the EU. Shipping costs

Venturing into untapped realms of creative exploration, the Genoa born, Bologna based, guitarist and electroacoustic composer, Stefano Pilia, returns to Die Schachtel with “Spiralis Aurea”, a double LP of material that intertwines traces of sacred geometry, collective experience and elusive connections between nature and human kind.

First emerging during the early 2000s, over the past two decades – via solo releases and numerous collaborations with artists like Oren Ambarchi, Valerio Tricoli, Alessandra Novaga, Z'EV, Andrea Belfi, David Grubbs, and numerous others - Stefano Pilia has presented a singular voice within Italian experimental music, harnessing visceral energy and hands-on immediacy within delicately woven tapestries of sonority, each investigating the sculptural properties of sound and illuminating its relationship to space, memory, and the suspension of time. Spiralis Aurea, his third solo release with Die Schachtel, encounters the composer venturing into unchartered waters, exploring notions of spirituality via a body of twelve compositions, recorded in various combinations with a cast of all-star instrumentalist; Alessandra Novaga, iosonouncane, Silvia Tarozzi, Mattia Cipolli, Ensemble Concordanze, Elisa Bognetti, Enrico Gabrielli, Valeria Sturba, Giuseppe Franchellucci, Adrian Utley, and Cecilia Stacchiotti.

The roots of Spiralis Aurea rest within Pilia’s longstanding, personal engagement with the spiritual and an epiphany had during a visit to the Futa Pass cemetery, the resting place for German soldiers killed in Italy during the Second World War. Deeply moved, he reflected on the profound meanings laying below the geometry of its design; “a place 'crossed' by thoughts about the landscape, history, symbols, rituals. A work offering a reflection on life and death. A prayer for the living and the dead.” Stepping back from the intuitive immediacy that guided his work for decades, and inspired by the concepts of “divine geometry”, he set out to translate a series of numerical relationships and geometric figures into “sacred” musical forms, attempting to grasp enduring archetypes that underpin collective experience, believing that art holds the potential to operate as a balm for the isolation fostered by the modern world.

Drawing its title from the Golden Spiral - also known as the golden ratio, golden section, golden mean, or divine proportion - a mathematical formula and geometric form that has maintained both mystical and creative significance for millennia, each of the 12 works that comprise Spiralis Aurea began with a figure or process that is both geometric and symbolic, drawn by Pilia, that slowly translated into tangible organizations of sound. In some cases, such as the three movements of the “CodeXIII” series and “Crux”, this process transformed numerical relationships derived from the Fibonacci sequence - the underpinning of the “Golden Spiral” - into harmonic progressions, while others take on more iconic and culturally familiar forms. “Ouroboros” alludes to an ancient symbol of a serpent consuming its own tail, deploying a contrapuntal process within which the beginning and end coincide. “Hannah”, on the other hand - deriving from the Hebrew word for ‘grace’ - is slightly more abstract, doubling its literal meaning against the palindromic qualities of the word, both aspects being reflected within the structural symmetry of the score.

Displaying a deep resonance with works by La Monte Young, Arvo Pärt, Pauline Oliveros, Eliane Radigue, Krzysztof Penderecki, and Terry Riley, that have witnessed trajectories of experimental music delving toward the spiritual, divine, and metaphysical, Pilia’s Spiralis Aurea culminates as a series of sonic meditations, leaving room within their spacious forms to encourage active listening. Calling up echoes of ancient musics within their optimistic, forward thinking tones, across various arrangements of instrumentation - double cello quartet and bass, horns quartet and bass organ, string quartet, string quartet and organ, cello quartet, solo organ, cello solo and synthesizer, electric guitar quartet, guitar quartet and synthesizer, piano and violin - Pilia sculpts a striking intersection between acoustic and electroacoustic process, drone, and chamber music, harnessing the literal and abstract in search of order and higher meaning within a chaotic and uncertain world.


Details
Cat. number: DSZEIT17
Year: 2023

This edition

2LP version, 180g black vinyls housed in a six-panel gatefold cover, includes booklet. 190 copies only

Release notes

Reissue 2022. Limited deluxe edition of 150 copies in black vinyl. Includes a 4-page lp-sized booklet with a front picture of Stefan Pillia inside two sides of liner notes by Julian Cowley from September 2021; the tracking list and production / recording information on side 4. The two records are housed in a multiple fold-out cardboard sleeve with an original artwork by Bruno Stucchi/Dinamomilano (a black gouache brushstroke spiral design loosely based on the floor plan of the Futa Cemetery)…

Tracklist
A1Ascensio (For Organ)
A2Spiralis (For String Quartet And Organ)
A3Aurea Parte I (For Cello Quartet)
B1Crux (For Double Cello Quartet And Bass)
B2Codexiii (+) (For Horns Quartet And Bass Organ)
B3Imago (For String Quartet)
C1Codexiii (O) (For Cello Solo And Synthesizer)
C2Ouroboros (For Organ)
C3Hannah (For Electric Guitar Quartet)
D1Codexiii (( )) (For Electric Guitar Quartet And Synthesizer)
D2Aurea Parte II (For Cello Quartet)
D3XIII (For Piano And Violin)
Credits
Bruno Stucchi
Artwork, Design, Producer
Stefano Pilia
Composed By, Written-By, Recorded By, Mixed By (B1, C1, C2, C3, D1)
Julian Cowley
Liner Notes
Giuseppe Ielasi
Mastered By
Diego Castioni
Mixed By (A1, A2, A3, D2), Recorded By (A2, A3, D2)
Matilde Piazzi
Photography By [Photographic Documentation By]
Fabio Carboni
Producer
Claudio Tortorici
Recorded By (A1 )
Giovanni Isgrò
Recorded By (C3, D1)
IOSONOUNCANE
Recorded By (D1)
T J Allen
Recorded By (C3)
Bruno Germano
Recorded By, Mixed By (B2, B3)
Gianluca Turrini
Recorded By, Mixed By (D3)

More from Die Schachtel

On Air