New Arrivals
To Cut & Shoot
On their most explicit venture into music for moving image, Miles Whittaker & Sean Canty rudely fracture piano and vocal recordings by US filmmaker-musician Kristen Pilon in a short-circuiting of style and pattern that arguably amounts to some of their best yet on DDS. Yup it’s uncanny dream-within-a-dream type gear, landing somewhere between their commissions for Gruppo Di Improvvisazione Nuova Consonanza and creeping classics by The Caretaker.
Hard Top
Hard Top assembles the previously unreleased 1975 recordings of legendary South African saxophonist Kippie Moketsi (also spelled Moeketsi). The 2LP vinyl edition is presented in a gatefold sleeve featuring artwork by Mafa Ngwenya and comes from As-Shams Archive on the heels of the Tete Mbambisa's previously unreleased African Day album in 2024.
By 1975, at the age of 50, saxophonist Kippie Moketsi had already earned his stripes as a South African jazz figurehead. His tenure with the Jazz Epistle…
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Heavenly new age ambient synthesis and 4th world navigations by two leading lights of their field, flocking to a mutual spirit at the behest of Australia’s eternally reliable Good Morning Tapes. Riyl Asa-Chang & Junray, Jon Hassell, Nueen, Enya, David Toop.
Meeting for the first time on record - although it sounds like they’ve been making music together forever - GRM alum Ariel Kalma brings some half a century of experience accrued deep in synth music’s most esoteric realms, to Leaving Records’ …
Oasis
Buenos Aires or any city in the world. Daniel Melingo is in a rehearsal room. The musicians accompanying him have left, exhausted. The instrumentalist musician has been playing all the instruments, which for him are extensions of his body, for hours. The piano, the drums, the guitar, the bass, the xylophone, the saxophone, the bouzouki. He conducts an orchestra made up of himself. As if he was looking for the secret formula in his laboratory where every sound - even if it is not instrumental - i…
Missbruk
*200 copies limited edition* Makt is a Swedish supergroup by "Henrik Nordvargr Björk" (Folkstrom / Bøltron / MZ.412) and "Anon" (Apex Parasite). Makt 2xCD contains the two previous limited and instantly sold out tapes (on Freak Animal and Ominous Recordings) as well as a complete unreleased album ("Dead Nations").
Makt is truly Harsh Power-Electronics analyzing "Power" in all its ugly forms; the eternal Male/Female Conflicts, Religious and Political Abuse, Power and Control. Unfiltered, raw and …
The Data Industrial Complex II: The Mark Of The Beast
*300 copies limited edition* "Brand new TCU album! Uncompromising Power-Electronics from Oakland / USA. Those guys are real practitioners of cultural terrorism: "You better find God before God finds you..."
"Now fully ensnared in these times of Artificial Intelligence and fabricated facts supporting self-serving confirmation bias, the concepts first illuminated in 2019's Data Industrial Complex seem even more prescient and applicable today. Hence the emergence of The Data Industrial Complex II, …
Manifesting as Atrax Morgue
*300 copies limited edition* "I hate covers. I have never heard a cover version that outshines the original recording. Thus, it is a mystery why I did this. Being me it makes no sense. I have always enjoyed Marco Corbelli´s work and while all of it is not to my liking there is always something unmistakably special about it. I really got sucked in by his Mörder Machine project, but the last few years I have been listening a lot more to Atrax Morgue.
Sometimes when I was a bit out of ideas in the …
Black Water/Brown Earth
Ivan The Tolerable is the alter ego solo project of Middlesbrough based musical wizard Oli Heffernan. Aside from his solo work as ITT, Oli has played in numerous bands over the years including Year Of Birds, King Champion Sounds with members of the Ex, Detective Instinct, and Shrug, and has collaborated with icons like Mike Watts of the Minutemen, and J Mascis of Dinosaur Jr.
On Black Water/Brown Earth, Heff called in the help of his Dutch friends Mees and Elsa in King Champion Sounds again and …
Magic Smoke Chords
Assembled and recorded to tape in 2011 by Oli Heffernan.
''A full-stop on my 20's in mixed media.''
Remastered for vinyl in 2024
Sleeve by Ack! Ack! Ack! Design
Cover Photo by C-Dyer
Released by Industrial Coast 2025
Live In London
Recorded live at The Waiting Room, Stoke Newington, London on friday 13th Sept 2024 - between 8pm - 8:37pm
Oli Heffernan - bass guitar, synths, kalimba, drones, arps
Dedicated to the memory of Stan Brakhage: 1933 - 2003
Design by Ack! Ack! Ack! Design
Nocturnes
10 new chunks of lo-fi instrumental library-hop - recorded in 2 days in Summer 2024, ‘Nocturnes’ is the first Ivan The Tolerable album of 2025, and the first one made solo by Heffernan since ‘Wild Nature’ in 2019.
Known for his genre-defying and boundary-pushing approach to music, Heffernan – who has spent years experimenting with various styles,instruments and production techniques – has crafted a collection of tracks that defy categorization. The new album is a sonic tapestry of atmospheric li…
Autodidact
"I recorded the bulk of this record over a weekend in January 2018, in the midst of a very minor breakdown that was to last for prettymuch the entire year. I was living in a big house all on my own, smoking too much and not really seeing any people. Happy days indeed. It was tracked in the back room of 97 Hambledon Road, Middlesbrough using two questionable microphones, a broken HH 100 amp, my friends drums and a Tascam DP08 (that wasn't to see the year out, RIP 2009-2018) When I was done, Robbi…
Wild Nature!
We are delighted to bring you our next entry from the Ivan The Tolerable archive reissue series, 2019’s ‘Wild Nature!’ Originally released on CD by Ack Ack Ack Records back in 2019, the album has now been remastered and repackaged, and will be released on super ltd edition orange wax. Here’s a bit about the album in Oli’s own words.
‘Wild Nature was originally recorded sporadically during the first half of 2019. It started life in one house, then I moved and it was finished in another. I remembe…
Somewhere
*2025 stock*
Written, produced, engineered and mixed by Marco GiambroneRecorded and mixed at Casa 53 - Cammarata (Italy)Additional Recordings: b.a.d Instruments Studio - Alessandria, Nocino's Studio - AlessandriaMastered by Giovanni Versari at La Maestà - Tredozio
Marco Giambrone: Vocals, guitars, percussions, balalaika, vibes, noises, samples, synth, violinCaterina Fede: Vocals, organ, harmonium, synth, autoharp, cymbals, percussions, noisesAlfonso De Marco: Bass guitar, percussions, backing vo…
Tvåhundra Ord För Ensamhet
*150 copies limited edition* “In September 2022 I bought a piano. I had had access to pianos previously but had quite limited knowledge on how to actually record it in a good way. Especially since I had also acquired a dampener for it and was mainly interested in capturing that piano tone, which lacks a lot of the overtones that it normally has. So the idea was to write and record something quickly, using mainly piano and mainly first takes. To go with my gut feeling and leave the mistakes in th…
s/t
This album bridges past and present through the voice and instruments of Maria Violenza and Luciano Turella, with the Irtumbranda project (formerly performing as the duo BrandaMaria), offering an intimate and visceral reinterpretation of Sicilian musical tradition. On Side A, the island’s ancient melodies come to life through an interpretation that enhances their raw and profoundly visceral character. Maria Violenza, who grew up listening to these songs in family gatherings and popular festivals…
La Macchia
This new chapter of Baccano intertwines the sonic roots of Southern Italy with contemporary musical languages, thanks to the collaboration between two artists who, despite coming from different backgrounds, share an intense exploration of traditional rhythms.
Altitude 1100 Meters
Celebrating her 65th birthday with her first compositions for strings, pianist-composer Satoko Fujii writes for the specific musicians of GEN, a sextet of violin, viola, bass, piano, electronics, and drums, in a suite inspired by Nagano's mountain views, leveraging microtonal string techniques for an expressive and texturally rich sonic landscape.
NatJim
Right out of the gate one feels the energy and excitement between Japanese trumpeter Natsuki Tamura and NY drummer Jim Black, each pushing the other through strong instrumental character and outrageous technique over nine Tamura compositions recorded in the studio in Switzerland, their first recording in 25 years since their 1999 Buzz Records album White and Blue.
Shiroyama
SUDA Seishu (1947–) is a master of the Satsuma-biwa and Heike-biwa, traditional Japanese instruments. He was born in Tokyo and studied Satsuma-biwa with Tsuji Seigo and Heike-biwa with Kindaichi Haruhiko. In 1970, he won the Biwa Music Competition and has been a leading performer in the biwa world for over 50 years.
The biwa is a Japanese string instrument with a long history. It came to Japan during the Nara period (710–784 AD) and is thought to have originated in Iran. It is related to instrum…