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Faith Coloccia's unadorned voice over Tashi Dorji's glacial, howling guitar, with piano, organ and tubular bells: songs about land, property and loss, recorded …
Marina Herlop's most ambitious work, self-released: one unbroken body of music built on the Hero's Journey, with orchestral brass for the first time and gamelan…
Vanishing Twin's new album pieces together daily recording sessions swapped between rural France and London: a playful collage of postmodern songcraft where the…
Dark ambient pioneer Lustmord and drummer Dave Lombardo meet as Lustmord Lombardo: evolving walls of low-frequency sound shot through with percussion and synthe…
Clawhammer banjo meets synthesizers, loops and pedal steel: Allison de Groot and Nashville's Rich Ruth turn a planned solo record into a shared album of cosmic,…
New Zealand sound artist Rachel Shearer listens to the Earth through Māori and Western practice: field recordings, electronics and voice on her first full album…
The two new Blume LPs together: David Tudor's Anima Pepsi, composed for the Pepsi Pavilion at Expo '70, and Lea Bertucci's The Days Pass Quickly Immersed in the…
First vinyl reissue of the 1985 Pariah Tapes triple cassette by Toshiji Mikawa's Incapacitants: seven long tracks of pure electronic distortion, remastered by A…
Roger Doyle's third solo album on Allchival: new fixed electronic works, software piano improvisations and voice, a response to Finnegans Wake and music from Op…
Seven unreleased BBC radio performances from 1969, the last year of the Don Rendell / Ian Carr Quintet with Michael Garrick, Dave Green and Trevor Tomkins, save…
First recorded work by Swedish drone composer Mats Erlandsson and double bassist Gus Loxbo, friends for 25 years: free improvisation, electroacoustic drone and …
Chicago trio Axis: Sova follow up 2023's Blinded by Oblivion on Ty Segall's God? Records: post-punk songs worked out live on tour, then recorded with Cooper Cra…
The two new Blume LPs together in a printed tote bag: David Tudor's Anima Pepsi, composed for the Pepsi Pavilion at Expo '70, and Lea Bertucci's The Days Pass Q…
Commissioned by ZKM Karlsruhe, Lea Bertucci's work for flutist Norbert Rodenkirchen sets his Renaissance, Medieval and Neolithic flutes inside electronic proces…
Two pieces David Tudor composed in 1970 for the Pepsi-Cola Pavilion at Expo '70 in Osaka, built by E.A.T.: Pepsibird, from tapes of human and animal brain waves…
Split LP in the Portraits GRM series: Amina Hocine blends sine waves, field recordings and her own foghorn organ in X3, while Espen Sommer Eide revisits his Pho…
Evan Parker's trio with Alexander von Schlippenbach and Paul Lytton meets Peter Brötzmann's trio with William Parker and Hamid Drake, live at Victoriaville on 1…
Scanner reworks an hour of Nurse with Wound material into six pieces named after homeopathic remedies: radio static, processed voices and squeaky guitars in an …
Mary Jane Leach's Pipe Dreams II and III, recorded on the organs of Miry Concertzaal, Gent (2023) and Kunst-Station Sankt Peter, Cologne (2024): beating tones a…
Three late acoustic works from Éliane Radigue's Occam cycle, written with and performed by bassoonist Dafne Vicente-Sandoval and cellist Charles Curtis: solos a…