New Arrivals
Tirakat
New collaboration between the Jakarta trio Ali and Lebanese composer and multi-instrumentalist Charif Megarbane: 1970s Indonesian psychedelic funk, Melayu tradi…
Dear Prof. Leary
Villingen, 27 and 28 June 1968. Barney Wilen, the tenor of Ascenseur pour l'échafaud, with a young Joachim Kühn on organ and piano, Aldo Romano and Wolfgang Paa…
Tiga Trombone
First release on Audible Beauty, Habibi Funk's sister label: eleven jazz pieces by the Malaysian pianist and arranger Alfonso Soliano, recorded for Radio Televi…
music for strings
Three string works written between 2020 and 2023, performed by Ensemble Modern: a nonet locked in seven-eight, a piece that splits sound the way a prism splits …
Nothing Space Music
Maya Ongaku has always been searching for what exists just beyond the edge of perception. Since forming in the seaside towns surrounding Enoshima, the trio has …
Let Me Perish Without Return: Lament and Longing from the Fading Russian Empire, 1889-1917
Twenty sides cut in the Russian Empire between 1889 and 1917, dug up by Gary Sullivan in the Russian shops of Brighton Beach and Forest Hills: music hall satire…
Our Mother The Mountain
Half-speed master edition of Townes Van Zandt's 1969 second album, cut at StarDelta by Lewis Hopkin. Folk and country songwriting at its most intimate, from 'Be…
Triloque
Berlin Jazz Days, 6 November 1976. Albert Mangelsdorff's trombone, alone at the front, with Jaco Pastorius on electric bass and Alphonse Mouzon on drums, a year…
The Wide Point
Walldorf Studio, near Frankfurt, 1 and 2 May 1975. Albert Mangelsdorff on trombone, Palle Danielsson on bass, Elvin Jones on drums. Seven pieces, thirty-nine mi…
Destination Unknown
Moonwalker, Aarburg, Switzerland, 29 March 1992. Sun Ra, fourteen months from the end, at synthesizer and piano with a ten-piece Arkestra: Marshall Allen, Micha…
It's After The End Of The World
Donaueschingen, 17 October 1970, and Berlin, 7 November: Sun Ra's first German concerts, commissioned by Joachim-Ernst Berendt, with the Black Forest Myth writt…
Noon In Tunisia
Another of Berendt's meetings, SABA 1967. George Gruntz, the Basel pianist who would later run the Berlin Jazz Festival for twenty years, with Sahib Shihab on s…
Gittin' To Know Y'All
Baden-Baden, Südwestfunk studio, 12 to 14 December 1969, the annual Free Jazz Meeting. Steve McCall had persuaded the organisers to invite the Chicago musicians…
Jazz Meets India
Villingen, 23 October 1967. Irène Schweizer's trio with Mani Neumeier and Uli Trepte, a year before Guru Guru, meets Dewan Motihar's sitar, tabla and tambura, w…
Ascending the Depths
Ithaca trio of Sarah Hennies, Willie B. and Keir Neuringer, three percussionists reaching into vibraphone, saxophone and piano. Eight studio improvisations, pla…
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Style
Bomb! Rhodes and Hammond, wah-wah guitar, strings, horns and the first traces of the synthesizer, moving between jazz-funk, bossa, psychedelia and pop with the …
Untitled - Solo for the Building of a Museum
Tony Conrad alone with amplified violin and self-built Long String Instrument, playing behind a sheet inside the unfinished Mudam in Luxembourg, October 2002. N…
The Will of Tongues
The most ambitious work of Sarah Davachi's career to date. Spanning more than two hours of music across three LPs, The Will of Tongues arrives on the composer's…
Robert Nasveld
Tip! *300 copies limited edition* Robert Nasveld (born 1955) studied piano at the Utrecht Conservatory and specialized in the twentieth-century repertoire, with…
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