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Studio 44, Monster, Holland, 11 March 1987. One day. Pharoah Sanders with John Hicks on piano, Curtis Lundy on bass and Idris Muhammad on drums, a band he kept …
Donaueschingen, 21 October 1967. Archie Shepp with Roswell Rudd and Grachan Moncur III on trombones, Jimmy Garrison on bass, Beaver Harris on drums. One piece, …
1967, SABA. Tony Scott, the clarinettist of Music for Zen Meditation, with Bubi Chen's Indonesian All Stars: Jack Lesmana on guitar, Marjono on saxophone, gamel…
December 1966, a month after the premiere at the Berlin Philharmonie: Alexander von Schlippenbach's Globe Unity, fourteen players, Brötzmann, Schoof, Hampel, Ma…
Wolfgang Dauner's 1967 SABA septet: Jean-Luc Ponty on violin, Gerd Dudek on tenor and clarinet, Eberhard Weber on cello, Jürgen Karg on bass, and two drummers, …
Two years after Free Action, a different record. The Oimels, MPS 1969, is the Wolfgang Dauner Quintet playing pop: Dauner on piano, organ and voice, Eberhard We…
The twenty-eighth Durutti Column album and the first in sixteen years, produced by Keir Stewart: Vini Reilly's guitar among warm ambient washes, piano and quiet…
Four decades after Prati Bagnati del Monte Analogo, Francesco Messina returns to his hundred-year-old Schimmel piano for seven pieces of hazy drone and ambient …
The Portuguese percussionist turns drums and cymbals into generative sources: seven tracks of spectral tones, sub-bass rumble and warbly VHS tones, shaped by el…
Four decades after Prati Bagnati del Monte Analogo, Francesco Messina returns to his hundred-year-old Schimmel piano for seven pieces of hazy drone and ambient …
Tip! Vincent Grimaldi’s "Amorce De Champ" is a sonic exploration of studio and field recording. Driven by a particular focus on the technical modalities of soun…
Cults have always had their own soundtracks: songs written to win over, to bind, to manipulate, repeated until they settle beneath thought, becoming core belief…
Three late acoustic works from Éliane Radigue's Occam cycle, written with and performed by bassoonist Dafne Vicente-Sandoval and cellist Charles Curtis: solos a…
Follow up to 2020's Plays For Trane, this is Plays For Trane Vol. 2. The band dives further into John Coltrane's catalog, turning it inside out, bending it, hol…
Ylang Ylang’s Will to Love suggests both a challenge and a determination simultaneously. What does it actually take to love? Amidst the inherent contradictions …
*200 copies limited release* After Le jardin perdu (2023) and Depuis les cimes (2025), Antoine Bellanger takes another new turn with La flûte, an album that con…
Mary Jane Leach's Pipe Dreams II and III, recorded on the organs of Miry Concertzaal, Gent (2023) and Kunst-Station Sankt Peter, Cologne (2024): beating tones a…
One of the most influential dub albums ever made. The remixing techniques used – radically new for 1973 – helped transform the role of the producer and the engi…
Bomb! Rhodes and Hammond, wah-wah guitar, strings, horns and the first traces of the synthesizer, moving between jazz-funk, bossa, psychedelia and pop with the …
Tony Conrad alone with amplified violin and self-built Long String Instrument, playing behind a sheet inside the unfinished Mudam in Luxembourg, October 2002. N…